{"id":4277,"date":"2026-09-06T10:54:52","date_gmt":"2026-09-06T10:54:52","guid":{"rendered":"https:\/\/thelb.al\/?p=4277"},"modified":"2026-09-06T11:20:33","modified_gmt":"2026-09-06T11:20:33","slug":"nje-fustan-ne-venecia-dhe-12-vite-agnesa-vuthaj-brand","status":"publish","type":"post","link":"https:\/\/thelb.al\/?p=4277","title":{"rendered":"Nj\u00eb fustan n\u00eb Festivalin e Filmit n\u00eb Venezia dhe 12 vite Agnesa Vuthaj Brand"},"content":{"rendered":"

Nj\u00eb fustan i mbuluar me kristale, me shpin\u00ebn e hapur dhe nj\u00eb siluet\u00eb q\u00eb ndjek trupin, e solli k\u00ebt\u00eb jav\u00eb emrin e Agnesa Vuthajt n\u00eb tapetin e kuq t\u00eb Festivalit t\u00eb Filmit n\u00eb Venecia. I veshur nga Sara Luna Canola, krijimi i realizuar posa\u00e7\u00ebrisht p\u00ebr t\u00eb nga Agnesa Vuthaj Brand <\/em>u shfaq n\u00eb Venezia 83, gjat\u00eb premier\u00ebs s\u00eb filmit Nessun Dolore<\/em>.<\/p>\n

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P\u00ebr publikun shqiptar, Agnesa Vuthaj sigurisht nuk \u00ebsht\u00eb nj\u00eb em\u00ebr q\u00eb zbulohet sot. Por ky moment n\u00eb Venecia \u00ebsht\u00eb nj\u00eb arsye e mir\u00eb p\u00ebr ta par\u00eb nga nj\u00eb k\u00ebnd q\u00eb prej vitesh bashk\u00ebjeton me figur\u00ebn e saj publike, at\u00eb t\u00eb stilistes dhe sip\u00ebrmarr\u00ebses q\u00eb ka nd\u00ebrtuar gradualisht nj\u00eb mark\u00eb me emrin e vet, sepse rruga deri te ky fustan nuk ka nisur me veshjet.<\/p>\n

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Vajza q\u00eb u b\u00eb e njohur n\u00eb fillim t\u00eb viteve 2000 p\u00ebrmes konkurseve t\u00eb bukuris\u00eb, Miss Kosova, Miss Albania dhe m\u00eb pas p\u00ebrfaq\u00ebsimeve n\u00eb Miss World dhe Miss Universe, mbetet edhe sot nj\u00eb prej figurave shqiptare m\u00eb t\u00eb lidhura n\u00eb kujtes\u00ebn publike me bukurin\u00eb dhe imazhin. Por, n\u00eb historin\u00eb e saj me mod\u00ebn ekziston edhe nj\u00eb kapitull i dyt\u00eb, ndoshta m\u00eb pak i njohur n\u00eb t\u00eb gjith\u00eb shtrirjen e tij. Prej m\u00eb shum\u00eb se nj\u00eb dekade, Agnesa nuk \u00ebsht\u00eb m\u00eb vet\u00ebm gruaja q\u00eb e vesh mod\u00ebn dhe shfaqet p\u00ebrpara objektivit. Ajo ka kaluar n\u00eb an\u00ebn tjet\u00ebr t\u00eb sistemit, duke krijuar produktin e saj, duke nd\u00ebrtuar nj\u00eb mark\u00eb dhe duke k\u00ebrkuar gradualisht nj\u00eb hap\u00ebsir\u00eb p\u00ebr t\u00eb edhe jasht\u00eb tregut shqiptar.<\/p>\n

Kalimi nga imazhi te biznesi i mod\u00ebs erdhi gradualisht. N\u00eb Prishtin\u00eb, Agnesa hapi fillimisht nj\u00eb butik ku p\u00ebrzgjidhte veshje dhe aksesor\u00eb p\u00ebr gra. Kontakti i p\u00ebrditsh\u00ebm me produktin dhe me klientet do ta \u00e7onte shpejt p\u00ebrtej rolit t\u00eb p\u00ebrzgjedhjes, te ideja p\u00ebr t\u00eb krijuar at\u00eb q\u00eb nuk po e gjente n\u00eb treg.<\/p>\n

