{"id":4303,"date":"2026-09-08T15:34:10","date_gmt":"2026-09-08T15:34:10","guid":{"rendered":"https:\/\/thelb.al\/?p=4303"},"modified":"2026-09-08T15:34:10","modified_gmt":"2026-09-08T15:34:10","slug":"vjena-po-flet-per-ermonela-jahon","status":"publish","type":"post","link":"https:\/\/thelb.al\/?p=4303","title":{"rendered":"Vjena po flet p\u00ebr Ermonela Jahon!"},"content":{"rendered":"<p>Ka role operistike ku nuk mjafton vet\u00ebm z\u00ebri. Adriana Lecouvreur \u00ebsht\u00eb nj\u00eb prej tyre ku personazhi duhet t\u00eb jet\u00eb nj\u00ebkoh\u00ebsisht aktore dhe k\u00ebng\u00ebtare, grua e dashuruar dhe artiste e vet\u00ebdijshme p\u00ebr sken\u00ebn, e brisht\u00eb dhe dramatike. K\u00ebto dit\u00eb, n\u00eb Wiener Staatsoper, k\u00ebt\u00eb rol e mban Ermonela Jaho.<\/p>\n<p>Sopranoja shqiptare \u00ebsht\u00eb rikthyer n\u00eb Vjen\u00eb si protagonistja e oper\u00ebs <em>Adriana Lecouvreur<\/em> t\u00eb Francesco Cilea-s, n\u00eb produksionin e David McVicar, n\u00ebn drejtimin muzikor t\u00eb Marco Armiliato. Shfaqja e par\u00eb e seris\u00eb u dha m\u00eb 5 shtator, nd\u00ebrsa t\u00eb tjerat jan\u00eb programuar m\u00eb 8, 11 dhe 14 shtator 2026.<\/p>\n<p><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-4305\" src=\"https:\/\/thelb.al\/wp-content\/uploads\/2026\/09\/charles-castronovo-ermonela-jaho-la-traviata-par-richard-eyre-1024x742.jpg\" alt=\"\" width=\"1024\" height=\"742\" \/><\/p>\n<p>P\u00ebrkrah Jahos \u00ebsht\u00eb nj\u00eb kast i r\u00ebnd\u00ebsish\u00ebm: mezzosopranoja El\u012bna Garan\u010da interpreton Princesh\u00ebn e Bouillon-it, Luciano Ganci \u00ebsht\u00eb Maurizio dhe Roberto Frontali, Michonnet.<\/p>\n<p>Ajo q\u00eb e b\u00ebn k\u00ebt\u00eb rikthim ve\u00e7an\u00ebrisht interesant \u00ebsht\u00eb m\u00ebnyra se si interpretimi i Jahos \u00ebsht\u00eb pritur nga kritika austriake. Pas shfaqjes s\u00eb 5 shtatorit, \u2018<em>Der Standard\u2019<\/em> e vendosi Ermonela Jahon mes pikave m\u00eb t\u00eb forta t\u00eb mbr\u00ebmjes. Kritiku Stefan Ender ndalet ve\u00e7an\u00ebrisht te nj\u00eb cil\u00ebsi q\u00eb prej vitesh \u00ebsht\u00eb b\u00ebr\u00eb pjes\u00eb e identitetit artistik t\u00eb sopranos shqiptare: aft\u00ebsia p\u00ebr ta \u00e7uar dram\u00ebn drejt intensitetit pa pasur nevoj\u00eb ta mb\u00ebshtes\u00eb at\u00eb gjithmon\u00eb te forca e z\u00ebrit.<\/p>\n<p>Jan\u00eb pianissimo-t n\u00eb regjistrin e lart\u00eb, but\u00ebsia e timbrit dhe kontrolli i nuancave ato q\u00eb t\u00ebrheqin v\u00ebmendjen e kritik\u00ebs. Aq sa <em>Der Standard<\/em> sugjeron nj\u00eb marr\u00ebdh\u00ebnie interesante mes k\u00ebndimit t\u00eb Jahos dhe orkestr\u00ebs: delikatesa e interpretimit t\u00eb saj duket sikur gjen vazhdim edhe n\u00eb m\u00ebnyr\u00ebn se si Marco Armiliato drejton Orkestr\u00ebn e Wiener Staatsoper. Sipas kritik\u00ebs, Ermonela Jaho, Marco Armiliato dhe orkestra krijojn\u00eb \u2018momente kulmore t\u00eb delikates\u00ebs\u2019.