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<\/p>\nSonte, n\u00eb zem\u00ebr t\u00eb Milanos, n\u00ebn kupol\u00ebn prej qelqi dhe hekuri t\u00eb Galleria Vittorio Emanuele II, moda italiane do t\u00eb kthehet pas n\u00eb koh\u00eb p\u00ebr t\u00eb par\u00eb nga e ardhmja. \u00cbsht\u00eb nj\u00eb nga ato hap\u00ebsira ku Milano duket se ka mbledhur n\u00eb nj\u00eb vend disa prej gj\u00ebrave q\u00eb e kan\u00eb b\u00ebr\u00eb qytetin at\u00eb q\u00eb \u00ebsht\u00eb: arkitektur\u00ebn, artin, tregtin\u00eb dhe mod\u00ebn. E pik\u00ebrisht k\u00ebtu, n\u00eb dit\u00ebn e par\u00eb t\u00eb Milan Fashion Week, Vogue World do t\u00eb zhvilloj\u00eb edicionin e tij t\u00eb pest\u00eb.<\/p>\n
K\u00ebt\u00eb her\u00eb, historia nis me at\u00eb q\u00eb Italia di ta b\u00ebj\u00eb prej shekujsh: pun\u00ebn me dor\u00eb. Por nuk ndalet aty. Nga mjesht\u00ebria e artizan\u00ebve te industrializimi, nga tekstilet dhe rrobaqep\u00ebsia te teknologjia dhe m\u00ebnyrat e reja t\u00eb krijimit, Vogue World: Milano do t\u00eb ndjek\u00eb ndryshimet q\u00eb kan\u00eb kaluar moda italiane nga nj\u00eb brez te tjetri. Kjo \u00ebsht\u00eb edhe arsyeja pse Milano \u00ebsht\u00eb qyteti i duhur p\u00ebr k\u00ebt\u00eb histori. N\u00eb nj\u00eb industri ku teknologjia po hyn gjithnj\u00eb e m\u00eb thell\u00eb n\u00eb procesin e krijimit, Vogue World zgjedh t\u00eb flas\u00eb p\u00ebr at\u00eb q\u00eb ndodh p\u00ebrpara se nj\u00eb veshje t\u00eb b\u00ebhet imazh p\u00ebr duart q\u00eb e presin, e qepin, e nd\u00ebrtojn\u00eb dhe i japin form\u00eb. Tema e k\u00ebtij edicioni \u00ebsht\u00eb pik\u00ebrisht marr\u00ebdh\u00ebnia mes mjesht\u00ebris\u00eb njer\u00ebzore dhe teknologjis\u00eb.<\/p>\n
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Galleria Vittorio Emanuele II nuk \u00ebsht\u00eb nj\u00eb sfond i zgjedhur rast\u00ebsisht. E p\u00ebrfunduar n\u00eb vitin 1877, ajo lidh Piazza del Duomo me Piazza della Scala dhe prej m\u00eb shum\u00eb se nj\u00eb shekulli \u00ebsht\u00eb nj\u00eb nga vendet ku jeta e Milanos kryq\u00ebzohet me mod\u00ebn, tregtin\u00eb dhe kultur\u00ebn. Sonte, kalimi i saj i famsh\u00ebm do t\u00eb kthehet n\u00eb pasarel\u00eb.<\/p>\n
Zgjedhja e Galleria-s e b\u00ebn edhe m\u00eb t\u00eb qart\u00eb iden\u00eb e k\u00ebtij Vogue World. \u00cbsht\u00eb nj\u00eb hap\u00ebsir\u00eb e nd\u00ebrtuar n\u00eb nj\u00eb epok\u00eb kur arkitektura dhe teknologjia po ndryshonin m\u00ebnyr\u00ebn se si dukej qyteti, por q\u00eb sot vazhdon t\u00eb jet\u00eb pjes\u00eb e jet\u00ebs s\u00eb p\u00ebrditshme t\u00eb Milanos. N\u00eb t\u00eb nj\u00ebjtin vend ku kalojn\u00eb turist\u00eb, milanez\u00eb dhe klient\u00eb t\u00eb dyqaneve historike e t\u00eb sht\u00ebpive t\u00eb mod\u00ebs, sonte do t\u00eb prezantohet nj\u00eb histori p\u00ebr m\u00ebnyr\u00ebn se si Italia ka nd\u00ebrtuar dhe vazhdon t\u00eb nd\u00ebrtoj\u00eb mod\u00ebn e saj.<\/p>\n
