{"id":3980,"date":"2026-08-21T13:44:34","date_gmt":"2026-08-21T13:44:34","guid":{"rendered":"https:\/\/thelb.al\/?p=3980"},"modified":"2026-08-21T13:57:51","modified_gmt":"2026-08-21T13:57:51","slug":"viti-i-anne-hathaway-43-vjec-pese-filma-dhe-liria-per-te-shkruar-vete-cfare-do-te-thote-te-jesh-grua","status":"publish","type":"post","link":"https:\/\/thelb.al\/?p=3980","title":{"rendered":"Viti i Anne Hathaway? 43 vje\u00e7, pes\u00eb filma dhe liria p\u00ebr t\u00eb shkruar vet\u00eb \u00e7far\u00eb do t\u00eb thot\u00eb t\u00eb jesh grua"},"content":{"rendered":"

N\u00eb nj\u00eb intervist\u00eb p\u00ebr Vogue China, Anne Hathaway flet p\u00ebr nj\u00eb vit t\u00eb pazakont\u00eb n\u00eb karrier\u00ebn e saj, p\u00ebr Penelop\u00ebn e The Odyssey dhe p\u00ebr nj\u00eb ide q\u00eb duket se p\u00ebrmbledh m\u00eb mir\u00eb se \u00e7do tjet\u00ebr momentin ku ndodhet sot, bota nuk mund t\u2019i thot\u00eb m\u00eb nj\u00eb gruaje n\u00eb t\u00eb dyzetat se \u00e7far\u00eb duhet t\u00eb jet\u00eb.<\/em><\/strong><\/p>\n

Ky \u00ebsht\u00eb, n\u00eb shum\u00eb kuptime, viti i Anne Hathaway. Brenda vet\u00ebm pak muajsh, pes\u00eb projekte t\u00eb ndryshme e kan\u00eb sjell\u00eb at\u00eb n\u00eb role q\u00eb shkojn\u00eb nga nj\u00eb yll pop-i n\u00eb kriz\u00eb te rikthimi n\u00eb bot\u00ebn e mod\u00ebs, nga nj\u00eb mbret\u00ebresh\u00eb e mitologjis\u00eb greke te nj\u00eb n\u00ebn\u00eb e shtyr\u00eb drejt kufijve t\u00eb saj dhe nj\u00eb antagoniste n\u00eb thriller psikologjik.<\/p>\n

Por nd\u00ebrsa kalendari i saj profesional duket m\u00eb i ngarkuar se kurr\u00eb, Hathaway e p\u00ebrshkruan veten n\u00eb nj\u00eb m\u00ebnyr\u00eb pothuajse t\u00eb kund\u00ebrt, m\u00eb t\u00eb qet\u00eb, m\u00eb t\u00eb vendosur dhe m\u00eb pak t\u00eb varur nga ideja se puna duhet t\u00eb p\u00ebrcaktoj\u00eb gjith\u00e7ka.<\/p>\n

N\u00eb intervist\u00ebn p\u00ebr Vogue China<\/em>, aktorja tregon se kur kuptoi se thuajse t\u00eb gjitha projektet e p\u00ebrfunduara do t\u00eb dilnin brenda t\u00eb nj\u00ebjtit vit, i k\u00ebrkoi ekipit t\u00eb ndalonte p\u00ebrkoh\u00ebsisht me ofertat e reja. Donte koh\u00eb p\u00ebr familjen. Pak m\u00eb von\u00eb, mori vesh se ishte shtatz\u00ebn\u00eb me f\u00ebmij\u00ebn e tret\u00eb.<\/p>\n

\"\"<\/p>\n

(Look 1:<\/strong> Jelek i kuq, pantallona kostumi dhe doreza l\u00ebkure Michael Kors Collection; var\u00ebse nga koleksioni Eclettica High Jewelry, Bvlgari.)<\/em><\/p>\n

N\u00eb 43 vje\u00e7, ajo e sheh k\u00ebt\u00eb jo si largim nga karriera, por si nj\u00eb ndryshim t\u00eb raportit me t\u00eb. P\u00ebr shum\u00eb vite, thot\u00eb Hathaway, aktrimi ishte dashuria m\u00eb e madhe e jet\u00ebs s\u00eb saj dhe qendra e identitetit t\u00eb vet. Sot mbetet thelb\u00ebsor, por jo m\u00eb i vetmi element q\u00eb e p\u00ebrcakton.<\/p>\n