<\/p>\n<p><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-4306\" src=\"https:\/\/thelb.al\/wp-content\/uploads\/2026\/09\/56623-madamabutterfly-131-ermonela-jaho-as-cio-cio-san-c-roh-photo-bill-cooper-1024x683.jpg\" alt=\"\" width=\"1024\" height=\"683\" \/><\/p>\n<p>Opera e Francesco Cilea-s u shfaq p\u00ebr her\u00eb t\u00eb par\u00eb n\u00eb Milano n\u00eb vitin 1902 dhe mb\u00ebshtetet lirsh\u00ebm mbi historin\u00eb e aktores franceze t\u00eb shekullit XVIII Adrienne Lecouvreur, nj\u00eb prej figurave t\u00eb m\u00ebdha t\u00eb Com\u00e9die-Fran\u00e7aise.<\/p>\n<p>N\u00eb qend\u00ebr \u00ebsht\u00eb nj\u00eb grua q\u00eb jeton mes sken\u00ebs dhe jet\u00ebs reale, mes artit, dashuris\u00eb dhe rivalitetit. Adriana dashuron Maurizion, nd\u00ebrsa p\u00ebrball\u00eb saj gjendet Princesha e Bouillon-it, e dashuruar me t\u00eb nj\u00ebjtin burr\u00eb. Historia ec\u00ebn drejt nj\u00eb fundi tragjik, por ajo q\u00eb e ka mbajtur rolin t\u00eb gjall\u00eb n\u00eb repertorin operistik \u00ebsht\u00eb kompleksiteti i protagonistes.<\/p>\n<p>Adriana nuk \u00ebsht\u00eb shkruar vet\u00ebm p\u00ebr interpretimin p\u00ebrmes z\u00ebrit. Personazhi gjenpesh\u00ebn tek fjala, frazimi, aft\u00ebsia p\u00ebr t\u00eb kaluar nga deklamimi teatral te linja melodike dhe, mbi t\u00eb gjitha, nj\u00eb interpretuese q\u00eb mund ta b\u00ebj\u00eb publikun t\u00eb besoj\u00eb se p\u00ebrpara tij ndodhet nj\u00eb aktore q\u00eb k\u00ebndon, jo vet\u00ebm nj\u00eb soprano q\u00eb luan nj\u00eb aktore. Roli \u00ebsht\u00eb lidhur historikisht me disa prej emrave t\u00eb m\u00ebdhenj t\u00eb oper\u00ebs italiane, mes tyre Renata Tebaldi, Magda Olivero, Renata Scotto dhe Mirella Freni.<\/p>\n<p>Karriera nd\u00ebrkomb\u00ebtare e Ermonela Jahos nuk \u00ebsht\u00eb nd\u00ebrtuar mbi iden\u00eb e z\u00ebrit si demonstrim force. N\u00eb shum\u00eb prej roleve me t\u00eb cilat ajo \u00ebsht\u00eb identifikuar si Violetta n\u00eb <em>La traviata<\/em>, Cio-Cio-San n\u00eb <em>Madama Butterfly<\/em>, Suor Angelica apo Tha\u00efs qendra e interpretimit t\u00eb saj ka qen\u00eb marr\u00ebdh\u00ebnia mes z\u00ebrit dhe personazhit.<\/p>\n<p><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-4307\" src=\"https:\/\/thelb.al\/wp-content\/uploads\/2026\/09\/53455-suor-angelica-bc201109090792-ermonela-jaho-as-sister-angelica-c-bill-cooper-1024x683.jpg\" alt=\"\" width=\"1024\" height=\"683\" \/><\/p>\n<p>Jaho k\u00ebndon shpesh sikur kufiri mes teknik\u00ebs vokale dhe gjendjes emocionale duhet t\u00eb b\u00ebhet i paduksh\u00ebm.