{"id":3795,"date":"2026-07-23T08:11:16","date_gmt":"2026-07-23T08:11:16","guid":{"rendered":"https:\/\/thelb.al\/?p=3795"},"modified":"2026-08-17T15:00:23","modified_gmt":"2026-08-17T15:00:23","slug":"brenda-botes-krijuese-te-ezgi-ozalan","status":"publish","type":"post","link":"https:\/\/thelb.al\/?p=3795","title":{"rendered":"Brenda bot\u00ebs krijuese t\u00eb Ezgi \u00d6zalan"},"content":{"rendered":"

Nj\u00eb bised\u00eb me stilisten shqiptare mbi materialin, procesin krijues dhe sfid\u00ebn p\u00ebr t\u00eb nd\u00ebrtuar nj\u00eb identitet n\u00eb mod\u00ebn e koh\u00ebve t\u00eb sotme.<\/em><\/strong><\/p>\n

\u00cbsht\u00eb nj\u00eb pasdite korriku n\u00eb Tiran\u00eb. Vapa r\u00ebndon mbi qytetin e betonit, nd\u00ebrsa pak metra m\u00eb tej nj\u00eb grup i madh t\u00eb rinjsh \u00ebsht\u00eb mbledhur p\u00ebr t\u00eb k\u00ebrkuar hap\u00ebsir\u00ebn q\u00eb u mungon: pun\u00eb, mund\u00ebsi, nj\u00eb t\u00eb ardhme q\u00eb t’u p\u00ebrgjigjet p\u00ebrpjekjeve t\u00eb tyre. N\u00eb mes t\u00eb k\u00ebsaj energjie t\u00eb prekshme, mb\u00ebrrin Ezgi \u00d6zalan, vet\u00eb nj\u00eb z\u00eb i po atij brezi q\u00eb k\u00ebrkon vend p\u00ebr t’u shprehur. Buz\u00ebqeshja e saj dallohet q\u00eb nga larg. P\u00ebrsh\u00ebndet me nj\u00eb thjesht\u00ebsi q\u00eb t\u00eb krijon menj\u00ebher\u00eb ndjesin\u00eb se e njeh prej koh\u00ebsh. Ulemi p\u00ebr t\u00eb biseduar.<\/p>\n

\u00cbsht\u00eb vet\u00ebm 23 vje\u00e7. Pyetjeve t\u00eb para u p\u00ebrgjigjet shkurt, me fjali t\u00eb matura, sikur po peshon \u00e7do fjal\u00eb p\u00ebrpara se ta thot\u00eb. Por sapo biseda prek fjal\u00eb si ‘tekstil’ apo ‘siluet\u00eb’, di\u00e7ka ndryshon, fjalit\u00eb zgjaten, duart i l\u00ebvizin sikur po ndjekin form\u00ebn e nj\u00eb cope p\u00eblhure n\u00eb aj\u00ebr. Nuk flet me fjal\u00eb t\u00eb m\u00ebdha p\u00ebr mod\u00ebn dhe as p\u00ebr ambiciet personale. Flet me shum\u00eb pasion p\u00ebr pun\u00ebn, p\u00ebr stilin e saj t\u00eb ve\u00e7ant\u00eb n\u00eb krijim.<\/p>\n

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N\u00eb mod\u00eb, tekstili zakonisht \u00ebsht\u00eb objekti ku nj\u00eb ide fillon t\u00eb marr\u00eb form\u00eb. P\u00ebr Ezgi \u00d6zalan, ai \u00ebsht\u00eb vet\u00eb pik\u00ebnisja e krijimit. Gjith\u00e7ka niset n\u00eb momentin kur nj\u00eb cop\u00eb p\u00eblhure vendoset mbi tavolin\u00ebn e pun\u00ebs. P\u00ebrpara se t\u00eb vizatoj\u00eb nj\u00eb siluet\u00eb, ajo k\u00ebrkon nj\u00eb sip\u00ebrfaqe q\u00eb t’i p\u00ebrgjigjet ides\u00eb s\u00eb imagjinuar. \u00cbsht\u00eb nj\u00eb udh\u00ebtim i gjat\u00eb provash dhe gabimesh, ku materiali testohet dhe transformohet derisa t\u00eb fitoj\u00eb karakterin q\u00eb ajo synon. Vet\u00ebm at\u00ebher\u00eb fillon t\u00eb nd\u00ebrtohet veshja.<\/p>\n