N\u00eb nj\u00eb intervist\u00eb t\u00eb asaj kohe, ajo tregonte se kishte v\u00ebshtir\u00ebsi t\u00eb gjente k\u00ebpuc\u00eb q\u00eb t\u00eb kishin edhe modelin, cil\u00ebsin\u00eb dhe rehatin\u00eb q\u00eb k\u00ebrkonte, jo vet\u00ebm p\u00ebr veten, por edhe p\u00ebr klientet e saj. N\u00eb vend q\u00eb t\u00eb vazhdonte t\u2019i k\u00ebrkonte, nisi t\u2019i skiconte. N\u00eb vitin 2014, prej k\u00ebsaj nevoje filloi t\u00eb merrte form\u00eb Agnesa Vuthaj Brand.<\/p>\n

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Marka q\u00eb sot e shohim kryesisht p\u00ebrmes fustaneve nisi, n\u00eb fakt, diku tjet\u00ebr, me k\u00ebpuc\u00eb, \u00e7anta dhe aksesor\u00eb. Nj\u00eb rrug\u00eb aspak e pazakont\u00eb n\u00eb historin\u00eb e mod\u00ebs. C\u00e9line nisi me k\u00ebpuc\u00eb, Salvatore Ferragamo nd\u00ebrtoi emrin e tij pik\u00ebrisht mbi to, nd\u00ebrsa Gucci e kishte pik\u00ebnisjen te artikujt prej l\u00ebkure. Veshja erdhi m\u00eb von\u00eb, nd\u00ebrsa k\u00ebto sht\u00ebpi zgjeronin dimensionin e tyre.<\/p>\n

Edhe n\u00eb rastin e Agnesa Vuthaj Brand, produktet e para ishin k\u00ebpuc\u00eb, \u00e7anta dhe aksesor\u00eb, t\u00eb realizuar n\u00eb Itali me l\u00ebkur\u00eb natyrale dhe punim artizanal dhe disa prej tyre mbanin edhe detaje t\u00eb pikturuara me dor\u00eb.<\/p>\n

Sot, megjithat\u00eb, imazhi i Agnesa Vuthaj Brand nd\u00ebrtohet n\u00eb nj\u00eb mas\u00eb t\u00eb madhe rreth fustanit. Ve\u00e7an\u00ebrisht atij t\u00eb mbr\u00ebmjes, silueta t\u00eb gjata, linja q\u00eb ndjekin trupin, transparenca, q\u00ebndisje, kristale dhe punime q\u00eb k\u00ebrkojn\u00eb drit\u00ebn dhe l\u00ebvizjen. \u00cbsht\u00eb nj\u00eb zgjedhje estetike q\u00eb e afron natyrsh\u00ebm mark\u00ebn me eventet, ceremonit\u00eb dhe tapetin e kuq.<\/p>\n

Kjo qasje ndaj veshjes e ka\u00a0 ka orientuar emrin e Agnesa Vuthaj Brand edhe te figura t\u00eb tjera jasht\u00eb hap\u00ebsir\u00ebs shqiptare. Aktorja indiane Huma Qureshi ka veshur nj\u00eb prej fustaneve t\u00eb saj n\u00eb prezantimin e Delhi Crime Season 3<\/em>, nd\u00ebrsa gazetarja amerikane e FOX Sports, Jen Hale, zgjodhi Agnesa Vuthaj p\u00ebr American Heart Association Red Dress Collection Concert 2026. Edhe skena e konkurseve nd\u00ebrkomb\u00ebtare t\u00eb bukuris\u00eb, nj\u00eb bot\u00eb q\u00eb Agnesa e njeh nga p\u00ebrvoja e saj e hershme, \u00ebsht\u00eb rikthyer tashm\u00eb nga ana tjet\u00ebr: Rumina Ivezaj veshi nj\u00eb krijim t\u00eb saj n\u00eb Miss Universe 2024.<\/p>\n

