{"id":3693,"date":"2026-07-10T18:53:59","date_gmt":"2026-07-10T18:53:59","guid":{"rendered":"https:\/\/thelb.al\/?p=3693"},"modified":"2026-07-10T19:36:24","modified_gmt":"2026-07-10T19:36:24","slug":"debutimi-i-maria-grazia-chiuri-te-fendi-nis-nga-nje-ide-e-thjeshte-haute-couture-nuk-duhet-te-jete-larg-jetes-reale","status":"publish","type":"post","link":"https:\/\/thelb.al\/?p=3693","title":{"rendered":"Debutimi i Maria Grazia Chiuri te Fendi nis nga nj\u00eb ide e thjesht\u00eb: Haute Couture nuk duhet t\u00eb jet\u00eb larg jet\u00ebs reale"},"content":{"rendered":"

N\u00eb nj\u00eb sezon Haute Couture t\u00eb mbushur me silueta skulpturore, korsete t\u00eb ngurta dhe fustane q\u00eb shpesh duken m\u00eb af\u00ebr artit sesa jet\u00ebs reale, debutimi i Maria Grazia Chiuri-t te Fendi shkoi n\u00eb nj\u00eb drejtim krejt tjet\u00ebr.<\/p>\n

Koleksioni i saj i par\u00eb couture p\u00ebr sht\u00ebpin\u00eb italiane nuk k\u00ebrkoi t\u00eb impresiononte p\u00ebrmes spektaklit apo ekstravaganc\u00ebs. P\u00ebrkundrazi, ai nisi nga nj\u00eb pyetje shum\u00eb m\u00eb e thjesht\u00eb: si ndihet nj\u00eb veshje mbi trup?<\/p>\n

‘Ndonj\u00ebher\u00eb harrojm\u00eb se gj\u00ebja e par\u00eb q\u00eb d\u00ebshirojm\u00eb nga nj\u00eb veshje \u00ebsht\u00eb m\u00ebnyra se si ajo ndihet mbi l\u00ebkur\u00eb, q\u00eb materiali \u00ebsht\u00eb i but\u00eb dhe ndihesh mir\u00eb.’, \u00ebsht\u00eb shprehur Chiuri pas sfilat\u00ebs.<\/p>\n

Kjo ide p\u00ebrshkonte t\u00eb gjith\u00eb koleksionin.<\/p>\n

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N\u00eb pasarel\u00eb mungonin korsetet, strukturat e forta dhe siluetat q\u00eb imponohen mbi trupin. N\u00eb vend t\u00eb tyre, Chiuri prezantoi kaftane t\u00eb lehta, fustane me prerje t\u00eb buta dhe materiale q\u00eb l\u00ebviznin bashk\u00eb me trupin n\u00eb vend q\u00eb ta detyronin at\u00eb t\u00eb p\u00ebrshtatej me veshjen.<\/p>\n

Look-u i par\u00eb e p\u00ebrmblidhte qart\u00eb k\u00ebt\u00eb qasje: nj\u00eb kaftan transparent bardh e zi q\u00eb l\u00ebkundej leht\u00ebsisht pas modeles nd\u00ebrsa ecte n\u00eb pasarel\u00eb. Frym\u00ebzimi vinte nga Emilie Fl\u00f6ge, stilistja austriake dhe bashk\u00ebpun\u00ebtorja e Gustav Klimt, e njohur p\u00ebr krijimet e saj t\u00eb lira dhe p\u00ebr refuzimin e korseteve n\u00eb nj\u00eb koh\u00eb kur ato konsideroheshin pjes\u00eb e domosdoshme e garderob\u00ebs fem\u00ebrore.<\/p>\n

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Edhe pjesa tjet\u00ebr e koleksionit l\u00ebvizte n\u00eb t\u00eb nj\u00ebjtin drejtim. Fustane me prerje diagonale, dantella transparente, q\u00ebndisje t\u00eb lehta dhe kostume t\u00eb qepura me precizion couture, por t\u00eb menduara p\u00ebr t’u jetuar dhe jo vet\u00ebm p\u00ebr t’u admiruar.<\/p>\n

N\u00eb nj\u00eb far\u00eb m\u00ebnyre, Chiuri duket se po v\u00eb n\u00eb diskutim vet\u00eb m\u00ebnyr\u00ebn se si e kemi kuptuar Haute Couture gjat\u00eb dekadave t\u00eb fundit. N\u00eb vend t\u00eb nj\u00eb mode q\u00eb nd\u00ebrton veshjen dhe m\u00eb pas k\u00ebrkon q\u00eb trupi t\u00eb p\u00ebrshtatet me t\u00eb, ajo propozon t\u00eb kund\u00ebrt\u00ebn: nj\u00eb couture q\u00eb fillon nga trupi dhe nd\u00ebrtohet rreth tij.<\/p>\n

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Kjo nuk do t\u00eb thot\u00eb m\u00eb pak luks apo m\u00eb pak mjesht\u00ebri artizanale. P\u00ebrkundrazi. Pik\u00ebrisht n\u00eb thjesht\u00ebsin\u00eb e siluetave dhe n\u00eb m\u00ebnyr\u00ebn se si materialet reagojn\u00eb ndaj l\u00ebvizjes, Chiuri duket se k\u00ebrkon t\u00eb tregoj\u00eb nj\u00eb form\u00eb tjet\u00ebr t\u00eb luksit, m\u00eb pak teatrale dhe m\u00eb personale. Duket se mesazhi i koleksionit nuk ishte spektakli, por liria.<\/p>\n

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\u2013 THELB,<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

N\u00eb nj\u00eb sezon Haute Couture t\u00eb mbushur me silueta skulpturore, korsete t\u00eb ngurta dhe fustane q\u00eb shpesh duken m\u00eb af\u00ebr artit sesa jet\u00ebs reale, debutimi i Maria Grazia Chiuri-t te Fendi shkoi n\u00eb nj\u00eb drejtim krejt tjet\u00ebr. Koleksioni i saj i par\u00eb couture p\u00ebr sht\u00ebpin\u00eb italiane nuk k\u00ebrkoi t\u00eb impresiononte p\u00ebrmes spektaklit apo ekstravaganc\u00ebs. P\u00ebrkundrazi, […]<\/p>\n","protected":false},"author":2,"featured_media":3705,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[59,39,41,40],"tags":[],"tmauthors":[64],"class_list":["post-3693","post","type-post","status-publish","format-standard","has-post-thumbnail","category-kryesore","category-mode","category-sfilata","category-stiliste"],"_links":{"self":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/3693","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3693"}],"version-history":[{"count":2,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/3693\/revisions"}],"predecessor-version":[{"id":3706,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/3693\/revisions\/3706"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/media\/3705"}],"wp:attachment":[{"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3693"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3693"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3693"},{"taxonomy":"tmauthors","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftmauthors&post=3693"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}