Kjo m\u00ebnyr\u00eb pune e vendos krijimin n\u00eb nj\u00eb marr\u00ebdh\u00ebnie t\u00eb drejtp\u00ebrdrejt\u00eb me objektin e pun\u00ebs, nj\u00eb qasje q\u00eb historia e mod\u00ebs e njeh mir\u00eb. Mariano Fortuny e b\u00ebri plisimin e m\u00ebndafshit nj\u00eb nga shenjat dalluese t\u00eb krijimtaris\u00eb s\u00eb tij, nd\u00ebrsa Issey Miyake e nd\u00ebrtoi identitetin e tij duke eksploruar struktur\u00ebn dhe l\u00ebvizjen e materialit. N\u00eb nj\u00eb faz\u00eb krejt tjet\u00ebr t\u00eb karrier\u00ebs dhe n\u00eb nj\u00eb kontekst t\u00eb ndrysh\u00ebm, edhe Ezgi \u00d6zalan e sheh tekstilin si pik\u00ebn ku lind identiteti i nj\u00eb krijimi. Kjo qasje ka t\u00ebrhequr v\u00ebmendjen e botimeve nd\u00ebrkomb\u00ebtare t\u00eb mod\u00ebs.<\/p>\n

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Prirja drejt materialit nuk lindi vet\u00ebm nga nj\u00eb ambicie estetike. N\u00eb fillim t\u00eb rrug\u00ebtimit, ajo ishte edhe nj\u00eb p\u00ebrgjigje ndaj mund\u00ebsive t\u00eb kufizuara. N\u00eb vend q\u00eb ta shihte munges\u00ebn e p\u00eblhurave t\u00eb kushtueshme si penges\u00eb, \u00d6zalan nisi t\u00eb punonte me materiale q\u00eb zakonisht mbeten n\u00eb prapasken\u00eb t\u00eb nj\u00eb veshjeje, si copat e p\u00ebrdorura p\u00ebr astar. P\u00ebrmes eksperimentimit dhe nj\u00eb pune t\u00eb gjat\u00eb, jo pa sakrifica, ajo u jep atyre nj\u00eb pamje t\u00eb re, e transformon duke i kthyer n\u00eb elementin kryesor t\u00eb krijimeve t\u00eb saj.<\/p>\n

Kur e pyes p\u00ebr origjin\u00ebn e k\u00ebsaj qasjeje, \u00d6zalan nuk nis me frym\u00ebzim, por me nevoj\u00eb: ‘Ky eksperiment lindi nga nevoja. Asgj\u00eb nuk m\u00eb plot\u00ebsonte dhe ndjeja nevoj\u00ebn e di\u00e7kaje unike, at\u00eb q\u00eb n\u00eb treg nuk e gjeja.’\u00a0<\/em>Eksperimentimi e \u00e7on drejt provash t\u00eb panum\u00ebrta, derisa materiali merr form\u00ebn q\u00eb e k\u00ebnaq: ‘K\u00ebrkoja q\u00eb krijimet t\u00eb ishin unike q\u00eb n\u00eb zanafill\u00eb dhe tekstili \u00ebsht\u00eb baza.’<\/em><\/p>\n

Transformimi i copave nuk synon vet\u00ebm t\u00eb krijoj\u00eb nj\u00eb sip\u00ebrfaqe ndryshe. P\u00ebr \u00d6zalan, ai \u00ebsht\u00eb m\u00ebnyra p\u00ebr t’i dh\u00ebn\u00eb materialit aft\u00ebsin\u00eb t\u00eb rr\u00ebfej\u00eb nj\u00eb histori. Tekstura, forma dhe veshja nd\u00ebrtojn\u00eb s\u00eb bashku nj\u00eb p\u00ebrvoj\u00eb q\u00eb shkon p\u00ebrtej aspektit estetik. Kur e pyes si e lidh tekstur\u00ebn me rr\u00ebfimin, p\u00ebrgjigjja i vjen pa hezitim:‘Le t\u00eb themi krijimin e nj\u00eb teksture t\u00eb re, duke e sjell\u00eb n\u00eb forma t\u00eb ve\u00e7anta t\u00eb cilat kur nd\u00ebrthuren s\u00eb bashku kan\u00eb di\u00e7ka p\u00ebr t\u00eb treguar, nj\u00eb histori transformimi, nj\u00eb ndjesi.’<\/em><\/p>\n