Q\u00eb n\u00eb vitet e para, Vuthaj fliste hapur p\u00ebr nj\u00eb ambicie q\u00eb shkonte p\u00ebrtej tregut shqiptar. Emri q\u00eb kishte krijuar m\u00eb par\u00eb si figur\u00eb publike, si\u00e7 ka pranuar edhe vet\u00eb, e ndihmoi mark\u00ebn t\u00eb gjente klient\u00ebt e par\u00eb. Por synimi ishte q\u00eb produkti t\u00eb udh\u00ebtonte m\u00eb larg se emri.<\/p>\n

Koleksionet e aksesor\u00ebve nis\u00ebn t\u00eb prezantoheshin jasht\u00eb vendit dhe, tre vjet pas themelimit t\u00eb mark\u00ebs, Agnesa Vuthaj mb\u00ebrriti edhe n\u00eb New York Fashion Week. N\u00eb vitin 2017, koleksioni i \u00e7antave Pranver\u00eb\/Ver\u00eb 2018 u prezantua n\u00eb New York p\u00ebrmes Flying Solo.Edhe Dua Lipa do t\u00eb shfaqej n\u00eb k\u00ebt\u00eb kapitull t\u00eb historis\u00eb s\u00eb mark\u00ebs. Vuthaj ia prezantoi asaj koleksionin e \u00e7antave n\u00eb New York dhe m\u00eb von\u00eb tregoi se k\u00ebng\u00ebtarja kishte nj\u00eb \u00e7ant\u00eb Agnesa Vuthaj.<\/p>\n

Paralelisht, krijimet e Vuthaj Brand kan\u00eb gjetur hap\u00ebsir\u00eb edhe n\u00eb editoriale t\u00eb huaja mode. Veshjet e saj jan\u00eb publikuar n\u00eb edicione t\u00eb L\u2019Officiel<\/em> dhe ELLE<\/em>, si edhe n\u00eb revista t\u00eb tjera nd\u00ebrkomb\u00ebtare, nd\u00ebrsa Collectible DRY<\/em> p\u00ebrfshiu krijime t\u00eb mark\u00ebs n\u00eb editorialin ‘Love Rituals’, p\u00ebrkrah veshjeve dhe aksesor\u00ebve t\u00eb sht\u00ebpive t\u00eb tjera t\u00eb mod\u00ebs.<\/p>\n

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M\u00eb interesante se nj\u00eb list\u00eb emrash, megjithat\u00eb, \u00ebsht\u00eb ajo q\u00eb ndodhi me vet\u00eb biznesin. N\u00eb nj\u00eb moment, Agnesa mbylli butikun ku, krahas produkteve t\u00eb veta, tregtonte edhe marka t\u00eb tjera. Vendimi ishte q\u00eb energjia t\u00eb p\u00ebrqendrohej te emri i saj. N\u00eb nj\u00eb intervist\u00eb t\u00eb vitit 2018 ajo e p\u00ebrshkruante k\u00ebt\u00eb si nj\u00eb zgjedhje jo t\u00eb leht\u00eb, por q\u00eb koha, sipas saj, kishte treguar se ishte e duhura.<\/p>\n

Agnesa Vuthaj kaloi nga nj\u00eb figur\u00eb publike q\u00eb kishte hyr\u00eb n\u00eb biznesin e mod\u00ebs, te ajo e nj\u00eb sip\u00ebrmarr\u00ebse q\u00eb duhej t\u00eb vendoste se \u00e7far\u00eb lloj marke donte t\u00eb nd\u00ebrtonte.<\/p>\n

Sot, kur sheh koleksionet e stilistes, k\u00ebpuca apo \u00e7anta nuk jan\u00eb m\u00eb pika e vetme e referimit. Marka \u00ebsht\u00eb zgjeruar n\u00eb ready-to-wear dhe fustaneve t\u00eb mbr\u00ebmjes, me nj\u00eb identitet vizual gjithnj\u00eb e m\u00eb t\u00eb lidhur me veshjen dhe me nj\u00eb feminitet t\u00eb vendosur qart\u00ebsisht n\u00eb qend\u00ebr. Krahas k\u00ebtyre t\u00eb fundit shfaqen edhe kostume, k\u00ebmisha t\u00eb q\u00ebndisura dhe forma m\u00eb t\u00eb strukturuara.<\/p>\n

