{"id":3557,"date":"2026-07-05T17:52:48","date_gmt":"2026-07-05T17:52:48","guid":{"rendered":"https:\/\/thelb.al\/?p=3557"},"modified":"2026-07-05T20:19:52","modified_gmt":"2026-07-05T20:19:52","slug":"pse-madonna-zgjodhi-ti-rikthehet-confessions-pas-21-vitesh","status":"publish","type":"post","link":"https:\/\/thelb.al\/?p=3557","title":{"rendered":"Pse Madonna zgjodhi t’i rikthehet \u2018Confessions\u2019 pas 21 vitesh"},"content":{"rendered":"

\u2018Bota ndodhet n\u00eb nj\u00eb moment shum\u00eb t\u00eb err\u00ebt dhe njer\u00ebzit kan\u00eb nevoj\u00eb t\u00eb vall\u00ebzojn\u00eb\u2019, thot\u00eb artistja p\u00ebr albumin e saj t\u00eb ri.<\/em><\/strong><\/p>\n

P\u00ebr m\u00eb shum\u00eb se kat\u00ebr dekada, Madonna ka qen\u00eb nj\u00eb nga ato artiste q\u00eb rrall\u00ebher\u00eb \u00ebsht\u00eb mjaftuar t\u00eb ndjek\u00eb koh\u00ebn. P\u00ebrkundrazi, ka qen\u00eb ajo q\u00eb shpesh e ka paraprir\u00eb. Nga m\u00ebnyra se si ndryshoi raportin mes muzik\u00ebs dhe mod\u00ebs, te videoklipet, performanca skenike apo temat q\u00eb trajtoi shum\u00eb p\u00ebrpara se t\u00eb hynin n\u00eb debatin publik, karriera e saj \u00ebsht\u00eb nd\u00ebrtuar mbi iden\u00eb e transformimit t\u00eb vazhduesh\u00ebm.<\/p>\n

M\u00eb 3 korrik, Madonna publikoi Confessions II<\/em>, vazhdimin e Confessions on a Dance Floor<\/em>, albumit t\u00eb vitit 2005 q\u00eb konsiderohet gjer\u00ebsisht si nj\u00eb nga momentet kulmore t\u00eb karrier\u00ebs s\u00eb saj. Ishte projekti me t\u00eb cilin artistja riktheu n\u00eb qend\u00ebr t\u00eb pop-it tingujt house dhe dance, n\u00eb nj\u00eb koh\u00eb kur pak kush e priste nj\u00eb kthes\u00eb t\u00eb till\u00eb. Bashk\u00ebpunimi me producentin Stuart Price krijoi nj\u00eb identitet muzikor dhe vizual q\u00eb ndikoi jo vet\u00ebm te publiku, por edhe te nj\u00eb brez artist\u00ebsh q\u00eb do t\u00eb vinin m\u00eb pas.<\/p>\n

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Nj\u00ebzet e nj\u00eb vjet m\u00eb von\u00eb, Madonna rikthehet pik\u00ebrisht te ai kapitull. Vanity Fair <\/em>e lexon Confessions II<\/em> si albumin e nj\u00eb artisteje q\u00eb i p\u00ebrket nj\u00eb epoke tjet\u00ebr dhe q\u00eb nuk k\u00ebrkon m\u00eb t\u00eb revolucionarizoj\u00eb pop-in si dikur. Pitchfork<\/em>, nga ana tjet\u00ebr, ndalet te vet\u00eb konceptimi i projektit, duke v\u00ebn\u00eb n\u00eb dukje se Madonna dhe Stuart Price kan\u00eb zgjedhur t\u00eb nd\u00ebrtojn\u00eb nj\u00eb album q\u00eb funksionon si nj\u00eb vep\u00ebr e vetme, n\u00eb nj\u00eb industri ku muzika konsumohet gjithnj\u00eb e m\u00eb shum\u00eb p\u00ebrmes playlist-ave dhe algoritmeve. Lexime t\u00eb tjera e shohin projektin si nj\u00eb dialog t\u00eb vet\u00ebdijsh\u00ebm t\u00eb artistes me nj\u00eb prej kapitujve m\u00eb t\u00eb r\u00ebnd\u00ebsish\u00ebm t\u00eb historis\u00eb s\u00eb saj.<\/p>\n