Pas k\u00ebtij orientimi t\u00eb vazhduesh\u00ebm dhe t\u00eb ve\u00e7ant\u00eb mbi materialin q\u00ebndron vet\u00ebm nj\u00eb vajz\u00eb e re q\u00eb po nd\u00ebrton me durim rrug\u00ebtimin n\u00eb fush\u00ebn komplekse t\u00eb mod\u00ebs. Origjina e saj \u00ebsht\u00eb po aq e nd\u00ebrthurur sa edhe krijimet q\u00eb realizon. E lindur n\u00eb Stamboll, por e rritur dhe e formuar n\u00eb Shqip\u00ebri, \u00d6zalan l\u00ebviz vazhdimisht mes dy vendeve. P\u00ebr stilisten e re, k\u00ebto dy identitete jan\u00eb si bot\u00eb t\u00eb ndara, por pjes\u00eb e s\u00eb nj\u00ebjt\u00ebs gjuh\u00eb krijuese.<\/p>\n

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‘Nga nj\u00ebra an\u00eb, ndjej ndikimin e eleganc\u00ebs, mjesht\u00ebris\u00eb artizanale dhe v\u00ebmendjes ndaj detajit q\u00eb lidhet me kultur\u00ebn turke. Nga ana tjet\u00ebr, Shqip\u00ebria m\u00eb ka formuar si artiste dhe m\u00eb ka dh\u00ebn\u00eb nj\u00eb ndjeshm\u00ebri p\u00ebr autenticitetin. Nuk e shoh krijimtarin\u00eb time si nj\u00eb zgjedhje mes dy kulturave, por si nj\u00eb bised\u00eb t\u00eb vazhdueshme mes tyre,’<\/em> thot\u00eb Ezgi duke buz\u00ebqeshur.<\/p>\n

N\u00eb vitin 2025 ajo p\u00ebrfundoi studimet n\u00eb Albanian Design Academy<\/em>, nj\u00eb periudh\u00eb q\u00eb e konsideron vendimtare n\u00eb formimin e saj, sepse aty njohu t\u00eb gjitha hallkat e procesit krijues, nga kall\u00ebpi dhe prerja te qepja dhe nd\u00ebrtimi i veshjes. M\u00eb her\u00ebt ajo ka studiuar kostumografi n\u00eb Universitetin e Arteve, p\u00ebrvoj\u00eb q\u00eb e ka ndihmuar ta kuptoj\u00eb veshjen p\u00ebrtej funksionit estetik, si pjes\u00eb e nd\u00ebrtimit t\u00eb nj\u00eb karakteri dhe nj\u00eb identiteti skenik.<\/p>\n

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Brenda nj\u00eb kohe t\u00eb shkurt\u00ebr, ajo ka realizuar tre koleksione. Publiku shqiptar u njoh me pun\u00ebn e saj n\u00eb edicionin e par\u00eb t\u00eb Albania Fashion Week<\/em>, skena kryesore e mod\u00ebs n\u00eb vend. P\u00ebrmes Albanian International Fashion Federation<\/em> (AIFF) krijimet e \u00d6zalan jan\u00eb prezantuar edhe n\u00eb Milano Fashion Week, aty ku krijimet e saj t\u00ebrhoq\u00ebn syrin e redaktor\u00ebve q\u00eb m\u00eb von\u00eb do ta botonin n\u00eb Harper’s Bazaar,<\/em> Glamour<\/em>, Elle<\/em> dhe Vanguard<\/em>. Koleksionin e tret\u00eb, ‘Elisir, Parajsa e Paarritshme<\/em>‘, e paraqiti n\u00eb edicionin e dyt\u00eb t\u00eb Albania Fashion Week<\/em>, n\u00eb prill 2026.<\/p>\n