Christopher Nolan, me t\u00eb cilin ajo bashk\u00ebpunon n\u00eb The Odyssey<\/em>, e ka p\u00ebrshkruar k\u00ebt\u00eb faz\u00eb t\u00eb saj si nj\u00eb lloj \u2018qet\u00ebsie t\u00eb p\u00ebrmbajtur\u2019. Hathaway e interpreton ndryshe duke pohuar se nuk ka munges\u00eb ambicieje, por tashm\u00eb ajo ka nj\u00eb identitet edhe jasht\u00eb ekranit.<\/p>\n

N\u00eb Odisen\u00eb<\/em> e Homerit, Odiseu kalon nj\u00ebzet vjet larg Itak\u00ebs, dhjet\u00eb n\u00eb Luft\u00ebn e Troj\u00ebs dhe dhjet\u00eb t\u00eb tjera n\u00eb udh\u00ebtimin e gjat\u00eb t\u00eb kthimit. Penelopa, gruaja e tij, mbetet n\u00eb Itak\u00eb, ku p\u00ebrballet me pretenduesit q\u00eb k\u00ebrkojn\u00eb t\u00eb z\u00ebn\u00eb vendin e Odiseut dhe t\u00eb marrin kontrollin e mbret\u00ebris\u00eb. P\u00ebr k\u00ebt\u00eb arsye, figura e saj \u00ebsht\u00eb lidhur p\u00ebr shekuj me pritjen dhe besnik\u00ebrin\u00eb ndaj burrit q\u00eb nuk kthehet.<\/p>\n

Hathaway propozon nj\u00eb lexim m\u00eb aktiv t\u00eb Penelop\u00ebs. P\u00ebr t\u00eb, ajo nuk \u00ebsht\u00eb thjesht gruaja q\u00eb pret. Gjat\u00eb munges\u00ebs s\u00eb Odiseut, ajo p\u00ebrpiqet t\u00eb mbaj\u00eb familjen dhe mbret\u00ebrin\u00eb t\u00eb bashkuara, t\u00eb menaxhoj\u00eb presionin e pretenduesve dhe t\u00eb pengoj\u00eb q\u00eb situata t\u00eb p\u00ebrfundoj\u00eb n\u00eb dhun\u00eb.<\/p>\n

\"\"<\/p>\n

(Look 2:<\/strong> K\u00ebmish\u00eb, xhaket\u00eb kostumi, rrip, pantallona kostumi dhe k\u00ebpuc\u00eb t\u00eb zeza l\u00ebkure Givenchy by Sarah Burton.)<\/em><\/p>\n

\u2018Puna\u2019 e saj nuk ka aventur\u00ebn e Odiseut, betejat apo udh\u00ebtimet e tij dhe p\u00ebr k\u00ebt\u00eb, argumenton Hathaway, historia nuk e ka kremtuar n\u00eb t\u00eb nj\u00ebjt\u00ebn m\u00ebnyr\u00eb. Ky interpretim e \u00e7on aktoren te nj\u00eb pyetje: cilat forma pune dhe q\u00ebndrueshm\u00ebrie zgjedhim t\u00eb quajm\u00eb madh\u00ebshti? Puna e padukshme, sidomos brenda familjes, vazhdon t\u00eb bjer\u00eb n\u00eb m\u00ebnyr\u00eb disproporcionale mbi grat\u00eb. Hathaway pyet se \u00e7far\u00eb do t\u00eb ndodhte n\u00ebse do t\u00eb ndalonim s\u00eb quajturi \u2018pun\u00eb grash\u2019 dhe do ta quanim thjesht \u2018pun\u00eb me vler\u00eb\u2019. Penelopa, n\u00eb k\u00ebt\u00eb lexim, nuk \u00ebsht\u00eb thjesht nj\u00eb personazh antik. Ajo b\u00ebhet nj\u00eb m\u00ebnyr\u00eb p\u00ebr t\u00eb par\u00eb m\u00eb qart\u00eb nj\u00eb debat q\u00eb vazhdon edhe sot.<\/p>\n

Kush vendos se si duhet t\u00eb jet\u00eb nj\u00eb grua pas t\u00eb 40-ave?<\/p>\n