<\/p>\n<p>Kjo ka b\u00ebr\u00eb q\u00eb gjat\u00eb viteve kritika nd\u00ebrkomb\u00ebtare ta vler\u00ebsoj\u00eb jo vet\u00ebm si soprano, por ve\u00e7an\u00ebrisht si interpretuese. N\u00eb skenat ku standardi teknik \u00ebsht\u00eb parakusht, ajo q\u00eb e dallon nj\u00eb k\u00ebng\u00ebtar nga nj\u00eb tjet\u00ebr b\u00ebhet aft\u00ebsia p\u00ebr t\u00eb nd\u00ebrtuar nj\u00eb personazh.<\/p>\n<p>Adriana duket pothuajse nj\u00eb rol i natyrsh\u00ebm p\u00ebr t\u00eb edhe sepse personazhi i Cilea-s ekziston pik\u00ebrisht n\u00eb at\u00eb dimension ku interpretimi dhe jeta fillojn\u00eb t\u00eb p\u00ebrzihen.<\/p>\n<p>E lindur n\u00eb Tiran\u00eb, Jaho e zbuloi oper\u00ebn si adoleshente dhe m\u00eb pas vazhdoi formimin n\u00eb Itali, n\u00eb Accademia Nazionale di Santa Cecilia n\u00eb Rom\u00eb. Prej aty nisi nj\u00eb karrier\u00eb q\u00eb e ka \u00e7uar n\u00eb disa prej institucioneve kryesore t\u00eb oper\u00ebs nd\u00ebrkomb\u00ebtare: Royal Opera House n\u00eb Lond\u00ebr, Metropolitan Opera n\u00eb New York, Teatro Real n\u00eb Madrid, Op\u00e9ra national de Paris, Bayerische Staatsoper dhe Wiener Staatsoper, mes shum\u00eb t\u00eb tjerash.<\/p>\n<p>\u00cbsht\u00eb nj\u00eb trajektore q\u00eb sot mund t\u00eb duket e natyrshme vet\u00ebm sepse \u00ebsht\u00eb par\u00eb t\u00eb nd\u00ebrtohet gjat\u00eb shum\u00eb viteve. Por opera \u00ebsht\u00eb nj\u00eb nga sistemet artistike m\u00eb konkurruese nd\u00ebrkomb\u00ebtare dhe vazhdim\u00ebsia n\u00eb k\u00ebto skena ka nj\u00eb pesh\u00eb tjet\u00ebr nga nj\u00eb paraqitje e vetme.<\/p>\n<p>Edhe marr\u00ebdh\u00ebnia e Jahos me Vjen\u00ebn nuk nis k\u00ebt\u00eb shtator. Ajo e ka interpretuar Adrian\u00ebn n\u00eb Wiener Staatsoper edhe m\u00eb par\u00eb. Rikthimi i saj n\u00eb t\u00eb nj\u00ebjtin rol, n\u00eb t\u00eb nj\u00ebjtin produksion dhe n\u00eb nj\u00eb teat\u00ebr q\u00eb punon vazhdimisht me z\u00ebrat m\u00eb t\u00eb r\u00ebnd\u00ebsish\u00ebm t\u00eb oper\u00ebs nd\u00ebrkomb\u00ebtare, \u00ebsht\u00eb pjes\u00eb e k\u00ebsaj vazhdim\u00ebsie.<\/p>\n<p><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-4308\" src=\"https:\/\/thelb.al\/wp-content\/uploads\/2026\/09\/53447-la-traviata-ermonela-jaho-opera-australia-keith-saunders-production-photo-04-1024x683.jpg\" alt=\"\" width=\"1024\" height=\"683\" \/><\/p>\n<p>N\u00eb Wiener Staatsoper Jaho \u00ebsht\u00eb interpretuesja q\u00eb rikthehet n\u00eb rolin kryesor, p\u00ebrball\u00eb nj\u00eb artisteje si El\u012bna Garan\u010da, n\u00ebn drejtimin e Marco Armiliato dhe brenda repertorit t\u00eb nj\u00eb institucioni ku prania duhet t\u00eb fitohet vazhdimisht.