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Vogue World nuk \u00ebsht\u00eb konceptuar si nj\u00eb sfilat\u00eb tradicionale. Shfaqja \u00ebsht\u00eb ndar\u00eb n\u00eb pes\u00eb akte, t\u00eb cilat ndjekin ndryshimet e mod\u00ebs italiane nga mjesht\u00ebria artizanale te industrializimi, Made in Italy, teknologjia dhe m\u00ebnyrat e reja t\u00eb imagjinimit t\u00eb s\u00eb ardhmes.<\/p>\n
Pjesa e par\u00eb kthehet te Rilindja dhe te materialet e punuara me kujdes: brokad\u00eb, dantell\u00eb, q\u00ebndisje dhe tekstura q\u00eb k\u00ebrkojn\u00eb ende koh\u00ebn dhe dor\u00ebn e mjeshtrit. M\u00eb pas historia kalon te industrializimi dhe te rrobaqep\u00ebsia moderne, p\u00ebrpara se t\u00eb mb\u00ebrrij\u00eb te nj\u00eb prej shprehjeve m\u00eb t\u00eb njohura t\u00eb mod\u00ebs italiane: Made in Italy. N\u00eb pjes\u00ebt e fundit, v\u00ebmendja zhvendoset te teknologjia dhe te m\u00ebnyrat se si ajo mund t\u00eb hyj\u00eb n\u00eb procesin krijues pa e hequr njeriun prej tij.<\/p>\n
K\u00ebshtu, shfaqja nuk e vendos tradit\u00ebn dhe teknologjin\u00eb p\u00ebrball\u00eb nj\u00ebra-tjetr\u00ebs. I vendos n\u00eb t\u00eb nj\u00ebjt\u00ebn histori. Dhe kjo \u00ebsht\u00eb ndoshta pjesa m\u00eb interesante e Vogue World: Milano \u00a0jo ideja se moda duhet t\u00eb zgjedh\u00eb mes asaj q\u00eb ka qen\u00eb dhe asaj q\u00eb do t\u00eb vij\u00eb, por se si ajo q\u00eb \u00ebsht\u00eb m\u00ebsuar nd\u00ebr breza mund t\u00eb p\u00ebrdoret p\u00ebr t\u00eb krijuar di\u00e7ka t\u00eb re.<\/p>\n
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Nj\u00eb nga momentet kryesore t\u00eb mbr\u00ebmjes do t\u00eb jet\u00eb performanca e Roberto Bolle. Baletari italian, \u00e9toile i Teatro alla Scala, do t\u00eb sjell\u00eb n\u00eb Galleria nj\u00eb koreografi t\u00eb krijuar nga Laccio, ku baleti klasik do t\u00eb takohet me teknologjin\u00eb.<\/p>\n
Bolle ka eksperimentuar prej vitesh me projeksionet, ekranet LED dhe imazhet dixhitale n\u00eb shfaqjet e tij. P\u00ebr Vogue World, kjo ide b\u00ebhet pjes\u00eb e vet\u00eb historis\u00eb s\u00eb eventit: nj\u00eb form\u00eb arti me nj\u00eb tradit\u00eb t\u00eb gjat\u00eb q\u00eb nuk largohet nga origjina e saj, por p\u00ebrdor teknologjin\u00eb p\u00ebr t\u00eb gjetur nj\u00eb m\u00ebnyr\u00eb tjet\u00ebr p\u00ebr t\u2019u shfaqur.<\/p>\n
I nj\u00ebjti dialog shfaqet edhe n\u00eb materialet q\u00eb kan\u00eb paraprir\u00eb eventin. N\u00eb serin\u00eb e videove t\u00eb realizuara nga Bardia Zeinali, Vittoria Ceretti shfaqet n\u00eb nj\u00eb histori q\u00eb ndjek kalimin e veshjes nga puna e dor\u00ebs te makinerit\u00eb dhe teknologjit\u00eb e reja. Ideja nuk \u00ebsht\u00eb t\u00eb paraqitet kjo si nj\u00eb humbje e asaj q\u00eb ka qen\u00eb m\u00eb par\u00eb, por si nj\u00eb proces q\u00eb vazhdon t\u00eb ndryshoj\u00eb bashk\u00eb me m\u00ebnyr\u00ebn se si krijojm\u00eb.<\/p>\n
