{"id":4310,"date":"2026-09-08T18:19:51","date_gmt":"2026-09-08T18:19:51","guid":{"rendered":"https:\/\/thelb.al\/?p=4310"},"modified":"2026-09-08T18:19:51","modified_gmt":"2026-09-08T18:19:51","slug":"rikthehet-sandra-bullock-ndryshe-nga-si-jemi-mesuar-ta-shohim","status":"publish","type":"post","link":"https:\/\/thelb.al\/?p=4310","title":{"rendered":"Rikthehet Sandra Bullock, ndryshe nga si jemi m\u00ebsuar ta shohim"},"content":{"rendered":"

Sandra Bullock q\u00ebndron n\u00eb nj\u00eb dhom\u00eb t\u00eb gjelb\u00ebr. Pran\u00eb saj nj\u00eb mace e zez\u00eb, nj\u00eb oxhak, nj\u00eb qiri i ndezur. N\u00eb nj\u00eb tjet\u00ebr imazh, nj\u00eb tavolin\u00eb e mbuluar me moll\u00eb; diku tjet\u00ebr, trupi, veshja dhe objektet vendosen n\u00eb kompozime q\u00eb duken m\u00eb af\u00ebr nj\u00eb tabloje sesa nj\u00eb fotografie tradicionale mode.<\/p>\n

Jan\u00eb fotografit\u00eb e editorialit t\u00eb ri t\u00eb Interview Magazine<\/em>, realizuar nga Szilveszter Mak\u00f3, i cili mban edhe drejtimin artistik t\u00eb setit. Dhe n\u00ebse krijojn\u00eb ndjesin\u00eb e pikturave t\u00eb fillimit t\u00eb shekullit XX, nuk \u00ebsht\u00eb krejt rast\u00ebsi.<\/p>\n

Mak\u00f3 ka ardhur te fotografia nga piktura. N\u00eb pun\u00ebn q\u00eb b\u00ebn, seti nd\u00ebrtohet p\u00ebrpara se t\u00eb hyj\u00eb kamera: sfondet, objektet, kostumi dhe drita b\u00ebhen pjes\u00eb e kompozimit. Referencat e tij kalojn\u00eb n\u00ebp\u00ebr historin\u00eb e artit, nga p\u00ebrdorimi klasik i drit\u00ebs dhe hijes te Surrealizmi, Dada dhe Bauhaus-i. N\u00eb lidhje me pun\u00ebn e tij \u00ebsht\u00eb p\u00ebrmendur edhe Ren\u00e9 Magritte, me at\u00eb bot\u00eb t\u00eb njohur dhe nj\u00ebkoh\u00ebsisht t\u00eb \u00e7uditshme ku objektet e zakonshme, sapo ndryshojn\u00eb vend ose p\u00ebrmas\u00eb, fillojn\u00eb t\u00eb duken t\u00eb tjera.<\/p>\n

\"\"<\/p>\n

Kjo nuk do t\u00eb thot\u00eb se seria \u00ebsht\u00eb nj\u00eb homazh p\u00ebr Magritte apo p\u00ebr nj\u00eb l\u00ebvizje t\u00eb caktuar artistike, por shpjegon deri diku pse kemi ndjesin\u00eb se po shohim tablo t\u00eb nd\u00ebrtuara dhe jo thjesht nj\u00eb celebrity photoshoot<\/em>.<\/p>\n

N\u00eb qend\u00ebr t\u00eb tyre \u00ebsht\u00eb Sandra Bullock, 62 vje\u00e7, t\u00eb cil\u00ebn prej disa vitesh e kemi par\u00eb shum\u00eb m\u00eb rrall\u00eb. Filmi i saj i fundit ishte The Lost City<\/em> n\u00eb vitin 2022. M\u00eb pas Bullock u t\u00ebrhoq nga aktrimi dhe nga pjesa m\u00eb e madhe e ekspozimit publik p\u00ebr t’iu kushtuar familjes. Tani po kthehet me Practical Magic 2<\/em>, s\u00ebrish p\u00ebrkrah Nicole Kidman.<\/p>\n