P\u00ebr vite me radh\u00eb, Madonna \u00ebsht\u00eb identifikuar me risin\u00eb. \u00c7do album sillte nj\u00eb estetik\u00eb t\u00eb re, nj\u00eb tingull t\u00eb ri, nj\u00eb personazh t\u00eb ri. Publiku ishte m\u00ebsuar t\u00eb priste se cili do t\u00eb ishte transformimi i radh\u00ebs. N\u00eb k\u00ebt\u00eb kuptim, Confessions on a Dance Floor<\/em> nuk ishte thjesht nj\u00eb album dance, por nj\u00eb tjet\u00ebr prov\u00eb se Madonna vazhdonte t\u00eb ishte disa hapa p\u00ebrpara industris\u00eb.<\/p>\n

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Sot, panorama \u00ebsht\u00eb krejt tjet\u00ebr. Muzika prodhohet dhe konsumohet ndryshe, albumi nuk ka m\u00eb t\u00eb nj\u00ebjt\u00ebn pesh\u00eb q\u00eb kishte dy dekada m\u00eb par\u00eb dhe ritmi i industris\u00eb \u00ebsht\u00eb b\u00ebr\u00eb gjithnj\u00eb e m\u00eb i shpejt\u00eb. Pik\u00ebrisht n\u00eb k\u00ebt\u00eb moment, Madonna zgjedh t\u00eb rikthej\u00eb Stuart Price, t\u00eb nd\u00ebrtoj\u00eb nj\u00eb album me gjasht\u00ebmb\u00ebdhjet\u00eb k\u00ebng\u00eb t\u00eb menduara si nj\u00eb rrjedh\u00eb e vetme dhe t’i rikthehet pik\u00ebrisht projektit q\u00eb shum\u00eb e konsiderojn\u00eb kulmin e saj artistik.<\/p>\n

Kjo zgjedhje nuk duket se buron nga d\u00ebshira p\u00ebr t\u00eb rikrijuar vitin 2005, por nga bindja se disa parime t\u00eb krijimit artistik nuk e humbasin vler\u00ebn vet\u00ebm sepse industria e muzik\u00ebs ka ndryshuar.<\/p>\n

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Vet\u00eb Stuart Price ka shpjeguar se Confessions II<\/em> nuk \u00ebsht\u00eb konceptuar p\u00ebr t’u d\u00ebgjuar si nj\u00eb koleksion k\u00ebng\u00ebsh t\u00eb shk\u00ebputura, por si nj\u00eb album n\u00eb kuptimin klasik t\u00eb fjal\u00ebs. Edhe deklaratat e Madonna-s l\u00ebvizin n\u00eb t\u00eb nj\u00ebjtin drejtim. \u2018Bota ndodhet n\u00eb nj\u00eb moment shum\u00eb t\u00eb err\u00ebt dhe njer\u00ebzit kan\u00eb nevoj\u00eb t\u00eb vall\u00ebzojn\u00eb\u2019<\/em>, \u00ebsht\u00eb shprehur ajo gjat\u00eb prezantimit t\u00eb projektit.<\/p>\n

Kjo filozofi p\u00ebrceptohet edhe n\u00eb vet\u00eb nd\u00ebrtimin e albumit. K\u00ebng\u00eb si \u2018I Feel So Free\u2019<\/em><\/strong>, q\u00eb hap projektin, rikthehen te tingujt deep house q\u00eb frym\u00ebzuan edhe albumin e vitit 2005, por k\u00ebt\u00eb her\u00eb me nj\u00eb ton m\u00eb reflektues. Nd\u00ebrsa \u2018Danceteria\u2019<\/em><\/strong> \u00ebsht\u00eb nj\u00eb homazh i drejtp\u00ebrdrejt\u00eb p\u00ebr vitet e para t\u00eb Madonna-s n\u00eb sken\u00ebn e \u00a0New York-ut, aty ku nisi t\u00eb nd\u00ebrtonte identitetin e saj artistik.<\/p>\n

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N\u00eb vitin 2005, pista e vall\u00ebzimit p\u00ebrfaq\u00ebsonte energjin\u00eb dhe optimizmin e nj\u00eb epoke q\u00eb ende besonte pa shum\u00eb dyshime te e ardhmja. N\u00eb vitin 2026, e nj\u00ebjta pist\u00eb vall\u00ebzimi merr nj\u00eb kuptim tjet\u00ebr. Nuk \u00ebsht\u00eb m\u00eb vet\u00ebm nj\u00eb vend arg\u00ebtimi; b\u00ebhet nj\u00eb hap\u00ebsir\u00eb ku muzika sh\u00ebrben si kund\u00ebrpesh\u00eb ndaj nj\u00eb realiteti m\u00eb t\u00eb pasigurt, m\u00eb t\u00eb fragmentuar dhe m\u00eb t\u00eb lodhur.<\/p>\n