Kjo e b\u00ebn edhe m\u00eb t\u00eb qart\u00eb se \u00e7far\u00eb k\u00ebrkon t\u00eb tregoj\u00eb Vogue World k\u00ebt\u00eb her\u00eb. Milano nuk prezantohet vet\u00ebm si nj\u00eb qytet me nj\u00eb histori t\u00eb madhe mode, por si nj\u00eb vend ku zanati, industria dhe teknologjia kan\u00eb qen\u00eb gjithmon\u00eb pjes\u00eb e t\u00eb nj\u00ebjtit zhvillim.<\/p>\n
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Biblioteka e Quarto Oggiaro n\u00eb qend\u00ebr t\u00eb Vogue World<\/strong><\/p>\n Ka edhe nj\u00eb arsye tjet\u00ebr pse Vogue World: Milano nuk \u00ebsht\u00eb vet\u00ebm nj\u00eb spektak\u00ebl mode. T\u00eb ardhurat nga biletat e eventit do t\u00eb p\u00ebrdoren p\u00ebr rikualifikimin e Bibliotek\u00ebs Publike t\u00eb Quarto Oggiaro, nj\u00eb zon\u00eb n\u00eb veriper\u00ebndim t\u00eb Milanos. Vogue ka konfirmuar nj\u00eb investim prej t\u00eb pakt\u00ebn 2 milion\u00eb eurosh p\u00ebr ta kthyer bibliotek\u00ebn n\u00eb nj\u00eb qend\u00ebr kulturore t\u00eb re, me hap\u00ebsira p\u00ebr t\u00eb m\u00ebsuar, krijuar dhe punuar s\u00eb bashku.<\/p>\n Zgjedhja ka nj\u00eb lidhje t\u00eb drejtp\u00ebrdrejt\u00eb me tem\u00ebn e k\u00ebtij edicioni. Biblioteka nuk do t\u00eb mbetet vet\u00ebm nj\u00eb vend ku merren libra, por do t\u00eb zhvillohet si nj\u00eb hap\u00ebsir\u00eb ku kultura, teknologjia dhe krijimtaria mund t\u00eb takohen. Projekti synon ve\u00e7an\u00ebrisht t\u00eb krijoj\u00eb mund\u00ebsi p\u00ebr t\u00eb rinjt\u00eb e zon\u00ebs, duke e b\u00ebr\u00eb bibliotek\u00ebn nj\u00eb pik\u00eb takimi dhe zhvillimi p\u00ebr komunitetin.<\/p>\n N\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb, Vogue World nd\u00ebrton nj\u00eb lloj rruge mes dy Milanos: nga Galleria Vittorio Emanuele II, nj\u00eb prej simboleve t\u00eb qytetit dhe nj\u00eb prej hap\u00ebsirave m\u00eb t\u00eb lidhura me luksin dhe mod\u00ebn, te nj\u00eb bibliotek\u00eb n\u00eb nj\u00eb lagje periferike. \u00cbsht\u00eb nj\u00eb nga ato detaje q\u00eb e b\u00ebn eventin m\u00eb interesant p\u00ebrtej pasarel\u00ebs: moda nuk p\u00ebrdoret vet\u00ebm p\u00ebr t’u par\u00eb, por edhe p\u00ebr t\u00eb financuar nj\u00eb hap\u00ebsir\u00eb q\u00eb synon t’u jap\u00eb njer\u00ebzve mund\u00ebsi t\u00eb krijojn\u00eb vet\u00eb.<\/p>\n Q\u00eb nga edicioni i par\u00eb n\u00eb New York n\u00eb vitin 2022, Vogue World ka zgjedhur t\u00eb nd\u00ebrtoj\u00eb nj\u00eb histori t\u00eb ndryshme n\u00eb \u00e7do qytet ku \u00ebsht\u00eb zhvilluar. N\u00eb Lond\u00ebr, moda u lidh me artet skenike; n\u00eb Paris, me sportin; nd\u00ebrsa n\u00eb Los Angeles, me kineman\u00eb. Milano sjell n\u00eb qend\u00ebr mjesht\u00ebrin\u00eb italiane dhe m\u00ebnyr\u00ebn se si ajo ka ndryshuar nga puna e dor\u00ebs te teknologjit\u00eb e reja.