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P\u00ebr \u00d6zalan, nj\u00eb veshje nuk p\u00ebrfundon te forma apo teknika. Ajo duhet t\u00eb zgjoj\u00eb nj\u00eb emocion dhe t\u00eb mbaj\u00eb nj\u00eb identitet q\u00eb e dallon nga \u00e7do krijim tjet\u00ebr. Kjo qasje e largon krijimtarin\u00eb e saj nga ideja e mod\u00ebs thjesht si nj\u00eb reagim ndaj trendit t\u00eb momentit. Sipas stilistes s\u00eb re, nj\u00eb koleksion nuk nd\u00ebrtohet p\u00ebr t\u00eb ndjekur ritmin e sezonit, por p\u00ebr t\u00eb zhvilluar nj\u00eb ide q\u00eb ka vazhdim\u00ebsi. \u00c7do krijim \u00ebsht\u00eb pjes\u00eb e nj\u00eb rr\u00ebfimi m\u00eb t\u00eb madh, ku materiali, forma dhe silueta jan\u00eb n\u00eb funksion t\u00eb t\u00eb nj\u00ebjtit vizion.<\/p>\n

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N\u00eb qend\u00ebr t\u00eb krijimeve t\u00eb saj \u00ebsht\u00eb gruaja q\u00eb e vesh at\u00eb. Edhe pse secili koleksion zhvillon historin\u00eb e vet, t\u00eb gjith\u00eb bashk\u00eb ndajn\u00eb t\u00eb nj\u00ebjt\u00ebn gjuh\u00eb estetike. Ngjyrat q\u00eb \u00d6zalan ka p\u00ebrdorur n\u00eb koleksione l\u00ebvizin mes nuancave t\u00eb qiellit, ujit, gjethes dhe tok\u00ebs, nd\u00ebrsa teksturat marrin forma q\u00eb kujtojn\u00eb val\u00ebt, relievet organike apo koren e pem\u00ebve. Natyra nuk shfaqet si nj\u00eb motiv dekorativ, por si burimi nga ku lindin forma, ritmi dhe struktura e \u00e7do krijimi. Tekstili shnd\u00ebrrohet deri n\u00eb at\u00eb pik\u00eb sa pushon s\u00eb qeni thjesht p\u00eblhur\u00eb dhe fillon t\u00eb krijoj\u00eb nj\u00eb peizazh t\u00eb ri mbi trup. Po aq e qart\u00eb \u00ebsht\u00eb edhe figura e gruas p\u00ebr t\u00eb cil\u00ebn krijon Ezgi \u00d6zalan. Ajo imagjinon nj\u00eb grua me personalitet, q\u00eb nuk ka frik\u00eb t\u00eb jet\u00eb vetvetja dhe q\u00eb e sheh veshjen si nj\u00eb m\u00ebnyr\u00eb p\u00ebr t\u00eb shprehur identitetin e saj. ‘Do t\u00eb doja q\u00eb veshja t’i jap\u00eb vet\u00ebbesimin, por edhe t’i l\u00ebr\u00eb hap\u00ebsir\u00ebn t\u00eb tregoj\u00eb historin\u00eb e saj, jo vet\u00ebm timen,’<\/em> thot\u00eb stilistja.<\/p>\n

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Ta kthesh k\u00ebt\u00eb vizion n\u00eb nj\u00eb veshje konkrete, megjithat\u00eb, \u00ebsht\u00eb pjesa m\u00eb e v\u00ebshtir\u00eb e gjith\u00eb k\u00ebtij rrug\u00ebtimi. \u00c7do krijim kalon p\u00ebrmes provave, ndryshimeve dhe korrigjimeve t\u00eb vazhdueshme, derisa ideja fillestare t\u00eb gjej\u00eb form\u00ebn e saj ideale. P\u00ebr \u00d6zalan, asnj\u00eb p\u00ebrshtatje nuk duhet t\u00eb ndryshoj\u00eb thelbin e ides\u00eb dhe skic\u00ebs. Madje, n\u00eb munges\u00eb t\u00eb nj\u00eb ekipi apo kushteve ideale, shum\u00eb prej krijimeve i provon vet\u00eb, p\u00ebr t\u00eb kuptuar n\u00ebse materiali, forma dhe l\u00ebvizja funksionojn\u00eb n\u00eb trup po aq mir\u00eb sa n\u00eb imagjinat\u00eb.<\/p>\n