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N\u00eb k\u00ebt\u00eb kuptim, rikthimi te Confessions<\/em> nuk duket si nj\u00eb ushtrim nostalgjie. P\u00ebrkundrazi, ai t\u00eb jep p\u00ebrshtypjen e nj\u00eb artisteje q\u00eb rikthehet te nj\u00eb ide e muzik\u00ebs n\u00eb t\u00eb cil\u00ebn vazhdon t\u00eb besoj\u00eb n\u00eb nj\u00eb album q\u00eb nd\u00ebrtohet si nj\u00eb p\u00ebrvoj\u00eb, nj\u00eb bashk\u00ebpunim artistik q\u00eb nuk ndjek domosdoshm\u00ebrisht ritmin e tregut dhe nj\u00eb muzik\u00eb dance q\u00eb nuk synon vet\u00ebm t\u00eb arg\u00ebtoj\u00eb, por edhe p\u00ebr t\u00eb th\u00ebn\u00eb di\u00e7ka p\u00ebr koh\u00ebn n\u00eb t\u00eb cil\u00ebn jetojm\u00eb.<\/p>\n

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Edhe pjesa m\u00eb intime e albumit l\u00ebviz n\u00eb t\u00eb nj\u00ebjtin drejtim. K\u00ebng\u00eb si \u2018Fragile\u2019<\/em><\/strong> apo dueti \u2018The Test\u2019<\/em><\/strong>, i realizuar me vajz\u00ebn e saj Lourdes Leon, largohen nga euforia tipike e pist\u00ebs s\u00eb vall\u00ebzimit dhe flasin p\u00ebr humbjen, familjen dhe pajtimin me t\u00eb shkuar\u00ebn. Kjo \u00ebsht\u00eb ndoshta edhe diferenca m\u00eb e madhe me Confessions on a Dance Floor<\/strong>. N\u00ebse albumi i vitit 2005 festonte lirin\u00eb e dance floor-it, Confessions II<\/strong> e p\u00ebr t\u00eb reflektuar mbi koh\u00ebn dhe mbi ato gj\u00ebra q\u00eb vazhdojn\u00eb t\u00eb ken\u00eb vler\u00eb, edhe kur bota ndryshon.<\/p>\n

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N\u00eb fund t\u00eb fundit, kjo ka qen\u00eb gjithmon\u00eb m\u00ebnyra se si Madonna ka komunikuar me publikun. \u00c7do projekt i saj ka qen\u00eb m\u00eb shum\u00eb sesa nj\u00eb grup k\u00ebng\u00ebsh; ka qen\u00eb nj\u00eb m\u00ebnyr\u00eb p\u00ebr t\u00eb komentuar koh\u00ebn n\u00eb t\u00eb cil\u00ebn jetonte. Edhe Confessions II<\/em> duket se ndjek t\u00eb nj\u00ebjt\u00ebn logjik\u00eb. Vet\u00ebm se, k\u00ebt\u00eb her\u00eb, n\u00eb vend q\u00eb ta sfidoj\u00eb koh\u00ebn duke shpikur vazhdimisht di\u00e7ka t\u00eb re, zgjedh ta b\u00ebj\u00eb duke rikthyer v\u00ebmendjen te ato elemente t\u00eb muzik\u00ebs dhe artit q\u00eb, sipas saj, vazhdojn\u00eb t\u00eb ken\u00eb kuptim edhe sot.<\/p>\n

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\u2013 THELB,<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

\u2018Bota ndodhet n\u00eb nj\u00eb moment shum\u00eb t\u00eb err\u00ebt dhe njer\u00ebzit kan\u00eb nevoj\u00eb t\u00eb vall\u00ebzojn\u00eb\u2019, thot\u00eb artistja p\u00ebr albumin e saj t\u00eb ri. P\u00ebr m\u00eb shum\u00eb se kat\u00ebr dekada, Madonna ka qen\u00eb nj\u00eb nga ato artiste q\u00eb rrall\u00ebher\u00eb \u00ebsht\u00eb mjaftuar t\u00eb ndjek\u00eb koh\u00ebn. P\u00ebrkundrazi, ka qen\u00eb ajo q\u00eb shpesh e ka paraprir\u00eb. Nga m\u00ebnyra se si […]<\/p>\n","protected":false},"author":2,"featured_media":3558,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[59,48,51,1],"tags":[],"tmauthors":[64],"class_list":["post-3557","post","type-post","status-publish","format-standard","has-post-thumbnail","category-kryesore","category-kulture","category-muzike","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/3557","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3557"}],"version-history":[{"count":4,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/3557\/revisions"}],"predecessor-version":[{"id":3588,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/3557\/revisions\/3588"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/media\/3558"}],"wp:attachment":[{"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3557"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3557"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3557"},{"taxonomy":"tmauthors","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftmauthors&post=3557"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}