N\u00eb k\u00ebt\u00eb moment, Interview Magazine<\/em> e sjell n\u00eb kopertin\u00eb dhe bised\u00ebn ia beson Jennifer Aniston. Q\u00eb n\u00eb fillim, Aniston tallet me gjith\u00eb iden\u00eb e \u2018rikthimit\u2019: nga m\u00ebnyra si flitet p\u00ebr munges\u00ebn e Bullock, duket sikur ajo ka qen\u00eb larg p\u00ebr nj\u00ebqind vjet dhe sapo ka dal\u00eb nga nj\u00eb shpell\u00eb. Bullock ia kthen me t\u00eb nj\u00ebjt\u00ebn monedh\u00eb dhe ky ton vazhdon gjat\u00eb nj\u00eb pjese t\u00eb mir\u00eb t\u00eb intervist\u00ebs.<\/p>\n

Ato nd\u00ebrpresin nj\u00ebra-tjetr\u00ebn, b\u00ebjn\u00eb shaka, largohen nga pyetjet dhe kthehen p\u00ebrs\u00ebri; flasin p\u00ebr flok\u00ebt, f\u00ebmij\u00ebt, miqt\u00eb, frik\u00ebn, pun\u00ebn dhe p\u00ebr at\u00eb q\u00eb ndodh kur nj\u00eb batut\u00eb e th\u00ebn\u00eb mes miqsh p\u00ebrfundon e shk\u00ebputur nga konteksti n\u00eb internet.<\/p>\n

Af\u00ebrsia mes tyre nuk \u00ebsht\u00eb e re. Interview Magazine<\/em> i kishte vendosur p\u00ebrball\u00eb nj\u00ebra-tjetr\u00ebs edhe n\u00eb vitin 2020, vet\u00ebm se at\u00ebher\u00eb ishte Sandra Bullock ajo q\u00eb intervistonte Jennifer Aniston. N\u00eb at\u00eb bised\u00eb treguan edhe nj\u00eb prej historive m\u00eb t\u00eb pazakonta t\u00eb miq\u00ebsis\u00eb s\u00eb tyre: t\u00eb dyja kishin qen\u00eb, n\u00eb periudha t\u00eb ndryshme, n\u00eb nj\u00eb lidhje me aktorin Tate Donovan. Vite m\u00eb von\u00eb, ato u b\u00ebn\u00eb mike.<\/p>\n

\"\"<\/p>\n

Gjasht\u00eb vjet pas asaj interviste, rolet jan\u00eb p\u00ebrmbysur. Nj\u00eb nga temat ku ndalet Aniston \u00ebsht\u00eb mungesa e Bullock nga kinemaja dhe m\u00ebnyra se si ka ndryshuar marr\u00ebdh\u00ebnia e saj me pun\u00ebn.<\/p>\n

Bullock tregon se sot nuk ndien m\u00eb t\u00eb nj\u00ebjt\u00ebn nevoj\u00eb p\u00ebr t\u00eb qen\u00eb vazhdimisht p\u00ebrpara kamer\u00ebs. Vendimet profesionale lidhen gjithnj\u00eb e m\u00eb shum\u00eb me jet\u00ebn e dy f\u00ebmij\u00ebve t\u00eb saj, Louis dhe Laila, \u00a0nj\u00eb projekt q\u00eb k\u00ebrkon t\u00eb largohet nga Los Angeles duhet t\u00eb p\u00ebrshtatet me kalendarin e tyre dhe, n\u00ebse ata nuk mund ta shoq\u00ebrojn\u00eb, ajo zgjedh t\u00eb mos largohet.<\/p>\n

As Practical Magic 2<\/em> nuk duket se e ka ndryshuar k\u00ebt\u00eb raport me kineman\u00eb. Filmi e rikthen te Sally Owens, personazhi q\u00eb interpretoi p\u00ebrkrah Nicole Kidman n\u00eb vitin 1998. I pritur ftoht\u00eb nga kritika n\u00eb at\u00eb koh\u00eb, Practical Magic<\/em> fitoi me vitet statusin e nj\u00eb cult classic<\/em>. Ishte vet\u00eb Bullock q\u00eb hodhi iden\u00eb e vazhdimit, nj\u00eb projekt q\u00eb k\u00ebrkoi rreth pes\u00eb vjet p\u00ebr t’u realizuar.<\/p>\n

