{"id":2728,"date":"2026-05-05T11:54:25","date_gmt":"2026-05-05T11:54:25","guid":{"rendered":"https:\/\/thelb.al\/?p=2728"},"modified":"2026-05-12T12:58:24","modified_gmt":"2026-05-12T12:58:24","slug":"imazhi-pertej-shkrepjes-procesi-vizual-i-anastasia-mez","status":"publish","type":"post","link":"https:\/\/thelb.al\/?p=2728","title":{"rendered":"Imazhi p\u00ebrtej shkrepjes, procesi vizual i Anastasia Mez"},"content":{"rendered":"<p>N\u00eb nj\u00eb koh\u00eb kur fotografia qarkullon kryesisht si imazh i shpejt\u00eb dhe i konsumuesh\u00ebm, disa praktika vizuale zgjedhin t\u00eb ndalen te materiali, te procesi dhe te m\u00ebnyra si nj\u00eb imazh nd\u00ebrtohet fizikisht. N\u00eb k\u00ebt\u00eb hap\u00ebsir\u00eb mes fotografis\u00eb, kolazhit dhe eksperimentit vizual, disa punime t\u00eb Anastasia Mez kan\u00eb t\u00ebrhequr v\u00ebmendjen p\u00ebr m\u00ebnyr\u00ebn si trajtojn\u00eb materialin dhe koh\u00ebn.<\/p>\n<p>Praktika artistike e Mez, n\u00eb vend q\u00eb ta trajtoj\u00eb fotografin\u00eb si nj\u00eb akt shkrepjeje t\u00eb \u00e7astit, ajo e p\u00ebrdor imazhin duke e zhvendosur dhe rind\u00ebrtuar, si nj\u00eb histori q\u00eb mund t\u00eb rishkruhet. Punimet e saj duken m\u00eb shum\u00eb t\u00eb montuara sesa t\u00eb fotografuara, duke u larguar q\u00ebllimisht nga fotografia si dokument i drejtp\u00ebrdrejt\u00eb.<\/p>\n<p>Nj\u00eb nga teknikat qendrore n\u00eb praktik\u00ebn e saj \u00ebsht\u00eb transferimi i emulsioneve Polaroid. P\u00ebrmes k\u00ebtij procesi, shtresa xhelatinoze e imazhit hiqet me kujdes nga nj\u00eb fotografi dhe vendoset mbi nj\u00eb tjet\u00ebr sip\u00ebrfaqe. Ky veprim fizik lejon q\u00eb momente t\u00eb ndryshme t\u00eb takohen brenda t\u00eb nj\u00ebjtit kornizim, duke zbehur kufijt\u00eb mes koh\u00ebs, materialit dhe kuptimit.<\/p>\n<p>P\u00ebrmes k\u00ebtij bashkimi t\u00eb fragmenteve, imazhet nuk synojn\u00eb qart\u00ebsi apo narrativ\u00eb lineare. Ato mbajn\u00eb gjurm\u00ebt e procesit: \u00e7arje, zhvendosje, shtresa t\u00eb dukshme q\u00eb e b\u00ebjn\u00eb fotografin\u00eb t\u00eb ndihet si objekt po aq sa si imazh. K\u00ebshtu, puna e Mez pozicionohet mes fotografis\u00eb, kolazhit dhe eksperimentimit pamor.<\/p>\n<p>N\u00eb k\u00ebt\u00eb praktik\u00eb, fotografia nuk sh\u00ebrben p\u00ebr t\u00eb ruajtur kujtimin dhe e riorganizon at\u00eb. Koha nuk rrjedh n\u00eb m\u00ebnyr\u00eb t\u00eb drejtp\u00ebrdrejt\u00eb, ajo \u00ebsht\u00eb nj\u00eb hap\u00ebsir\u00eb ku fragmente t\u00eb ndryshme bashk\u00ebjetojn\u00eb. Nj\u00eb qasje q\u00eb e trajton fotografin\u00eb jo si d\u00ebshmi, por si proces t\u00eb nd\u00ebrtuar dhe t\u00eb hapur p\u00ebr interpretim.<\/p>\n<p><strong>\u2014 THELB,<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>N\u00eb nj\u00eb koh\u00eb kur fotografia qarkullon kryesisht si imazh i shpejt\u00eb dhe i konsumuesh\u00ebm, disa praktika vizuale zgjedhin t\u00eb ndalen te materiali, te procesi dhe te m\u00ebnyra si nj\u00eb imazh nd\u00ebrtohet fizikisht. N\u00eb k\u00ebt\u00eb hap\u00ebsir\u00eb mes fotografis\u00eb, kolazhit dhe eksperimentit vizual, disa punime t\u00eb Anastasia Mez kan\u00eb t\u00ebrhequr v\u00ebmendjen p\u00ebr m\u00ebnyr\u00ebn si trajtojn\u00eb materialin dhe [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3013,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[49,48],"tags":[],"tmauthors":[54],"class_list":["post-2728","post","type-post","status-publish","format-standard","has-post-thumbnail","category-art","category-kulture"],"_links":{"self":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/2728","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2728"}],"version-history":[{"count":2,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/2728\/revisions"}],"predecessor-version":[{"id":3148,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/2728\/revisions\/3148"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/media\/3013"}],"wp:attachment":[{"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2728"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2728"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2728"},{"taxonomy":"tmauthors","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftmauthors&post=2728"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}