{"id":3407,"date":"2026-06-05T16:10:58","date_gmt":"2026-06-05T16:10:58","guid":{"rendered":"https:\/\/thelb.al\/?p=3407"},"modified":"2026-06-05T16:10:58","modified_gmt":"2026-06-05T16:10:58","slug":"colette-dyqani-qe-ndryshoi-menyren-si-konsumojme-kulturen","status":"publish","type":"post","link":"https:\/\/thelb.al\/?p=3407","title":{"rendered":"Colette, dyqani q\u00eb ndryshoi m\u00ebnyr\u00ebn si konsumojm\u00eb kultur\u00ebn"},"content":{"rendered":"

N\u00eb vitin 1997, n\u00eb Rue Saint-Honor\u00e9 t\u00eb Parisit hapi dyert nj\u00eb dyqan q\u00eb n\u00eb pamje t\u00eb par\u00eb nuk dukej shum\u00eb ndryshe nga t\u00eb tjer\u00ebt. Quhej Colette, sipas themelueses s\u00eb tij, Colette Roussaux, e cila s\u00eb bashku me vajz\u00ebn e saj Sarah Andelman do t\u00eb krijonin nj\u00eb hapsir\u00eb me shum\u00eb ndikim n\u00eb fush\u00ebn e mod\u00ebs dhe kultur\u00ebs. N\u00eb pamje t\u00eb par\u00eb ishte nj\u00eb dyqan, n\u00eb realitet, ishte nj\u00eb ide e re mbi stilin.<\/p>\n

Asokohe moda, librat, muzika, arti dhe teknologjia trajtoheshin si bot\u00eb t\u00eb ndara, por Colette i bashkoi n\u00ebn t\u00eb nj\u00ebjt\u00ebn \u00e7ati. Mund t\u00eb hyje p\u00ebr t\u00eb par\u00eb nj\u00eb koleksion mode dhe t\u00eb dilje me nj\u00eb lib\u00ebr fotografie, nj\u00eb revist\u00eb, nj\u00eb objekt dizajni apo nj\u00eb artist t\u00eb ri t\u00eb preferuar.<\/p>\n

\"\"<\/p>\n

Sot kjo na duket e zakonshme. N\u00eb fund t\u00eb viteve \u201990 ishte revolucionare.<\/p>\n

Shum\u00eb njer\u00ebz nuk shkonin aty vet\u00ebm p\u00ebr t\u00eb bler\u00eb, por p\u00ebr t\u00eb zbuluar t\u00eb rejat e fundit. Colette u b\u00eb nj\u00eb lloj barometri kulturor, nj\u00eb vend ku mund t\u00eb shihje se \u00e7far\u00eb po vinte m\u00eb pas.<\/p>\n

Ndikimi i saj u p\u00ebrhap shpejt p\u00ebrtej Parisit. Markat mezi prisnin t\u00eb ekspozoheshin n\u00eb vitrinat e saj. Artist\u00ebt k\u00ebrkonin t\u00eb organizonin evente aty. Gazetar\u00ebt e mod\u00ebs e vizitonin rregullisht p\u00ebr t\u00eb kuptuar se cilat ishin tendencat e fundit.<\/p>\n

Nd\u00ebr admiruesit m\u00eb t\u00eb njohur ishte Karl Lagerfeld. Dizajneri gjerman e p\u00ebrmendte shpesh Colette si nj\u00eb nga vendet e tij t\u00eb preferuara n\u00eb Paris dhe si nj\u00eb nga pak hap\u00ebsirat ku mund t\u00eb gjente vazhdimisht di\u00e7ka t\u00eb re. P\u00ebr Lagerfeld, i njohur p\u00ebr kureshtjen e tij t\u00eb pangopur ndaj librave, artit, teknologjis\u00eb dhe mod\u00ebs, Colette mish\u00ebronte pik\u00ebrisht k\u00ebt\u00eb p\u00ebrzierje kulturash.<\/p>\n

\"\"<\/p>\n

Gjat\u00eb dy dekadave t\u00eb ekzistenc\u00ebs s\u00eb saj, Colette organizoi bashk\u00ebpunime, ekspozita, lan\u00e7ime produktesh dhe ngjarje q\u00eb t\u00ebrhiqnin emrat m\u00eb t\u00eb r\u00ebnd\u00ebsish\u00ebm t\u00eb mod\u00ebs, dizajnit dhe artit. Dyqani q\u00eb nuk ishte thjesht nj\u00eb adres\u00eb n\u00eb Paris u kthye nj\u00eb pik\u00eb takimi p\u00ebr industrin\u00eb kreative nd\u00ebrkomb\u00ebtare.<\/p>\n

Kur u njoftua mbyllja e saj n\u00eb vitin 2017, lajmi u raportua nga pothuajse \u00e7do media e r\u00ebnd\u00ebsishme e mod\u00ebs n\u00eb bot\u00eb. P\u00ebr shum\u00eb njer\u00ebz, mbyllja e Colette sh\u00ebnoi fundin e nj\u00eb epoke. Dyqani e mbylli historin\u00eb e tij me nj\u00eb bashk\u00ebpunim t\u00eb fundit me Saint Laurent, ndikimi I t\u00eb cilit vijon t\u00eb p\u00ebrmendet edhe sot. Themeluesja Colette Roussaux vendosi t\u00eb t\u00ebrhiqej pas dy dekadash aktivitetin n\u00eb kulmin e fam\u00ebs s\u00eb saj.<\/p>\n

\u00c7do hap\u00ebsir\u00eb q\u00eb bashkon mod\u00ebn me librat, dizajnin, muzik\u00ebn apo teknologjin\u00eb i detyrohet di\u00e7ka vizionit q\u00eb lindi n\u00eb Paris n\u00eb vitin 1997.<\/p>\n

\u2014 THELB,<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

N\u00eb vitin 1997, n\u00eb Rue Saint-Honor\u00e9 t\u00eb Parisit hapi dyert nj\u00eb dyqan q\u00eb n\u00eb pamje t\u00eb par\u00eb nuk dukej shum\u00eb ndryshe nga t\u00eb tjer\u00ebt. Quhej Colette, sipas themelueses s\u00eb tij, Colette Roussaux, e cila s\u00eb bashku me vajz\u00ebn e saj Sarah Andelman do t\u00eb krijonin nj\u00eb hapsir\u00eb me shum\u00eb ndikim n\u00eb fush\u00ebn e mod\u00ebs dhe […]<\/p>\n","protected":false},"author":2,"featured_media":3408,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[57,59],"tags":[],"tmauthors":[64],"class_list":["post-3407","post","type-post","status-publish","format-standard","has-post-thumbnail","category-jetese","category-kryesore"],"_links":{"self":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/3407","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3407"}],"version-history":[{"count":1,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/3407\/revisions"}],"predecessor-version":[{"id":3411,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/3407\/revisions\/3411"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/media\/3408"}],"wp:attachment":[{"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3407"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3407"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3407"},{"taxonomy":"tmauthors","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftmauthors&post=3407"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}