<\/p>\n<p>Sezoni i Ermonela Jahos nuk ndalet me Adrian\u00ebn. Vet\u00ebm dhjet\u00eb dit\u00eb pas shfaqjes s\u00eb fundit n\u00eb Vjen\u00eb, m\u00eb 24 shtator, ajo do t\u00eb jet\u00eb n\u00eb Opernhaus Z\u00fcrich si Magda n\u00eb <em>La rondine<\/em> t\u00eb Puccini-t, p\u00ebr pes\u00eb shfaqje deri m\u00eb 15 tetor. N\u00eb n\u00ebntor rikthehet s\u00ebrish n\u00eb Wiener Staatsoper, k\u00ebt\u00eb her\u00eb si Cio-Cio-San n\u00eb <em>Madama Butterfly<\/em>, nd\u00ebrsa dhjetori e \u00e7on n\u00eb Lille me koncertin <em>Ermonela \u2013 L\u2019\u00e2me en feu<\/em>.<\/p>\n<p>Kalendari i vitit 2027 e zgjeron edhe m\u00eb tej k\u00ebt\u00eb hart\u00eb, Suor Angelica n\u00eb Royal Ballet and Opera n\u00eb Lond\u00ebr, <em>Maria Stuarda<\/em> n\u00eb Th\u00e9\u00e2tre des Champs-\u00c9lys\u00e9es n\u00eb Paris, Mim\u00ec e <em>La boh\u00e8me<\/em> n\u00eb Metropolitan Opera t\u00eb New York-ut, nj\u00eb tjet\u00ebr <em>Adriana Lecouvreur<\/em> n\u00eb Valencia dhe m\u00eb pas <em>Madama Butterfly<\/em> n\u00eb Athin\u00eb dhe n\u00eb Bayerische Staatsoper t\u00eb Mynihut.<\/p>\n<p>Jan\u00eb role q\u00eb Jaho i njeh dhe role tek t\u00eb cilat rikthehet, por edhe teatro q\u00eb vazhdojn\u00eb ta k\u00ebrkojn\u00eb sezon pas sezoni.<\/p>\n<p><strong>-THELB,\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ka role operistike ku nuk mjafton vet\u00ebm z\u00ebri. Adriana Lecouvreur \u00ebsht\u00eb nj\u00eb prej tyre ku personazhi duhet t\u00eb jet\u00eb nj\u00ebkoh\u00ebsisht aktore dhe k\u00ebng\u00ebtare, grua e dashuruar dhe artiste e vet\u00ebdijshme p\u00ebr sken\u00ebn, e brisht\u00eb dhe dramatike. K\u00ebto dit\u00eb, n\u00eb Wiener Staatsoper, k\u00ebt\u00eb rol e mban Ermonela Jaho. Sopranoja shqiptare \u00ebsht\u00eb rikthyer n\u00eb Vjen\u00eb si protagonistja [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":4304,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[48,51],"tags":[],"tmauthors":[64],"class_list":["post-4303","post","type-post","status-publish","format-standard","has-post-thumbnail","category-kulture","category-muzike"],"_links":{"self":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/4303","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4303"}],"version-history":[{"count":1,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/4303\/revisions"}],"predecessor-version":[{"id":4309,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/4303\/revisions\/4309"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/media\/4304"}],"wp:attachment":[{"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4303"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4303"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4303"},{"taxonomy":"tmauthors","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftmauthors&post=4303"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}