{"id":3238,"date":"2026-05-20T14:16:48","date_gmt":"2026-05-20T14:16:48","guid":{"rendered":"https:\/\/thelb.al\/?p=3238"},"modified":"2026-05-20T14:18:24","modified_gmt":"2026-05-20T14:18:24","slug":"meghan-markle-me-givenchy-dhe-rikthimi-i-elegances-minimale","status":"publish","type":"post","link":"https:\/\/thelb.al\/?p=3238","title":{"rendered":"Meghan Markle me Givenchy dhe rikthimi i eleganc\u00ebs minimale"},"content":{"rendered":"

Tet\u00eb vite pas dasm\u00ebs q\u00eb u ndoq nga miliarda njer\u00ebz n\u00eb mbar\u00eb bot\u00ebn, Meghan Markle riktheu s\u00ebrish v\u00ebmendjen te nj\u00eb nga momentet m\u00eb t\u00eb komentuara t\u00eb eventeve t\u00eb mbret\u00ebrive moderne.<\/p>\n

Me rastin e p\u00ebrvjetorit t\u00eb martes\u00ebs me Prince Harry, Dukesha e Sussex publikoi n\u00eb Instagram nj\u00eb seri fotosh t\u00eb papublikuara m\u00eb par\u00eb nga ceremonia dhe festa private e dasm\u00ebs s\u00eb tyre n\u00eb vitin 2018. Mes imazheve backstage, momenteve intime dhe performanc\u00ebs s\u00eb Elton John p\u00ebr t\u00eb ftuarit, postimet rikthyen edhe nj\u00eb her\u00eb atmosfer\u00ebn e nj\u00eb dasme q\u00eb ndoshta ka ndryshuar estetik\u00ebn e nuseve mbret\u00ebrore moderne.<\/p>\n

\"\"<\/p>\n

N\u00eb 19 maj t\u00eb vitit 2018, \u00e7ifti u martua n\u00eb St. George\u2019s Chapel, n\u00eb Windsor Castle, p\u00ebrpara rreth 600 t\u00eb ftuarve, mes tyre figura si Victoria Beckham, David Beckham, Serena Williams, Oprah Winfrey dhe George Clooney me Amal Clooney. Ceremonia u ndoq nga rreth 1.9 miliard\u00eb njer\u00ebz n\u00eb mbar\u00eb bot\u00ebn.Por p\u00ebrtej interesit mediatik dhe simbolik\u00ebs s\u00eb martes\u00ebs mbret\u00ebrore, nj\u00eb nga element\u00ebt m\u00eb t\u00eb diskutuar mbeti pik\u00ebrisht fustani i Meghan Markle.<\/p>\n

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I realizuar nga Clare Waight Keller p\u00ebr Givenchy, fustani me supe t\u00eb zbuluara u dallua dhe u komentua p\u00ebr eleganc\u00ebn dhe thesht\u00ebsin\u00eb e tij. Meghan zgjodhi t\u00eb vishte di\u00e7ka krejt tjet\u00ebr nga stili q\u00eb zakonisht q\u00eb kan\u00eb nuset e familjeve mbret\u00ebrore t\u00eb cilat p\u00ebrb\u00ebhen nga shum\u00eb detjae e ornamente dhe me forma kryesisht voluminoze t\u00eb teksturave.<\/p>\n

Vet\u00eb Clare Waight Keller ka treguar m\u00eb von\u00eb se procesi i krijimit t\u00eb fustanit u zhvillua p\u00ebr muaj t\u00eb t\u00ebr\u00eb n\u00eb fsheht\u00ebsi t\u00eb plot\u00eb, vet\u00ebm mes saj dhe Meghan Markle.<\/p>\n

Shum\u00eb kritik\u00eb t\u00eb mod\u00ebs e lidh\u00ebn menj\u00ebher\u00eb estetik\u00ebn e fustanit me minimalizmin elegant t\u00eb viteve \u201990 dhe sidomos me ikon\u00ebn e stilit Carolyn Bessette-Kennedy, t\u00eb cil\u00ebn Meghan vet\u00eb e ka p\u00ebrmendur m\u00eb par\u00eb si nj\u00eb nga referencat e saj t\u00eb preferuara t\u00eb stilit bridal.<\/p>\n

\"\"<\/p>\n

P\u00ebr fest\u00ebn private n\u00eb Frogmore House, Meghan nd\u00ebrroi veshjen duke zgjedhur nj\u00eb fustan t\u00eb bardh\u00eb me jak\u00eb t\u00eb lart\u00eb nga Stella McCartney, nj\u00eb tjet\u00ebr look minimalist q\u00eb forcoi m\u00eb tej identitetin modern dhe t\u00eb thjesht\u00eb estetikisht t\u00eb gjith\u00eb ceremonis\u00eb.<\/p>\n

Tet\u00eb vite m\u00eb von\u00eb, imazhet e asaj dasme vazhdojn\u00eb t\u00eb qarkullojn\u00eb jo vet\u00ebm si pjes\u00eb e historis\u00eb mbret\u00ebrore moderne, por si referenc\u00eb e nj\u00eb elegance minimale q\u00eb ende duket aktuale.<\/p>\n

\u2014 THELB,<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Tet\u00eb vite pas dasm\u00ebs q\u00eb u ndoq nga miliarda njer\u00ebz n\u00eb mbar\u00eb bot\u00ebn, Meghan Markle riktheu s\u00ebrish v\u00ebmendjen te nj\u00eb nga momentet m\u00eb t\u00eb komentuara t\u00eb eventeve t\u00eb mbret\u00ebrive moderne. Me rastin e p\u00ebrvjetorit t\u00eb martes\u00ebs me Prince Harry, Dukesha e Sussex publikoi n\u00eb Instagram nj\u00eb seri fotosh t\u00eb papublikuara m\u00eb par\u00eb nga ceremonia dhe […]<\/p>\n","protected":false},"author":2,"featured_media":3243,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[57,1],"tags":[],"tmauthors":[64],"class_list":["post-3238","post","type-post","status-publish","format-standard","has-post-thumbnail","category-jetese","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/3238","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3238"}],"version-history":[{"count":1,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/3238\/revisions"}],"predecessor-version":[{"id":3242,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/3238\/revisions\/3242"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/media\/3243"}],"wp:attachment":[{"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3238"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3238"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3238"},{"taxonomy":"tmauthors","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftmauthors&post=3238"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}