{"id":2924,"date":"2026-05-06T11:30:40","date_gmt":"2026-05-06T11:30:40","guid":{"rendered":"https:\/\/thelb.al\/?p=2924"},"modified":"2026-05-12T12:11:41","modified_gmt":"2026-05-12T12:11:41","slug":"carmen-rikthen-ne-skenen-e-teatrit-te-operas-anbeta-toromani","status":"publish","type":"post","link":"https:\/\/thelb.al\/?p=2924","title":{"rendered":"\u2018Carmen\u2019 rikthen n\u00eb sken\u00ebn e Teatrit t\u00eb Operas Anbeta Toromani"},"content":{"rendered":"

\u2018Carmen\u2019 rikthen n\u00eb sken\u00ebn e Teatrit t\u00eb Operas Anbeta Toromani<\/strong><\/p>\n

Pas gati nj\u00eb dekade munges\u00eb nga skena shqiptare, Anbeta Toromani rikthehet n\u00eb Teatrin Komb\u00ebtar t\u00eb Operas dhe Baletit p\u00ebr t\u2019i dh\u00ebn\u00eb jet\u00eb nj\u00eb prej roleve m\u00eb ikonike t\u00eb repertorit bot\u00ebror: Carmen. Nj\u00eb rikthim q\u00eb shkon p\u00ebrtej nj\u00eb performance t\u00eb zakonshme, nj\u00eb moment i vet\u00ebdijsh\u00ebm artistik n\u00eb nj\u00eb faz\u00eb tjet\u00ebr t\u00eb karrier\u00ebs s\u00eb saj.<\/p>\n

E afirmuar prej vitesh p\u00ebrtej sken\u00ebs shqiptare, balerina duket se ndodhet pik\u00ebrisht n\u00eb at\u00eb moment kur zgjedh rolet q\u00eb d\u00ebshiron v\u00ebrtet t\u00eb performoj\u00eb si p\u00ebr t\u00eb p\u00ebrjetuar di\u00e7ka q\u00eb e ushqen at\u00eb si artiste.<\/p>\n

\"\"<\/p>\n

N\u00eb k\u00ebt\u00eb produksion, me muzik\u00ebn e Georges Bizet dhe koreografin\u00eb e Amedeo Amodio, historia e njohur e pasionit, liris\u00eb dhe fatit rikthehet me nj\u00eb gjuh\u00eb t\u00eb fresk\u00ebt dhe bashk\u00ebkohore. Nj\u00eb balet q\u00eb mbetet gjithmon\u00eb i ri, pasi roli nuk shteron n\u00eb nj\u00eb interpretim t\u00eb vet\u00ebm, por ka hap\u00ebsira p\u00ebr zbulime t\u00eb vazhdueshme t\u00eb vepr\u00ebs. Koreografi Amodio, i lidhur prej dekadash me vepr\u00ebn, sjell nj\u00eb lexim personal t\u00eb \u2018Carmen\u2019, t\u00eb nd\u00ebrtuar mbi p\u00ebrvojat e tij artistike dhe studimet mbi flamenkon spanjolle. Versioni i tij nis me nj\u00eb atmosfer\u00eb festive dhe kalon gradualisht drejt tensionit tragjik q\u00eb p\u00ebrshkon historin\u00eb.<\/p>\n

\"\"<\/p>\n

Interpretimi i Toromanit nd\u00ebrtohet si nj\u00eb proces i brendsh\u00ebm k\u00ebrkimi. Ajo \u00ebsht\u00eb shprehur se, edhe pse nuk gjan me Carmen, \u00a0diku brenda saj ekziston nj\u00eb dimension i k\u00ebtij roli.<\/p>\n

N\u00eb sken\u00eb, Toromani shoq\u00ebrohet nga nj\u00eb kast nd\u00ebrkomb\u00ebtar dhe vendas, ku p\u00ebrfshihen Alessandro Macario dhe Dion Gjinika n\u00eb rolin e Don Jos\u00e9, nd\u00ebrsa Carmen interpretohet gjithashtu edhe nga Adela Mu\u00e7ollari n\u00eb nj\u00eb nga net\u00ebt e shfaqjes.<\/p>\n

Rikthimi i saj n\u00eb k\u00ebt\u00eb sken\u00eb shoq\u00ebrohet edhe me nj\u00eb reflektim mbi realitetin artistik n\u00eb Shqip\u00ebri. Toromani ka theksuar nevoj\u00ebn p\u00ebr m\u00eb shum\u00eb hap\u00ebsira dhe mb\u00ebshtetje p\u00ebr brezin e ri, duke v\u00ebn\u00eb n\u00eb dukje se talenti ka ekzistuar gjithmon\u00eb, por m\u00ebnyra si kultivohet mbetet nj\u00eb sfid\u00eb q\u00eb k\u00ebrkon m\u00eb shum\u00eb mund\u00ebsi p\u00ebr rritje artistike.<\/p>\n

\"\"<\/p>\n

Shfaqjet do t\u00eb vijn\u00eb p\u00ebr publikun n\u00eb datat 4, 5, 9 dhe 10 maj, n\u00eb nj\u00eb produksion q\u00eb bashkon pasionin, disiplin\u00ebn dhe nj\u00eb estetik\u00eb t\u00eb rafinuar skenike, duke rikthyer n\u00eb v\u00ebmendje jo vet\u00ebm nj\u00eb vep\u00ebr klasike, por edhe nj\u00eb artiste q\u00eb vazhdon t\u00eb evoluoj\u00eb me koh\u00ebn.<\/p>\n

\u2014 THELB,<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

\u2018Carmen\u2019 rikthen n\u00eb sken\u00ebn e Teatrit t\u00eb Operas Anbeta Toromani Pas gati nj\u00eb dekade munges\u00eb nga skena shqiptare, Anbeta Toromani rikthehet n\u00eb Teatrin Komb\u00ebtar t\u00eb Operas dhe Baletit p\u00ebr t\u2019i dh\u00ebn\u00eb jet\u00eb nj\u00eb prej roleve m\u00eb ikonike t\u00eb repertorit bot\u00ebror: Carmen. Nj\u00eb rikthim q\u00eb shkon p\u00ebrtej nj\u00eb performance t\u00eb zakonshme, nj\u00eb moment i vet\u00ebdijsh\u00ebm artistik […]<\/p>\n","protected":false},"author":1,"featured_media":2932,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[48,51],"tags":[],"tmauthors":[54],"class_list":["post-2924","post","type-post","status-publish","format-standard","has-post-thumbnail","category-kulture","category-muzike"],"_links":{"self":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/2924","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2924"}],"version-history":[{"count":3,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/2924\/revisions"}],"predecessor-version":[{"id":3113,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/2924\/revisions\/3113"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/media\/2932"}],"wp:attachment":[{"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2924"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2924"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2924"},{"taxonomy":"tmauthors","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftmauthors&post=2924"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}