\u2018Akti i tret\u00eb n\u00eb jet\u00eb mund t\u00eb jet\u00eb m\u00eb arg\u00ebtuesi\u2019 \u2014 John Galliano rikthehet me Zara<\/p>\n
John Galliano rikthehet me Zara n\u00eb nj\u00eb partneritet dyvje\u00e7ar q\u00eb rishkruan arkivat e mark\u00ebs dhe sfidon kufijt\u00eb mes luksit dhe mod\u00ebs s\u00eb aksesueshme.<\/em><\/p>\n Pas nj\u00eb periudhe reflektimi larg ritmit t\u00eb pandalsh\u00ebm t\u00eb industris\u00eb, John Galliano rikthehet n\u00eb mod\u00eb me nj\u00eb l\u00ebvizje q\u00eb pak kush e priste: nj\u00eb partneritet dyvje\u00e7ar me Zara. Koleksioni i par\u00eb pritet t\u00eb prezantohet n\u00eb shtator 2026, duke sh\u00ebnuar jo vet\u00ebm rikthimin e tij n\u00eb atelie, por edhe nj\u00eb kapitull t\u00eb ri n\u00eb marr\u00ebdh\u00ebnien mes luksit dhe mod\u00ebs s\u00eb aksesueshme p\u00ebr publikun e gjer\u00eb.<\/p>\n Ky bashk\u00ebpunim, i lindur nga nj\u00eb marr\u00ebdh\u00ebnie e nd\u00ebrtuar gradualisht me Marta Ortega P\u00e9rez, presidente e Inditex, nuk \u00ebsht\u00eb nj\u00eb bashk\u00ebpunim i zakonsh\u00ebm sezonal. P\u00ebrkundrazi, \u00ebsht\u00eb nj\u00eb projekt q\u00eb synon t\u00eb \u2018rishkruaj\u00eb\u2019 arkivat e Zara-s \u2014 nj\u00eb proces q\u00eb Galliano e p\u00ebrshkruan si krijues dhe thell\u00ebsisht eksplorues. M\u00eb shum\u00eb se nj\u00eb transformim, qasja e tij duket si nj\u00eb thellim i identitetit ekzistues t\u00eb Zara-s \u2014 nj\u00eb rilexim i arkivave p\u00ebrmes firm\u00ebs s\u00eb tij krijuese.<\/p>\n Zara vazhdon t\u00eb pozicionohet n\u00eb nj\u00eb territor hibrid mes fast fashion dhe autor\u00ebsis\u00eb kreative. Pas bashk\u00ebpunimeve me Narciso Rodriguez dhe Stefano Pilati, afrimi me Galliano-n sinjalizon nj\u00eb ambicie m\u00eb t\u00eb thell\u00eb. N\u00eb nj\u00eb treg gjithnj\u00eb e m\u00eb t\u00eb mbingopur me marka t\u00eb reja, sidomos n\u00eb hap\u00ebsir\u00ebn online, bashk\u00ebpunimet me emra t\u00eb njohur marrin nj\u00eb kuptim m\u00eb t\u00eb qart\u00eb. N\u00eb nj\u00eb koh\u00eb kur hyrja n\u00eb mod\u00eb \u00ebsht\u00eb b\u00ebr\u00eb m\u00eb e leht\u00eb se kurr\u00eb, diferenca duket se q\u00ebndron ende te autor\u00ebsia dhe vizioni \u2014 di\u00e7ka q\u00eb Zara e artikulon duke e kuror\u00ebzuar k\u00ebt\u00eb strategji me nj\u00eb figur\u00eb si John Galliano.<\/p>\n I njohur p\u00ebr teatrin, rr\u00ebfimin dhe dekonstruksionin n\u00eb mod\u00eb \u2014 nj\u00eb proces p\u00ebrmes t\u00eb cilit ai shpesh \u00e7monton dhe rind\u00ebrton veshjet, duke luajtur me struktur\u00ebn, siluet\u00ebn dhe funksionin e tyre \u2014 Galliano sjell n\u00eb k\u00ebt\u00eb projekt nj\u00eb qasje q\u00eb sfidon kategorizimet tradicionale. Sipas tij, koleksioni do t\u00eb udh\u00ebhiqet nga forma dhe proporcioni, duke tejkaluar kufijt\u00eb e gjinis\u00eb dhe stin\u00ebve \u2014 nj\u00eb deklarat\u00eb q\u00eb rezonon fort me drejtimin aktual t\u00eb industris\u00eb globale.<\/p>\n Rikthimi i tij vjen pas nj\u00eb periudhe dyvje\u00e7are larg v\u00ebmendjes publike, pas suksesit t\u00eb jasht\u00ebzakonsh\u00ebm t\u00eb koleksionit Maison Margiela Artisanal n\u00eb vitin 2024. Gjat\u00eb k\u00ebsaj kohe, stilisti \u00ebsht\u00eb distancuar nga ritmi i ethsh\u00ebm i industris\u00eb s\u00eb mod\u00ebs, p\u00ebr t\u00eb kaluar koh\u00eb n\u00eb qet\u00ebsi, n\u00eb natyr\u00eb, dhe p\u00ebr t\u2019u rilidhur me instinktet krijuese \u2014 nj\u00eb proces q\u00eb duket se ka rip\u00ebrcaktuar m\u00ebnyr\u00ebn si ai i afrohet dizajnit sot.