<\/p>\n Pas New York-ut dhe Londr\u00ebs, radha i vjen Milanos, nd\u00ebrsa m\u00eb pas muaji i mod\u00ebs do t\u00eb vazhdoj\u00eb n\u00eb Paris. N\u00eb k\u00ebt\u00eb kalendar q\u00eb \u00e7do vit zhvendos v\u00ebmendjen e industris\u00eb nga nj\u00eb qytet n\u00eb tjetrin, Milano hyn k\u00ebt\u00eb her\u00eb me nj\u00eb event q\u00eb nuk \u00ebsht\u00eb thjesht hapja spektakolare e Fashion Week, por nj\u00eb m\u00ebnyr\u00eb p\u00ebr t\u00eb treguar historin\u00eb e vet p\u00ebrmes mod\u00ebs, artit, muzik\u00ebs, baletit dhe teknologjis\u00eb.<\/p>\n N\u00eb Galleria Vittorio Emanuele II, moda do t\u00eb tregoj\u00eb historin\u00eb e saj p\u00ebrmes veshjeve, performanc\u00ebs dhe zanatit, nd\u00ebrsa jasht\u00eb saj nj\u00eb pjes\u00eb e k\u00ebtij eventi do t\u00eb vazhdoj\u00eb n\u00eb nj\u00eb bibliotek\u00eb t\u00eb nj\u00eb lagjeje t\u00eb Milanos.<\/p>\n Vogue World: Milano zhvillohet sonte, 22 shtator, n\u00eb or\u00ebn 20:00 sipas or\u00ebs lokale dhe do t\u00eb transmetohet drejtp\u00ebrdrejt online.<\/p>\n -THELB,\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" Sonte, n\u00eb zem\u00ebr t\u00eb Milanos, n\u00ebn kupol\u00ebn prej qelqi dhe hekuri t\u00eb Galleria Vittorio Emanuele II, moda italiane do t\u00eb kthehet pas n\u00eb koh\u00eb p\u00ebr t\u00eb par\u00eb nga e ardhmja. \u00cbsht\u00eb nj\u00eb nga ato hap\u00ebsira ku Milano duket se ka mbledhur n\u00eb nj\u00eb vend disa prej gj\u00ebrave q\u00eb e kan\u00eb b\u00ebr\u00eb qytetin at\u00eb q\u00eb \u00ebsht\u00eb: […]<\/p>\n","protected":false},"author":2,"featured_media":4341,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[59,39,41],"tags":[],"tmauthors":[64],"class_list":["post-4340","post","type-post","status-publish","format-standard","has-post-thumbnail","category-kryesore","category-mode","category-sfilata"],"_links":{"self":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/4340","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4340"}],"version-history":[{"count":2,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/4340\/revisions"}],"predecessor-version":[{"id":4356,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/4340\/revisions\/4356"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/media\/4341"}],"wp:attachment":[{"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4340"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4340"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4340"},{"taxonomy":"tmauthors","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftmauthors&post=4340"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/thelb.al\/wp-content\/uploads\/2026\/09\/VO1026_VWMilan_01-768x1024.webp\")
<\/p>\nNj\u00eb muaj q\u00eb i p\u00ebrket mod\u00ebs<\/h3>\n