Me skenar dhe regji nga Blerta Basholli, \u2018Dua\u2019 \u00ebsht\u00eb prodhuar nga Valon Bajgora, Yll Uka dhe Agon Uka, nd\u00ebrsa n\u00eb qend\u00ebr t\u00eb historis\u00eb q\u00ebndron aktorja e re Pinea Matoshi n\u00eb rolin e Duas, p\u00ebrkrah emrave si Yllka Gashi dhe Kushtrim Hoxha.<\/p>\n
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‘Dua’ zhvillohet n\u00eb Prishtin\u00ebn e fundviteve \u201990, n\u00eb prag t\u00eb luft\u00ebs n\u00eb Kosov\u00eb, dhe ndjek historin\u00eb e nj\u00eb vajze 13-vje\u00e7are q\u00eb p\u00ebrpiqet t\u00eb kuptoj\u00eb veten, trupin dhe bot\u00ebn p\u00ebrreth n\u00eb nj\u00eb realitet ku tensioni etnik dhe frika po b\u00ebhen pjes\u00eb e p\u00ebrditshm\u00ebris\u00eb. Filmi trajton adoleshenc\u00ebn, identitetin dhe dhun\u00ebn p\u00ebrmes nj\u00eb perspektive intime dhe shum\u00eb personale, larg m\u00ebnyr\u00ebs tradicionale si jan\u00eb treguar zakonisht historit\u00eb e luft\u00ebs n\u00eb rajon.<\/p>\n
Ky \u00ebsht\u00eb filmi i dyt\u00eb artistik i Bashollit pas suksesit nd\u00ebrkomb\u00ebtar t\u00eb ‘Hive’ (‘Zgjoi’), filmi q\u00eb n\u00eb vitin 2021 fitoi tre \u00e7mimet kryesore n\u00eb Sundance Film Festival dhe e b\u00ebri at\u00eb nj\u00eb nga emrat m\u00eb t\u00eb komentuar t\u00eb kinemas\u00eb s\u00eb re n\u00eb Ballkan. ‘Hive’, i frym\u00ebzuar nga historia reale e grave t\u00eb Krush\u00ebs, solli v\u00ebmendje nd\u00ebrkomb\u00ebtare jo vet\u00ebm p\u00ebr Bashollin, por edhe p\u00ebr vet\u00eb kineman\u00eb kosovare.<\/p>\n
Me ‘Dua’, regjisorja duket se l\u00ebviz drejt nj\u00eb historie edhe m\u00eb personale. Filmi \u00ebsht\u00eb frym\u00ebzuar pjes\u00ebrisht nga p\u00ebrjetimet e saj si adoleshente n\u00eb Prishtin\u00ebn e asaj kohe dhe fokusohet m\u00eb shum\u00eb te m\u00ebnyra si lufta ndikon jet\u00ebn e p\u00ebrditshme, marr\u00ebdh\u00ebniet dhe vet\u00eb procesin e rritjes.<\/p>\n
![\"\"](\"https:\/\/thelb.al\/wp-content\/uploads\/2026\/05\/dua-filmi-1024x768.jpg\")
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Kritika nd\u00ebrkomb\u00ebtare \u00ebsht\u00eb ndalur ve\u00e7an\u00ebrisht te m\u00ebnyra intime me t\u00eb cil\u00ebn Basholli nd\u00ebrton atmosfer\u00ebn e filmit. Kamera q\u00ebndron vazhdimisht pran\u00eb personazhit kryesor, nd\u00ebrsa tensioni i luft\u00ebs nuk projektohet p\u00ebrmes skenave dramatike, por p\u00ebrmes heshtjes, zhurmave dhe frik\u00ebs q\u00eb hyn gradualisht n\u00eb jet\u00ebn e personazheve.<\/p>\n
Prania e saj n\u00eb Cannes ka edhe nj\u00eb simbolik\u00eb m\u00eb t\u00eb madhe p\u00ebr kineman\u00eb shqiptare dhe kosovare. Nga nj\u00eb industri e vog\u00ebl filmi n\u00eb Ballkan, Blerta Basholli po arrin gradualisht t\u00eb krijoj\u00eb nj\u00eb identitet t\u00eb vetin n\u00eb festivalet m\u00eb t\u00eb r\u00ebnd\u00ebsishme nd\u00ebrkomb\u00ebtare, duke u kthyer n\u00eb nj\u00eb nga autoret m\u00eb interesante t\u00eb rajonit n\u00eb vitet e fundit.<\/p>\n
\u2014 THELB,<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" P\u00ebr publikun shqiptar, emri i Blerta Basholli mund t\u00eb mos jet\u00eb ende aq i njohur sa ai i figurave t\u00eb muzik\u00ebs apo televizionit. Por n\u00eb bot\u00ebn e kinemas\u00eb europiane, regjisorja nga Kosova prej vitesh po nd\u00ebrton gradualisht nj\u00eb nga rrug\u00ebtimet m\u00eb interesante t\u00eb autor\u00ebsis\u00eb shqiptare n\u00eb aren\u00ebn nd\u00ebrkomb\u00ebtare. K\u00ebt\u00eb vit, ajo rikthehet n\u00eb Cannes Film […]<\/p>\n","protected":false},"author":2,"featured_media":3180,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[48,52],"tags":[61,63,60,62,65,66],"tmauthors":[64],"class_list":["post-3179","post","type-post","status-publish","format-standard","has-post-thumbnail","category-kulture","category-tv-filma","tag-blerta-basholli","tag-cannes","tag-dua","tag-festivali-i-filmit","tag-hive","tag-zgjoi"],"_links":{"self":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/3179","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3179"}],"version-history":[{"count":5,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/3179\/revisions"}],"predecessor-version":[{"id":3187,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/3179\/revisions\/3187"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/media\/3180"}],"wp:attachment":[{"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3179"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3179"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3179"},{"taxonomy":"tmauthors","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftmauthors&post=3179"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}