{"id":4418,"date":"2026-09-24T19:42:13","date_gmt":"2026-09-24T19:42:13","guid":{"rendered":"https:\/\/thelb.al\/?p=4418"},"modified":"2026-09-24T19:43:12","modified_gmt":"2026-09-24T19:43:12","slug":"etro-pas-marco-de-vincenzo-s-stampat-zbehen-fryma-boheme-mbetet","status":"publish","type":"post","link":"https:\/\/thelb.al\/?p=4418","title":{"rendered":"Etro pas Marco De Vincenzo: Stampat zbehen, fryma boheme mbetet"},"content":{"rendered":"

N\u00eb koleksionin pranver\u00eb\u2013ver\u00eb 2027, paisley zbehet n\u00ebn drit\u00ebn e ver\u00ebs dhe veshjet marrin m\u00eb shum\u00eb leht\u00ebsi. \u00cbsht\u00eb sfilata e par\u00eb e mark\u00ebs pas largimit t\u00eb drejtorit kreativ Marco De Vincenzo.<\/strong><\/p>\n

N\u00eb pasarel\u00ebn e Etro-s, ngjyrat ndryshonin sikur t\u00eb ndiqnin or\u00ebt e nj\u00eb dite vere. Tonet e \u00e7el\u00ebta t\u00eb fillimit i linin vend t\u00eb verdh\u00ebs dhe portokallis\u00eb, p\u00ebrpara se bluja, jeshilja dhe ngjyrat m\u00eb t\u00eb err\u00ebta t\u00eb sillnin mbr\u00ebmjen. Edhe stampat dukeshin sikur kishin q\u00ebndruar gjat\u00eb n\u00eb diell: paisley<\/em>, motivi karakteristik i Etro-s n\u00eb form\u00eb pike me maj\u00ebn e lakuar, her\u00eb zmadhohej, her\u00eb ndahej n\u00eb pjes\u00eb e her\u00eb zbehej deri sa mezi dallohej. Koleksioni quhej Halo<\/em> \u2014 aureol\u00eb \u2014 pik\u00ebrisht p\u00ebr at\u00eb p\u00ebrshtypje drite t\u00eb but\u00eb q\u00eb mb\u00ebshtillte veshjet.<\/p>\n

\"\"<\/p>\n

N\u00eb veshje, kjo p\u00ebrkthehej n\u00eb fustane t\u00eb lehta, funde q\u00eb zgjateshin pas hapit, thek\u00eb dhe p\u00eblhura transparente. Mes tyre hynin pantallona me prerje klasike, xhaketa kamoshi e denim, t\u00eb cilat i jepnin form\u00eb siluetave m\u00eb t\u00eb ajrosura. Fryma boheme e mark\u00ebs ishte e pranishme, por k\u00ebsaj here dukej m\u00eb e qet\u00eb, me m\u00eb shum\u00eb hap\u00ebsir\u00eb mes nj\u00eb motivi dhe tjetrit.<\/p>\n

Ajo q\u00eb e b\u00ebn k\u00ebt\u00eb sfilat\u00eb ve\u00e7an\u00ebrisht interesante \u00ebsht\u00eb momenti n\u00eb t\u00eb cilin vjen. Marco De Vincenzo u largua nga drejtimi kreativ i Etro-s n\u00eb mars dhe koleksioni pranver\u00eb\u2013ver\u00eb 2027 u realizua nga ekipi i brendsh\u00ebm i dizajnit<\/strong>. Zbehja e stampave mund t\u00eb lexohet si nj\u00eb m\u00ebnyr\u00eb p\u00ebr t\u2019i par\u00eb m\u00eb nga af\u00ebr kodet e mark\u00ebs: p\u00ebr t\u00eb zgjedhur sa prej tyre duhet t\u00eb jen\u00eb t\u00eb dukshme n\u00eb \u00e7do veshje. Por sfilata nuk e braktis gjuh\u00ebn e njohur t\u00eb Etro-s.<\/p>\n

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Kjo p\u00ebrmbajtje i b\u00ebn disa pamje m\u00eb t\u00eb lehta p\u00ebr t\u2019u veshur dhe p\u00ebr t\u2019u kombinuar. Nj\u00eb fustan i tejduksh\u00ebm pran\u00eb nj\u00eb xhakete kamoshi, p\u00ebr shembull, ka nj\u00eb rit\u00ebm tjet\u00ebr nga p\u00ebrzierjet e dendura t\u00eb stampave me t\u00eb cilat Etro shpesh identifikohet. Koleksioni nuk k\u00ebrkon t\u00eb shk\u00ebputet nga ajo histori; e l\u00eb t\u00eb duket n\u00eb fragmente, mes p\u00eblhurave t\u00eb lehta dhe ngjyrave q\u00eb ndryshojn\u00eb gradualisht.<\/p>\n

\"\"<\/p>\n

Halo<\/em> \u00ebsht\u00eb nj\u00eb koleksion i k\u00ebndsh\u00ebm p\u00ebr t\u2019u par\u00eb, me nj\u00eb ide vizuale q\u00eb ndiqet nga fillimi n\u00eb fund. Mbetet p\u00ebr t\u2019u par\u00eb n\u00ebse kjo leht\u00ebsi do t\u00eb jet\u00eb nj\u00eb drejtim i ri p\u00ebr Etro-n apo nj\u00eb \u00e7ast qet\u00ebsie p\u00ebrpara kapitullit t\u00eb ardhsh\u00ebm.<\/p>\n

-THELB,<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

N\u00eb koleksionin pranver\u00eb\u2013ver\u00eb 2027, paisley zbehet n\u00ebn drit\u00ebn e ver\u00ebs dhe veshjet marrin m\u00eb shum\u00eb leht\u00ebsi. \u00cbsht\u00eb sfilata e par\u00eb e mark\u00ebs pas largimit t\u00eb drejtorit kreativ Marco De Vincenzo. N\u00eb pasarel\u00ebn e Etro-s, ngjyrat ndryshonin sikur t\u00eb ndiqnin or\u00ebt e nj\u00eb dite vere. Tonet e \u00e7el\u00ebta t\u00eb fillimit i linin vend t\u00eb verdh\u00ebs dhe […]<\/p>\n","protected":false},"author":2,"featured_media":4422,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39,41,40],"tags":[],"tmauthors":[64],"class_list":["post-4418","post","type-post","status-publish","format-standard","has-post-thumbnail","category-mode","category-sfilata","category-stiliste"],"_links":{"self":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/4418","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4418"}],"version-history":[{"count":2,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/4418\/revisions"}],"predecessor-version":[{"id":4424,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/4418\/revisions\/4424"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/media\/4422"}],"wp:attachment":[{"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4418"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4418"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4418"},{"taxonomy":"tmauthors","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftmauthors&post=4418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}