Bota e krijimit t\u00eb Ezgi \u00d6zalan zhvillohet mes dy realiteteve q\u00eb ende nuk takohen. Nga nj\u00ebra an\u00eb, krijimet e saj publikohen n\u00eb revista nd\u00ebrkomb\u00ebtare dhe gjejn\u00eb jehon\u00eb mes stilist\u00ebve, fotograf\u00ebve e drejtuesve artistik\u00eb jasht\u00eb vendit. Nga ana tjet\u00ebr, realiteti i p\u00ebrditsh\u00ebm mbetet ai i nj\u00eb stilisteje t\u00eb re q\u00eb punon nga sht\u00ebpia, me mjete t\u00eb kufizuara dhe me pak hap\u00ebsir\u00eb p\u00ebr mb\u00ebshtetje profesionale. Kur flasim p\u00ebr k\u00ebt\u00eb hendek, \u00d6zalan pranon me sinqeritet: ‘K\u00ebto dy realitete nuk arrijn\u00eb t\u00eb bashk\u00ebjetojn\u00eb dot akoma me mua…’<\/em><\/p>\n

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Megjith\u00ebse e pranon se mungesa e kushteve e kufizon, ajo nuk e sheh at\u00eb vet\u00ebm si penges\u00eb: ‘T\u00eb kufizon, por t\u00eb b\u00ebn edhe t\u00eb mendosh m\u00eb shum\u00eb, p\u00ebr t\u00eb gjetur nj\u00eb m\u00ebnyr\u00eb q\u00eb ta realizosh at\u00eb q\u00eb ke imagjinuar,’<\/em> thot\u00eb \u00d6zalan, sepse kufizimet nuk e ndryshojn\u00eb m\u00ebnyr\u00ebn si krijon; vet\u00ebm m\u00ebnyr\u00ebn si arrin ta realizoj\u00eb at\u00eb q\u00eb \u00ebnd\u00ebrron.<\/p>\n

Ezgi mbledh s\u00ebrish dosjen e skicave. P\u00ebrpara saj ka ende shum\u00eb sfida, por jo dilema p\u00ebr m\u00ebnyr\u00ebn se si d\u00ebshiron t\u00eb krijoj\u00eb. Pavar\u00ebsisht v\u00ebshtir\u00ebsive q\u00eb shoq\u00ebrojn\u00eb rrug\u00ebtimin e saj, ajo mbetet e vendosur t\u00eb mbroj\u00eb at\u00eb q\u00eb e konsideron m\u00eb t\u00eb r\u00ebnd\u00ebsishme: thelbin e saj krijues.<\/p>\n

\u2013 THELB,<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Nj\u00eb bised\u00eb me stilisten shqiptare mbi materialin, procesin krijues dhe sfid\u00ebn p\u00ebr t\u00eb nd\u00ebrtuar nj\u00eb identitet n\u00eb mod\u00ebn e koh\u00ebve t\u00eb sotme. \u00cbsht\u00eb nj\u00eb pasdite korriku n\u00eb Tiran\u00eb. Vapa r\u00ebndon mbi qytetin e betonit, nd\u00ebrsa pak metra m\u00eb tej nj\u00eb grup i madh t\u00eb rinjsh \u00ebsht\u00eb mbledhur p\u00ebr t\u00eb k\u00ebrkuar hap\u00ebsir\u00ebn q\u00eb u mungon: pun\u00eb, […]<\/p>\n","protected":false},"author":2,"featured_media":3796,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[38,59,39,40],"tags":[],"tmauthors":[64],"class_list":["post-3795","post","type-post","status-publish","format-standard","has-post-thumbnail","category-editorial","category-kryesore","category-mode","category-stiliste"],"_links":{"self":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/3795","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3795"}],"version-history":[{"count":14,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/3795\/revisions"}],"predecessor-version":[{"id":3829,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/3795\/revisions\/3829"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/media\/3796"}],"wp:attachment":[{"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3795"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3795"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3795"},{"taxonomy":"tmauthors","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftmauthors&post=3795"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}