Kur Aniston e pyet n\u00ebse p\u00ebrfundimi i filmit i ka zgjuar d\u00ebshir\u00ebn p\u00ebr t\u00eb nisur menj\u00ebher\u00eb nj\u00eb tjet\u00ebr projekt, Bullock pranon se p\u00ebr momentin ndihet e lodhur dhe do t\u00eb preferonte t’i linte vetes pak koh\u00eb p\u00ebr jet\u00ebn jasht\u00eb pun\u00ebs.<\/p>\n

Pas m\u00eb shum\u00eb se tri dekadash karrier\u00eb, ajo flet p\u00ebr nj\u00eb faz\u00eb n\u00eb t\u00eb cil\u00ebn mund t\u00eb zgjedh\u00eb me m\u00eb shum\u00eb kujdes kur dhe p\u00ebr \u00e7far\u00eb d\u00ebshiron t\u00eb rikthehet p\u00ebrpara kamer\u00ebs. E nj\u00ebjta gj\u00eb vlen edhe p\u00ebr ekspozimin publik. Kur Aniston e pyet si arrin ta ndaj\u00eb gruan private nga Sandra Bullock q\u00eb njeh publiku, ajo p\u00ebrgjigjet se privat\u00ebsin\u00eb e ka mbrojtur gjithmon\u00eb, pavar\u00ebsisht fam\u00ebs.<\/p>\n

\"\"<\/p>\n

Intervista vjen nd\u00ebrkoh\u00eb e shoq\u00ebruar nga nj\u00eb prej editorialeve fotografike m\u00eb t\u00eb pazakonta q\u00eb Bullock ka realizuar vitet e fundit.<\/strong> N\u00eb imazhet e Szilveszter Mak\u00f3-s, nj\u00eb prej fytyrave m\u00eb t\u00eb njohura t\u00eb Hollywood-it shfaqet n\u00eb nj\u00eb form\u00eb t\u00eb papritur, her\u00eb si personazh, her\u00eb si pjes\u00eb e nj\u00eb tabloje dhe her\u00eb pothuajse e panjohur.<\/p>\n

N\u00ebse pas k\u00ebsaj zgjedhjeje fshihet nj\u00eb mesazh i ve\u00e7ant\u00eb, as Bullock dhe as Mak\u00f3 nuk e kan\u00eb shpjeguar. Mund t\u00eb ket\u00eb gjurm\u00eb t\u00eb bot\u00ebs s\u00eb Practical Magic<\/em>, mund t\u00eb jet\u00eb thjesht gjuha e dallueshme artistike e fotografit. Por, pas disa vitesh n\u00eb t\u00eb cilat Bullock ka zgjedhur t\u00eb shihet shum\u00eb m\u00eb pak, m\u00ebnyra se si ka zgjedhur t\u00eb shfaqet p\u00ebrs\u00ebri \u00ebsht\u00eb n\u00eb vetvete interesante.<\/p>\n

-THELB,\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Sandra Bullock q\u00ebndron n\u00eb nj\u00eb dhom\u00eb t\u00eb gjelb\u00ebr. Pran\u00eb saj nj\u00eb mace e zez\u00eb, nj\u00eb oxhak, nj\u00eb qiri i ndezur. N\u00eb nj\u00eb tjet\u00ebr imazh, nj\u00eb tavolin\u00eb e mbuluar me moll\u00eb; diku tjet\u00ebr, trupi, veshja dhe objektet vendosen n\u00eb kompozime q\u00eb duken m\u00eb af\u00ebr nj\u00eb tabloje sesa nj\u00eb fotografie tradicionale mode. Jan\u00eb fotografit\u00eb e editorialit t\u00eb […]<\/p>\n","protected":false},"author":2,"featured_media":4314,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[49,52],"tags":[],"tmauthors":[64],"class_list":["post-4310","post","type-post","status-publish","format-standard","has-post-thumbnail","category-art","category-tv-filma"],"_links":{"self":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/4310","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4310"}],"version-history":[{"count":1,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/4310\/revisions"}],"predecessor-version":[{"id":4315,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/4310\/revisions\/4315"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/media\/4314"}],"wp:attachment":[{"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4310"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4310"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4310"},{"taxonomy":"tmauthors","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftmauthors&post=4310"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}