{"id":2725,"date":"2026-05-05T11:53:17","date_gmt":"2026-05-05T11:53:17","guid":{"rendered":"https:\/\/thelb.al\/?p=2725"},"modified":"2026-05-12T13:01:05","modified_gmt":"2026-05-12T13:01:05","slug":"ne-wuthering-heights-kostumet-sfidojne-kohen","status":"publish","type":"post","link":"https:\/\/thelb.al\/?p=2725","title":{"rendered":"N\u00eb \u201cWuthering Heights\u201d, kostumet sfidojn\u00eb koh\u00ebn"},"content":{"rendered":"<p>Regjisorja Emerald Fennell \u00ebsht\u00eb rikthyer n\u00eb kinema me nj\u00eb rilexim t\u00eb <em>The Wuthering Heights<\/em>\u00a0(Lart\u00ebsit\u00eb e stuhishme) q\u00eb, le ta themi q\u00eb n\u00eb fillim, nuk ka asnj\u00eb synim t\u00eb k\u00ebnaq\u00eb t\u00eb gjith\u00eb. N\u00eb qend\u00ebr t\u00eb k\u00ebsaj stuhie jan\u00eb Margot Robbie, gjithashtu producente e projektit, n\u00eb rolin e Cathy, dhe Jacob Elordi si Heathcliff.<\/p>\n<p>Pas kostumeve q\u00ebndron Jacqueline Durran, dy her\u00eb fituese e \u00e7mimit Oscar dhe mjeshtre e garderobave. Q\u00eb n\u00eb shfaqjet e para, filmi ka ndezur debat n\u00eb bot\u00ebn e mod\u00ebs, jo p\u00ebr zgjedhjet narrative, por p\u00ebr veshjet. Korsete t\u00eb theksuara, tekstile me shk\u00eblqim ekstrem, mantela t\u00eb kuq flak\u00eb mbi d\u00ebbor\u00eb: tep\u00ebr glam, tep\u00ebr teatrale. P\u00ebr disa, nj\u00eb tradhti ndaj shekullit XIX t\u00eb Emily Bront\u00eb.<\/p>\n<p>Akuzat? Pasakt\u00ebsi historike. Silueta \u2018t\u00eb gabuara\u2019, materiale sintetike, referenca t\u00eb viteve \u201950 n\u00eb mes t\u00eb Yorkshire. \u00a0Filmi nuk luan me rikonstruksionin filologjik, \u00a0luan me imagjinat\u00ebn. P\u00ebrzien elemente Tudor, viktoriane dhe gjeorgjiane me estetik\u00ebn e Hollywood-it t\u00eb sot\u00ebm, shton nj\u00eb doz\u00eb couture bashk\u00ebkohore dhe i shkrin t\u00eb gjitha pa asnj\u00eb ndjenj\u00eb faji.<\/p>\n<p>Cathy nuk i p\u00ebrket nj\u00eb epoke t\u00eb vetme: ajo \u00ebsht\u00eb e tepruar, m\u00eb shum\u00eb legjend\u00eb sesa heroin\u00eb.<\/p>\n<p>Hyrja e par\u00eb n\u00eb sken\u00ebn e filmit e Cathy (Margot Robbie) \u00ebsht\u00eb me nj\u00eb korse me dekolte t\u00eb theksuar q\u00eb t\u00eb kujton m\u00eb shum\u00eb folklorin e Europ\u00ebs Qendrore, dikush madje e krahasoi me nj\u00eb \u2018dirndl bavarez\u2019, sesa Anglin\u00eb e shekullit XIX.<\/p>\n<p>Nd\u00ebr kostumet m\u00eb t\u00eb \u00e7uditshme jan\u00eb ato me tekstile aq t\u00eb shndritshme sa duken si latex, edhe pse n\u00eb fakt jan\u00eb materiale sintetike, t\u00eb plastifikuara dhe ultra-reflektuese. \u00cbsht\u00eb nj\u00eb zgjedhje q\u00eb p\u00ebrqafon anakronizmin pa asnj\u00eb rezerv\u00eb: jo nj\u00eb e kaluar e besueshme, por nj\u00eb sip\u00ebrfaqe q\u00eb kap drit\u00ebn dhe e kthen \u00e7do l\u00ebvizje n\u00eb spektak\u00ebl.<\/p>\n<p>Nj\u00eb prej tyre \u00ebsht\u00eb fustani q\u00eb Cathy vesh n\u00eb nat\u00ebn e martes\u00ebs, \u00a0nj\u00eb siluet\u00eb q\u00eb mban nj\u00eb jehon\u00eb viktoriane, por me nj\u00eb material q\u00eb e \u00e7on menj\u00ebher\u00eb n\u00eb nj\u00eb tjet\u00ebr dimension. Referenca duket t\u00eb jet\u00eb nj\u00eb imagjinar i viteve \u201950, ku gruaja paraqitej si nj\u00eb dhurat\u00eb p\u00ebr t\u2019u zbuluar.<\/p>\n<p>I nj\u00ebjti material rikthehet n\u00eb t\u00eb kuqe t\u00eb ndezur, me nj\u00eb efekt pothuajse futurist. E kuqja, nj\u00eb nga ngjyrat ky\u00e7e t\u00eb garderob\u00ebs s\u00eb Cathy, amplifikon \u00e7do sken\u00eb t\u00eb filmit pasion, tension dhe rrezik.