\"\"<\/p>\n

Hyrja n\u00eb t\u00eb dyzetat, thot\u00eb Hathaway, i ka dh\u00ebn\u00eb nj\u00eb ndjenj\u00eb lirie q\u00eb nuk e kishte njohur m\u00eb par\u00eb. Bota, sipas saj, nuk mund t\u2019i jap\u00eb m\u00eb nj\u00eb model t\u00eb gatsh\u00ebm se si duhet t\u00eb duket apo t\u00eb sillet nj\u00eb grua n\u00eb k\u00ebt\u00eb mosh\u00eb. Dhe ajo beson se ky brez grash po hyn n\u00eb nj\u00eb territor t\u00eb ri ku p\u00ebr her\u00eb t\u00eb par\u00eb, shum\u00eb prej tyre kan\u00eb mund\u00ebsin\u00eb t\u00eb shkruajn\u00eb vet\u00eb kapitullin e jet\u00ebs pas t\u00eb dyzetave, n\u00eb vend q\u00eb t\u00eb trash\u00ebgojn\u00eb pritshm\u00ebri t\u00eb formuara nga brezat e m\u00ebparsh\u00ebm.<\/p>\n

\u00cbsht\u00eb nj\u00eb ide q\u00eb p\u00ebrputhet \u00e7udit\u00ebrisht mir\u00eb me vet\u00eb karrier\u00ebn e saj.<\/p>\n

Pas The Princess Diaries<\/em> dhe The Devil Wears Prada<\/em>, Hollywood-i tentoi ta fiksonte n\u00eb vajz\u00ebn e zgjuar, e k\u00ebndshme dhe ambicioze. Hathaway e kuptoi se duhej t\u00eb zgjidhte mes vazhdimit t\u00eb atij imazhi dhe rrezikut t\u00eb roleve m\u00eb komplekse, jo gjithmon\u00eb simpatike apo t\u00eb lehta p\u00ebr publikun. \u2018P\u00ebr mua, p\u00ebrgjigjja ishte e qart\u00eb, doja t\u00eb b\u00ebhesha aktore\u2019.<\/p>\n

Dy dekada m\u00eb von\u00eb, kjo zgjedhje e ka sjell\u00eb n\u00eb nj\u00eb moment ku pes\u00eb role shum\u00eb t\u00eb ndryshme mund t\u00eb dalin brenda t\u00eb nj\u00ebjtit vit. Ndoshta \u2018viti i Anne Hathaway\u2019 \u00ebsht\u00eb viti kur nj\u00eb aktore q\u00eb publiku e njohu si vajza e re q\u00eb po p\u00ebrpiqej t\u00eb gjente vendin e saj, por n\u00eb mosh\u00ebn 43 vje\u00e7are, ajo duket se po jeton pik\u00ebrisht at\u00eb q\u00eb thot\u00eb p\u00ebr grat\u00eb e brezit t\u00eb saj: jo t\u00eb p\u00ebrmbush\u00eb nj\u00eb ide t\u00eb gatshme se \u00e7far\u00eb duhet t\u00eb jet\u00eb nj\u00eb grua pas t\u00eb dyzetave, por t\u00eb ket\u00eb lirin\u00eb p\u00ebr ta p\u00ebrcaktuar vet\u00eb.<\/p>\n

Ky shkrim bazohet n\u00eb intervist\u00ebn e Anne Hathaway p\u00ebr Vogue China, me tekst nga Guo Zhijun.<\/em><\/p>\n

Fotografi: Norman Jean Roy<\/em><\/p>\n

– THELB,<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

N\u00eb nj\u00eb intervist\u00eb p\u00ebr Vogue China, Anne Hathaway flet p\u00ebr nj\u00eb vit t\u00eb pazakont\u00eb n\u00eb karrier\u00ebn e saj, p\u00ebr Penelop\u00ebn e The Odyssey dhe p\u00ebr nj\u00eb ide q\u00eb duket se p\u00ebrmbledh m\u00eb mir\u00eb se \u00e7do tjet\u00ebr momentin ku ndodhet sot, bota nuk mund t\u2019i thot\u00eb m\u00eb nj\u00eb gruaje n\u00eb t\u00eb dyzetat se \u00e7far\u00eb duhet t\u00eb […]<\/p>\n","protected":false},"author":2,"featured_media":3983,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[59,48,52],"tags":[],"tmauthors":[64],"class_list":["post-3980","post","type-post","status-publish","format-standard","has-post-thumbnail","category-kryesore","category-kulture","category-tv-filma"],"_links":{"self":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/3980","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3980"}],"version-history":[{"count":5,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/3980\/revisions"}],"predecessor-version":[{"id":3990,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/3980\/revisions\/3990"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/media\/3983"}],"wp:attachment":[{"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3980"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3980"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3980"},{"taxonomy":"tmauthors","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftmauthors&post=3980"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}