{"id":4377,"date":"2026-09-23T20:54:11","date_gmt":"2026-09-23T20:54:11","guid":{"rendered":"https:\/\/thelb.al\/?p=4377"},"modified":"2026-09-23T20:54:11","modified_gmt":"2026-09-23T20:54:11","slug":"versace-prada-pucci-dhe-moschino-historite-pas-stampave-qe-u-rikthyen-ne-vogue-world-milano","status":"publish","type":"post","link":"https:\/\/thelb.al\/?p=4377","title":{"rendered":"Versace, Prada, Pucci dhe Moschino: historit\u00eb pas stampave q\u00eb u rikthyen n\u00eb Vogue World Milano"},"content":{"rendered":"<p><strong>N\u00eb aktin e tret\u00eb t\u00eb shfaqjes, veshjet nga arkivi i mod\u00ebs italiane soll\u00ebn s\u00ebrish n\u00eb pasarel\u00eb imazhe q\u00eb dikur u b\u00ebn\u00eb shenj\u00eb dalluese e Versace, Pucci, Prada dhe Moschino.<\/strong><\/p>\n<p>N\u00eb Vogue World Milano 2026, nj\u00eb pjes\u00eb e pasarel\u00ebs iu kushtua stampave. Galleria Vittorio Emanuele II u mbush me fytyra t\u00eb stilit pop, banane, ngjyra t\u00eb ndezura dhe faqe gazetash. Disa prej veshjeve vinin nga arkivi, t\u00eb tjera rikthenin motive m\u00eb t\u00eb hershme n\u00eb koleksione t\u00eb reja. Secila mbartte nj\u00eb histori q\u00eb mund t\u00eb lexohej p\u00ebrtej pamjes s\u00eb par\u00eb.<\/p>\n<p>N\u00eb fillim t\u00eb viteve \u201990, <strong>Gianni Versace<\/strong> vendosi fytyrat e Marilyn Monroe dhe James Dean mbi veshje, duke p\u00ebrdorur gjuh\u00ebn e artit pop. N\u00eb krijime t\u00eb tjera, edhe faqet e revist\u00ebs <em>Vogue<\/em> u kthyen n\u00eb stampa. Donatella Versace iu rikthye k\u00ebtyre imazheve n\u00eb koleksionin <em>Tribute<\/em> p\u00ebr pranver\u00eb\u2013ver\u00eb 2018, kushtuar t\u00eb v\u00ebllait.<\/p>\n<p><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-4378\" src=\"https:\/\/thelb.al\/wp-content\/uploads\/2026\/09\/Q6A1507_yZBPSnqp_20260922100159-1024x1024.webp\" alt=\"\" width=\"1024\" height=\"1024\" \/><\/p>\n<p>Kat\u00ebr veshje nga ai koleksion dol\u00ebn n\u00eb Vogue World Milano, t\u00eb veshura nga Imaan Hammam, Amelia Gray, Ida Heiner dhe Cardi B. Portretet, shkronjat dhe ngjyrat e forta t\u00eb Versace vazhdojn\u00eb t\u00eb dallohen menj\u00ebher\u00eb, edhe dekada pas krijimit t\u00eb motiveve q\u00eb i frym\u00ebzuan.<\/p>\n<p><em>Vivara<\/em> mban emrin e nj\u00eb ishulli n\u00eb Gjirin e Napolit. <strong>Emilio Pucci <\/strong>e krijoi stamp\u00ebn n\u00eb vitin 1965, duke e kthyer pamjen e ishullit nga lart n\u00eb forma gjeometrike dhe ngjyra t\u00eb gjalla. Dekada m\u00eb von\u00eb, drejtoresha kreative Camille Miceli e riktheu p\u00ebr koleksionin vjesht\u00eb\u2013dim\u00ebr 2024\u20132025. N\u00eb k\u00ebt\u00eb rast, nj\u00eb vend real u b\u00eb pik\u00ebnisja e nj\u00eb motivi q\u00eb mund t\u00eb njihet edhe kur ndryshon veshja ku vendoset.<\/p>\n<p>Stampa me banane e<strong> Prada<\/strong> erdhi nga koleksioni pranver\u00eb\u2013ver\u00eb 2011 i Miuccia Prada. Banane, vija t\u00eb forta, ngjyra t\u00eb kund\u00ebrta dhe figura t\u00eb tjera krijuan nj\u00eb koleksion lozonjar, ku frym\u00ebzimet shkonin deri te epoka e xhazit dhe Josephine Baker. N\u00eb Vogue World Milano, modelja Luiza Perote veshi fundin e zi dhe t\u00eb verdh\u00eb me banane. \u00cbsht\u00eb nj\u00eb imazh q\u00eb ende t\u00eb kujton menj\u00ebher\u00eb Prada-n e asaj periudhe.