<\/p>\n<p>Pastaj vjen manteli i kuq n\u00eb d\u00ebbor\u00eb, momenti q\u00eb shum\u00eb e kan\u00eb krahasuar me nj\u00eb \u2018K\u00ebsulkuqen\u2019 moderne. Cathy ec\u00ebn n\u00eb nj\u00eb peizazh t\u00eb bardh\u00eb, e mb\u00ebshtjell\u00eb me nj\u00eb mantel kadifeje t\u00eb kuqe t\u00eb thell\u00eb, nd\u00ebrsa posht\u00eb shfaqet nj\u00eb fustan i q\u00ebndisur n\u00eb argjend.<\/p>\n<p>\u00cbsht\u00eb nj\u00eb imazh q\u00eb i referohet nj\u00ebkoh\u00ebsisht p\u00ebrrall\u00ebs, melodram\u00ebs klasike dhe piktur\u00ebs romantike. M\u00eb shum\u00eb ikon\u00eb sesa sken\u00eb narrative. Po, mantela t\u00eb kuq ekzistojn\u00eb n\u00eb mod\u00ebn e shekullit XIX, por k\u00ebtu sakt\u00ebsia historike \u00ebsht\u00eb dyt\u00ebsore. Q\u00ebllimi \u00ebsht\u00eb nj\u00eb tjet\u00ebr: t\u00eb krijohet nj\u00eb imazh i paharruesh\u00ebm.<\/p>\n<p>Nd\u00ebr detajet m\u00eb t\u00eb diskutuara jan\u00eb edhe syzet e diellit q\u00eb Cathy mban pas martes\u00ebs me Edgar Linton. Oversize, t\u00eb guximshme dhe me nj\u00eb form\u00eb q\u00eb t\u00eb \u00e7on menj\u00ebher\u00eb n\u00eb vitet \u201970, ato kujtojn\u00eb estetik\u00ebn glam t\u00eb Elton John.<\/p>\n<p>Historikisht t\u00eb pap\u00ebrshtatshme, por vizualisht perfekte si simbol: nuk jan\u00eb aty p\u00ebr t\u00eb mbrojtur nga dielli, por p\u00ebr t\u00eb treguar statusin, transformimin dhe nj\u00eb lloj performance sociale.<\/p>\n<p>Dhe m\u00eb pas \u00ebsht\u00eb fustani i err\u00ebt, me reflektime blu, q\u00eb duket si metal i l\u00ebngsh\u00ebm. Nj\u00eb pamje q\u00eb sfidon koh\u00ebn. Linja mund t\u00eb aludoj\u00eb p\u00ebr silueta viktoriane, por materiali e \u00e7on menj\u00ebher\u00eb n\u00eb nj\u00eb dimension tjet\u00ebr.<\/p>\n<p>Kur drita e prek, fustani shp\u00ebrndan shk\u00eblqime q\u00eb e b\u00ebjn\u00eb t\u00eb duket i gjall\u00eb, pothuajse jasht\u00ebtok\u00ebsor: asgj\u00eb q\u00eb i p\u00ebrket shekullit XIX, por n\u00eb harmoni t\u00eb plot\u00eb me nj\u00eb film q\u00eb nd\u00ebrthur historin\u00eb, teatrin dhe nj\u00eb estetik\u00eb mode me nota fantashkencore.<\/p>\n<p><strong>\u2014 THELB,<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Regjisorja Emerald Fennell \u00ebsht\u00eb rikthyer n\u00eb kinema me nj\u00eb rilexim t\u00eb The Wuthering Heights\u00a0(Lart\u00ebsit\u00eb e stuhishme) q\u00eb, le ta themi q\u00eb n\u00eb fillim, nuk ka asnj\u00eb synim t\u00eb k\u00ebnaq\u00eb t\u00eb gjith\u00eb. N\u00eb qend\u00ebr t\u00eb k\u00ebsaj stuhie jan\u00eb Margot Robbie, gjithashtu producente e projektit, n\u00eb rolin e Cathy, dhe Jacob Elordi si Heathcliff. Pas kostumeve q\u00ebndron [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3150,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[48,52],"tags":[],"tmauthors":[54],"class_list":["post-2725","post","type-post","status-publish","format-standard","has-post-thumbnail","category-kulture","category-tv-filma"],"_links":{"self":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/2725","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2725"}],"version-history":[{"count":3,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/2725\/revisions"}],"predecessor-version":[{"id":3151,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/2725\/revisions\/3151"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/media\/3150"}],"wp:attachment":[{"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2725"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2725"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2725"},{"taxonomy":"tmauthors","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftmauthors&post=2725"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}