<\/p>\n Ajo q\u00eb e b\u00ebn k\u00ebt\u00eb projekt ve\u00e7an\u00ebrisht interesant \u00ebsht\u00eb p\u00ebrmasa e tij \u2014 m\u00ebnyra se si nj\u00eb estetik\u00eb e lidhur me luksin p\u00ebrkthehet p\u00ebr nj\u00eb audienc\u00eb masive. P\u00ebr her\u00eb t\u00eb par\u00eb, estetika e Galliano-s \u2014 historikisht e lidhur me haute couture dhe sht\u00ebpi si Dior \u2014 do t\u00eb p\u00ebrkthehet p\u00ebr nj\u00eb publik masiv. Kjo l\u00ebvizje ngre pyetje thelb\u00ebsore p\u00ebr t\u00eb ardhmen e mod\u00ebs: a po zhduket kufiri mes luksit dhe aksesit?<\/p>\n P\u00ebr Galliano-n, p\u00ebrgjigjja duket se q\u00ebndron te procesi. \u2018\u00cbsht\u00eb emocioni i zbulimit,\u2019 ka th\u00ebn\u00eb ai, duke theksuar se projekti nuk ndjek modele t\u00eb zakonshme, por synon t\u00eb krijoj\u00eb nj\u00eb m\u00ebnyr\u00eb t\u00eb re shprehjeje n\u00eb mod\u00eb.<\/p>\n Rikthimi nuk \u00ebsht\u00eb thjesht nj\u00eb bashk\u00ebpunim \u2014 \u00ebsht\u00eb nj\u00eb test. P\u00ebr industrin\u00eb, p\u00ebr publikun dhe p\u00ebr vet\u00eb Galliano-n. Koleksioni i par\u00eb do t\u00eb dal\u00eb n\u00eb dyqane n\u00eb shtator 2026. Ideja q\u00eb puna e tij t\u00eb b\u00ebhet e aksesueshme p\u00ebr nj\u00eb audienc\u00eb krejt t\u00eb re duket ta intrigoj\u00eb po aq sa vet\u00eb procesi krijues. \u2018T\u00eb sjell\u00ebsh mod\u00ebn n\u00eb nj\u00eb platform\u00eb kaq t\u00eb madhe\u2026 natyrisht, \u00ebsht\u00eb emocionuese. Dhe t\u00eb jesh n\u00eb gjendje t\u00eb punosh me burimet q\u00eb kan\u00eb n\u00eb Zara \u00ebsht\u00eb po aq frym\u00ebzuese\u2019, \u00ebsht\u00eb shprehur m\u00eb tej ai.<\/p>\n Sa p\u00ebr rikthimin n\u00eb \u2018karuselin e industris\u00eb\u2019? \u2018Ata thon\u00eb se akti i tret\u00eb i jet\u00ebs \u00ebsht\u00eb m\u00eb i r\u00ebnd\u00ebsishmi\u201d, shton John Galliano. \u2018Ndoshta mund t\u00eb jet\u00eb edhe m\u00eb arg\u00ebtuesi.\u2019<\/p>\n \u2013 THELB,<\/strong><\/p>\n Burimi: Intervist\u00eb e publikuar nga VOGUE.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":" \u2018Akti i tret\u00eb n\u00eb jet\u00eb mund t\u00eb jet\u00eb m\u00eb arg\u00ebtuesi\u2019 \u2014 John Galliano rikthehet me Zara John Galliano rikthehet me Zara n\u00eb nj\u00eb partneritet dyvje\u00e7ar q\u00eb rishkruan arkivat e mark\u00ebs dhe sfidon kufijt\u00eb mes luksit dhe mod\u00ebs s\u00eb aksesueshme. Pas nj\u00eb periudhe reflektimi larg ritmit t\u00eb pandalsh\u00ebm t\u00eb industris\u00eb, John Galliano rikthehet n\u00eb mod\u00eb me […]<\/p>\n","protected":false},"author":1,"featured_media":2872,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39,40],"tags":[],"tmauthors":[54],"class_list":["post-2871","post","type-post","status-publish","format-standard","has-post-thumbnail","category-mode","category-stiliste"],"_links":{"self":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/2871","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2871"}],"version-history":[{"count":2,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/2871\/revisions"}],"predecessor-version":[{"id":3126,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/2871\/revisions\/3126"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/media\/2872"}],"wp:attachment":[{"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2871"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2871"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2871"},{"taxonomy":"tmauthors","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftmauthors&post=2871"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}