<\/p>\n<p><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-4379\" src=\"https:\/\/thelb.al\/wp-content\/uploads\/2026\/09\/DV1_2868_lJNBrt7o_20260922100034-683x1024.webp\" alt=\"\" width=\"683\" height=\"1024\" \/><\/p>\n<p>Jo \u00e7do motiv lind nga nj\u00eb imazh i stampuar mbi cop\u00eb. Fustani pa m\u00ebng\u00eb i M <strong>Missoni<\/strong>, nga koleksioni Resort 2015 i Angela Missoni, krijon vija shum\u00ebngjyr\u00ebshe p\u00ebrmes punimit me grep dhe thurjes. I veshur n\u00eb Vogue World nga Ana Beatriz Cortes, ai sillte n\u00eb k\u00ebt\u00eb pjes\u00eb t\u00eb shfaqjes nj\u00eb tjet\u00ebr m\u00ebnyr\u00eb t\u00eb p\u00ebrdorimit t\u00eb ngjyr\u00ebs: si pjes\u00eb t\u00eb vet\u00eb nd\u00ebrtimit t\u00eb materialit.<\/p>\n<p>Lennon Sorrenti veshi nj\u00eb kostum roz\u00eb nga koleksioni pranver\u00eb\u2013ver\u00eb 1993 i Franco <strong>Moschino<\/strong>. Motivi i tij i ngjan faqeve t\u00eb nj\u00eb gazete sportive, por emri <em>Ragazzetta dello Sport<\/em> zbulon menj\u00ebher\u00eb loj\u00ebn e stilistit me fjal\u00ebt. Mes teksteve t\u00eb shtypura mbi veshje kishte komente ironike p\u00ebr sfilatat dhe p\u00ebr profesionin e tij. Te Moschino, edhe gazeta e veshur b\u00ebhej nj\u00eb m\u00ebnyr\u00eb p\u00ebr t\u00eb qeshur me seriozitetin e bot\u00ebs s\u00eb mod\u00ebs.<\/p>\n<p>N\u00eb Vogue World Milano, k\u00ebto veshje u pan\u00eb s\u00ebrish n\u00eb pasarel\u00eb, por secila ruante lidhjen me momentin kur ishte krijuar. Portretet pop t\u00eb Versace, format e Pucci, ngjyrat e Prada dhe ironia e Moschino tregojn\u00eb se nj\u00eb stamp\u00eb mund t\u00eb b\u00ebhet po aq e njohur sa vet\u00eb silueta e nj\u00eb veshjeje.<\/p>\n<p><strong>-THELB,<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>N\u00eb aktin e tret\u00eb t\u00eb shfaqjes, veshjet nga arkivi i mod\u00ebs italiane soll\u00ebn s\u00ebrish n\u00eb pasarel\u00eb imazhe q\u00eb dikur u b\u00ebn\u00eb shenj\u00eb dalluese e Versace, Pucci, Prada dhe Moschino. N\u00eb Vogue World Milano 2026, nj\u00eb pjes\u00eb e pasarel\u00ebs iu kushtua stampave. Galleria Vittorio Emanuele II u mbush me fytyra t\u00eb stilit pop, banane, ngjyra t\u00eb [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":4380,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39,41],"tags":[],"tmauthors":[64],"class_list":["post-4377","post","type-post","status-publish","format-standard","has-post-thumbnail","category-mode","category-sfilata"],"_links":{"self":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/4377","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4377"}],"version-history":[{"count":1,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/4377\/revisions"}],"predecessor-version":[{"id":4381,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/4377\/revisions\/4381"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/media\/4380"}],"wp:attachment":[{"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4377"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4377"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4377"},{"taxonomy":"tmauthors","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftmauthors&post=4377"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}