{"id":3613,"date":"2026-07-08T11:53:05","date_gmt":"2026-07-08T11:53:05","guid":{"rendered":"https:\/\/thelb.al\/?p=3613"},"modified":"2026-07-08T11:53:59","modified_gmt":"2026-07-08T11:53:59","slug":"haute-couture-sipas-daniel-roseberry-pertej-formulave","status":"publish","type":"post","link":"https:\/\/thelb.al\/?p=3613","title":{"rendered":"Haute Couture e Schiaparell sipas Daniel Roseberry, p\u00ebrtej formulave"},"content":{"rendered":"

N\u00eb Haute Couture, \u00e7do koleksion \u00ebsht\u00eb i nd\u00ebrtuar deri n\u00eb detajin m\u00eb t\u00eb vog\u00ebl. Por p\u00ebr Daniel Roseberry, drejtuesin artistik t\u00eb Schiaparelli, koleksioni i ri lindi pik\u00ebrisht kur ai pranoi se jo gjith\u00e7ka mund t\u00eb kontrollohet.<\/p>\n

I titulluar \u2018The Call of the Void\u2019<\/em>, koleksioni q\u00eb hapi Jav\u00ebn Haute Couture n\u00eb Paris nuk \u00ebsht\u00eb nj\u00eb reflektim mbi frik\u00ebn, si\u00e7 mund t\u00eb sugjeroj\u00eb emri. \u00cbsht\u00eb nj\u00eb reflektim mbi procesin krijues. N\u00eb sh\u00ebnimin q\u00eb shoq\u00ebron koleksionin, Roseberry pranon se, pasi mendoi se kishte gjetur formul\u00ebn e duhur sezonin e kaluar, u p\u00ebrpoq ta p\u00ebrs\u00ebriste. Nuk funksionoi. Vet\u00ebm kur hoqi dor\u00eb nga nevoja p\u00ebr t\u00eb kontrolluar \u00e7do hap t\u00eb krijimit, idet\u00eb filluan t\u00eb merrnin form\u00eb. Pik\u00ebrisht k\u00ebt\u00eb ai e quan \u2018The Call of the Void\u2019, momentin kur krijimtaria k\u00ebrkon t\u00eb hyj\u00eb n\u00eb territorin e s\u00eb panjohur\u00ebs.<\/p>\n

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Ky proces reflektohet edhe n\u00eb vet\u00eb koleksionin. N\u00eb vend t\u00eb m\u00ebndafshit apo leshit, Roseberry eksperimenton me silikon, latex dhe sip\u00ebrfaqe t\u00eb modeluara si skulptura. Materiale q\u00eb rrall\u00eb lidhen me Haute Couture, por q\u00eb k\u00ebtu trajtohen me t\u00eb nj\u00ebjtin nivel mjesht\u00ebrie si p\u00eblhurat tradicionale.<\/p>\n

Estetikisht, koleksioni l\u00ebviz mes surrealizmit dhe fantashkenc\u00ebs. Trupat duken t\u00eb mbuluar me forma organike, korse t\u00eb skalitura dhe detaje q\u00eb kujtojn\u00eb bot\u00ebn e thell\u00ebsive t\u00eb oqeanit. Nuk \u00ebsht\u00eb nj\u00eb bukuri klasike, por provokon, nj\u00eb cil\u00ebsi q\u00eb ka qen\u00eb pjes\u00eb e ADN-s\u00eb s\u00eb Schiaparelli q\u00eb n\u00eb koh\u00ebn e Elsa Schiaparelli.<\/p>\n

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N\u00eb k\u00ebt\u00eb kuptim, Roseberry nuk po k\u00ebrkon vet\u00ebm t\u00eb prezantoj\u00eb rroba t\u00eb jasht\u00ebzakonshme. Ai po sfidon vet\u00eb iden\u00eb e asaj q\u00eb Haute Couture mund t\u00eb jet\u00eb. Duke eksperimentuar me materiale t\u00eb pazakonta dhe duke refuzuar formulat q\u00eb kan\u00eb funksionuar m\u00eb par\u00eb, ai sugjeron se krijimtaria nuk lind nga p\u00ebrs\u00ebritja, por nga gatishm\u00ebria p\u00ebr t\u00eb hyr\u00eb n\u00eb t\u00eb panjohur\u00ebn.<\/p>\n

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Ky \u00ebsht\u00eb edhe mesazhi m\u00eb interesant i k\u00ebtij koleksioni. N\u00eb nj\u00eb industri q\u00eb shpesh k\u00ebrkon sukses t\u00eb parashikuesh\u00ebm, Daniel Roseberry zgjedh t\u00eb besoj\u00eb se idet\u00eb m\u00eb t\u00eb mira lindin pik\u00ebrisht aty ku nuk ka asnj\u00eb garanci.<\/p>\n

\u2013 THELB,<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

N\u00eb Haute Couture, \u00e7do koleksion \u00ebsht\u00eb i nd\u00ebrtuar deri n\u00eb detajin m\u00eb t\u00eb vog\u00ebl. Por p\u00ebr Daniel Roseberry, drejtuesin artistik t\u00eb Schiaparelli, koleksioni i ri lindi pik\u00ebrisht kur ai pranoi se jo gjith\u00e7ka mund t\u00eb kontrollohet. I titulluar \u2018The Call of the Void\u2019, koleksioni q\u00eb hapi Jav\u00ebn Haute Couture n\u00eb Paris nuk \u00ebsht\u00eb nj\u00eb reflektim […]<\/p>\n","protected":false},"author":2,"featured_media":3614,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[59,39,41,40],"tags":[],"tmauthors":[64],"class_list":["post-3613","post","type-post","status-publish","format-standard","has-post-thumbnail","category-kryesore","category-mode","category-sfilata","category-stiliste"],"_links":{"self":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/3613","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3613"}],"version-history":[{"count":3,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/3613\/revisions"}],"predecessor-version":[{"id":3622,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/3613\/revisions\/3622"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/media\/3614"}],"wp:attachment":[{"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3613"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3613"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3613"},{"taxonomy":"tmauthors","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftmauthors&post=3613"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}