{"id":3484,"date":"2026-06-18T16:23:24","date_gmt":"2026-06-18T16:23:24","guid":{"rendered":"https:\/\/thelb.al\/?p=3484"},"modified":"2026-06-18T16:24:03","modified_gmt":"2026-06-18T16:24:03","slug":"si-po-e-kthen-rosalia-bashkepunimin-me-dior-ne-pjese-te-lux-tour","status":"publish","type":"post","link":"https:\/\/thelb.al\/?p=3484","title":{"rendered":"Si po e kthen Rosal\u00eda bashk\u00ebpunimin me Dior n\u00eb pjes\u00eb t\u00eb Lux Tour"},"content":{"rendered":"

Paraqitjet publike t\u00eb Rosal\u00eda-s n\u00eb New York dhe nisja e segmentit amerikan t\u00eb Lux Tour 2026<\/em> kan\u00eb rikthyer v\u00ebmendjen te nj\u00eb element q\u00eb artistja spanjolle e ka trajtuar prej koh\u00ebsh me kujdes: raporti mes muzik\u00ebs dhe imazhit.<\/p>\n

Gjat\u00eb koncertit t\u00eb fundit n\u00eb Boston, Rosal\u00eda artistja u shfaq n\u00eb sken\u00eb me kat\u00ebr kostume t\u00eb realizuara posa\u00e7\u00ebrisht nga Dior, n\u00ebn drejtimin kreativ t\u00eb Jonathan Anderson, bashk\u00ebpunim q\u00eb p\u00ebr shum\u00eb media nd\u00ebrkomb\u00ebtare t\u00eb mod\u00ebs \u00ebsht\u00eb kthyer n\u00eb nj\u00eb nga element\u00ebt m\u00eb interesant\u00eb t\u00eb turneut aktual.<\/p>\n

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P\u00ebr publikun europian, Rosal\u00eda \u00ebsht\u00eb prej vitesh nj\u00eb nga artistet q\u00eb ka arritur t\u00eb nd\u00ebrtoj\u00eb nj\u00eb profil t\u00eb ve\u00e7ant\u00eb n\u00eb muzik\u00ebn bashk\u00ebkohore, duke kombinuar flamenco-n tradicionale spanjolle me pop, hip hop, reggaeton, klasike dhe element\u00eb t\u00eb muzik\u00ebs eksperimentale. Por, paralelisht me muzik\u00ebn, ajo ka treguar gjithmon\u00eb nj\u00eb v\u00ebmendje t\u00eb qart\u00eb ndaj m\u00ebnyr\u00ebs se si estetika dhe veshja b\u00ebhen pjes\u00eb e identitetit artistik.<\/p>\n

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Kjo duket edhe m\u00eb e qart\u00eb n\u00eb Lux<\/em>, albumi i saj i kat\u00ebrt, ku artistja interpreton n\u00eb 14 gjuh\u00eb t\u00eb ndryshme dhe l\u00ebviz mes muzik\u00ebs operistike dhe kompozimeve orkestrale, deri te flamenco dhe ritmet elektronike. Vet\u00eb albumi \u00ebsht\u00eb regjistruar n\u00eb bashk\u00ebpunim me London Symphony Orchestra, nj\u00eb detaj q\u00eb ndihmon t\u00eb kuptohet edhe natyra vizuale e projektit skenik q\u00eb po e shoq\u00ebron.<\/p>\n

Q\u00eb prej fillimit t\u00eb turneut europian, garderoba e koncertit ishte menduar si vazhdim\u00ebsi e temave q\u00eb p\u00ebrshkojn\u00eb albumin: spiritualitet, ikonografi religjioze dhe referenca q\u00eb kujtojn\u00eb estetik\u00ebn kishtare. K\u00ebpuc\u00ebt e baletit, fundet prej tyli, mantela t\u00eb q\u00ebndisur dhe silueta q\u00eb t\u00eb kujtonin veshje ceremoniale kan\u00eb qen\u00eb pjes\u00eb e paraqitjeve t\u00eb saj n\u00eb sken\u00eb.<\/p>\n