Brenda k\u00ebsaj gjuhe lexohet edhe fustani i Sara Luna Canola-s n\u00eb Venecia. Kristalet, silueta pran\u00eb trupit dhe shpina e hapur e lidhin at\u00eb me estetik\u00ebn q\u00eb marka ka zhvilluar n\u00eb koleksionet e saj t\u00eb fundit. Megjithat\u00eb, ajo q\u00eb i jep pesh\u00eb k\u00ebtij momenti \u00ebsht\u00eb rruga q\u00eb ekziston pas tij: nj\u00eb butik n\u00eb Prishtin\u00eb, aksesor\u00ebt e par\u00eb t\u00eb prodhuar n\u00eb Itali, prezantimi n\u00eb New York, zgjerimi drejt veshjes dhe dymb\u00ebdhjet\u00eb vjet m\u00eb von\u00eb, Venecia.<\/p>\n

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Nj\u00eb dalje n\u00eb tapetin e kuq nuk p\u00ebrcakton suksesin nd\u00ebrkomb\u00ebtar t\u00eb nj\u00eb marke. As nuk mjafton p\u00ebr ta shpallur at\u00eb t\u00eb arritur. Por pas nj\u00eb fustani q\u00eb shk\u00eblqen n\u00ebn reflektor\u00ebt e Venecias mund t\u00eb p\u00ebrmblidhen shum\u00eb m\u00eb tep\u00ebr sesa ato pak minuta p\u00ebrpara kamerave.\u00a0 Pas tij jan\u00eb dymb\u00ebdhjet\u00eb vjet pun\u00eb, k\u00ebmb\u00ebngulje dhe p\u00ebrkushtim. Nga skicat e para t\u00eb k\u00ebpuc\u00ebve, te \u00e7antat, koleksionet, veshjet dhe deri te nj\u00eb fustan i krijuar posa\u00e7\u00ebrisht p\u00ebr nj\u00eb tapet t\u00eb kuq nd\u00ebrkomb\u00ebtar.<\/p>\n

M\u00ebnyra m\u00eb e bukur p\u00ebr ta par\u00eb at\u00eb imazh nga Venecia \u00ebsht\u00eb jo vet\u00ebm si nj\u00eb fustan q\u00eb kap drit\u00ebn e reflektor\u00ebve n\u00eb Lido, por si nj\u00eb moment i shkurt\u00ebr dhe i ndritsh\u00ebm i nj\u00eb pune q\u00eb ka k\u00ebrkuar dymb\u00ebdhjet\u00eb vjet p\u00ebr t\u00eb mb\u00ebrritur deri aty.<\/p>\n

-THELB,\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Nj\u00eb fustan i mbuluar me kristale, me shpin\u00ebn e hapur dhe nj\u00eb siluet\u00eb q\u00eb ndjek trupin, e solli k\u00ebt\u00eb jav\u00eb emrin e Agnesa Vuthajt n\u00eb tapetin e kuq t\u00eb Festivalit t\u00eb Filmit n\u00eb Venecia. I veshur nga Sara Luna Canola, krijimi i realizuar posa\u00e7\u00ebrisht p\u00ebr t\u00eb nga Agnesa Vuthaj Brand u shfaq n\u00eb Venezia 83, […]<\/p>\n","protected":false},"author":2,"featured_media":4286,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39,40],"tags":[],"tmauthors":[64],"class_list":["post-4277","post","type-post","status-publish","format-standard","has-post-thumbnail","category-mode","category-stiliste"],"_links":{"self":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/4277","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4277"}],"version-history":[{"count":10,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/4277\/revisions"}],"predecessor-version":[{"id":4296,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/4277\/revisions\/4296"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/media\/4286"}],"wp:attachment":[{"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4277"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4277"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4277"},{"taxonomy":"tmauthors","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftmauthors&post=4277"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}