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P\u00ebr pjes\u00ebn amerikane t\u00eb turneut, Rosal\u00eda ka zgjedhur t\u00eb bashk\u00ebpunoj\u00eb me Jonathan Anderson, aktualisht drejtori kreativ i Dior. P\u00ebr koncertet n\u00eb Boston, New York, Miami dhe Orlando, Anderson ka realizuar kat\u00ebr kostume ekskluzive, secili i nd\u00ebrtuar si pjes\u00eb e vet\u00eb struktur\u00ebs vizuale t\u00eb performanc\u00ebs.<\/p>\n

Gjat\u00eb koncertit, garderoba ndryshon vazhdimisht duke ndjekur edhe atmosfer\u00ebn e vet\u00eb performanc\u00ebs. Rosal\u00eda nis me nj\u00eb paraqitje q\u00eb t\u00eb kujton baletin klasik, me tyl t\u00eb bardh\u00eb dhe k\u00ebpuc\u00eb baleti, m\u00eb pas kalon drejt imazheve m\u00eb t\u00eb err\u00ebta dhe m\u00eb dramatike, ku dominojn\u00eb ngjyrat e zeza dhe referenca q\u00eb kujtojn\u00eb veshjet ceremoniale. N\u00eb pjes\u00ebn e fundit t\u00eb koncertit, skena ndri\u00e7ohet s\u00ebrish me tonalitete m\u00eb t\u00eb lehta, p\u00ebrpara se performanca t\u00eb mbyllet me nj\u00eb nga momentet m\u00eb teatrale t\u00eb gjith\u00eb shfaqjes, ku artistja shfaqet me nj\u00eb mantel t\u00eb frym\u00ebzuar nga krah\u00ebt e nj\u00eb engj\u00eblli.<\/p>\n

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N\u00eb nj\u00eb intervist\u00eb p\u00ebr Vogue, Jonathan Anderson ka shpjeguar se bashk\u00ebpunimi me Rosal\u00eda erdhi pothuajse natyrsh\u00ebm. Sipas tij, m\u00ebnyra se si artistja ka nd\u00ebrtuar albumin Lux<\/em> i kujtoi menj\u00ebher\u00eb procesin e krijimit n\u00eb haute couture, ku r\u00ebnd\u00ebsi ka jo vet\u00ebm ideja finale, por edhe kujdesi ndaj teknik\u00ebs, tradit\u00ebs dhe \u00e7do detaji q\u00eb e nd\u00ebrton at\u00eb.<\/p>\n

Ajo q\u00eb bie n\u00eb sy te Lux Tour<\/em> \u00ebsht\u00eb se kostumet nuk duken t\u00eb menduara p\u00ebr t\u00eb shoq\u00ebruar thjesht performanc\u00ebn. N\u00eb rastin e Rosal\u00eda-s, ato ndjekin t\u00eb nj\u00ebjt\u00ebn logjik\u00eb q\u00eb p\u00ebrshkon vet\u00eb albumin: t\u00eb nd\u00ebrtojn\u00eb nj\u00eb rr\u00ebfim ku muzika, referencat vizuale dhe mjesht\u00ebria artizanale zhvillohen paralelisht.<\/p>\n

\u2013 THELB,<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Paraqitjet publike t\u00eb Rosal\u00eda-s n\u00eb New York dhe nisja e segmentit amerikan t\u00eb Lux Tour 2026 kan\u00eb rikthyer v\u00ebmendjen te nj\u00eb element q\u00eb artistja spanjolle e ka trajtuar prej koh\u00ebsh me kujdes: raporti mes muzik\u00ebs dhe imazhit. Gjat\u00eb koncertit t\u00eb fundit n\u00eb Boston, Rosal\u00eda artistja u shfaq n\u00eb sken\u00eb me kat\u00ebr kostume t\u00eb realizuara posa\u00e7\u00ebrisht […]<\/p>\n","protected":false},"author":2,"featured_media":3485,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[59,48,51],"tags":[],"tmauthors":[64],"class_list":["post-3484","post","type-post","status-publish","format-standard","has-post-thumbnail","category-kryesore","category-kulture","category-muzike"],"_links":{"self":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/3484","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3484"}],"version-history":[{"count":1,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/3484\/revisions"}],"predecessor-version":[{"id":3493,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/3484\/revisions\/3493"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/media\/3485"}],"wp:attachment":[{"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3484"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3484"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3484"},{"taxonomy":"tmauthors","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftmauthors&post=3484"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}