{"id":4436,"date":"2026-09-25T16:35:14","date_gmt":"2026-09-25T16:35:14","guid":{"rendered":"https:\/\/thelb.al\/?p=4436"},"modified":"2026-09-25T16:35:26","modified_gmt":"2026-09-25T16:35:26","slug":"nga-schiaparelli-te-vogue-dali-dhe-moda-ne-nje-ekspozite-ne-milano","status":"publish","type":"post","link":"https:\/\/thelb.al\/?p=4436","title":{"rendered":"Nga Schiaparelli te Vogue, Dal\u00ed dhe moda n\u00eb nj\u00eb ekspozit\u00eb n\u00eb Milano"},"content":{"rendered":"<p><strong>N\u00eb mes t\u00eb Jav\u00ebs s\u00eb Mod\u00ebs n\u00eb Milano, Palazzo Reale hap ekspozit\u00ebn <em>Dal\u00ed e la Moda<\/em>. Historia nis me bashk\u00ebpunimin e tij me Elsa Schiaparelli, por shkon m\u00eb tej, te veshja si m\u00ebnyr\u00eb p\u00ebr t\u00eb ndryshuar trupin, imazhin dhe m\u00ebnyr\u00ebn si t\u00eb shohin t\u00eb tjer\u00ebt.<\/strong><\/p>\n<p>N\u00eb nj\u00eb fotografi t\u00eb vitit 1938, Gala mban mbi kok\u00eb nj\u00eb k\u00ebpuc\u00eb me tak\u00eb. Nuk \u00ebsht\u00eb nj\u00eb gjest i rast\u00ebsish\u00ebm p\u00ebr aparatin, \u00ebsht\u00eb kapela q\u00eb Elsa Schiaparelli krijoi duke u nisur nga nj\u00eb ide e Salvador Dal\u00ed-s\u00eb. K\u00ebpuca, nj\u00eb objekt q\u00eb zakonisht i p\u00ebrket tok\u00ebs dhe k\u00ebmb\u00ebs, ngrihet n\u00eb vendin ku do t\u00eb prisje nj\u00eb kapele. Mjafton ky ndryshim vendi q\u00eb pamja t\u00eb b\u00ebhet e \u00e7uditshme, lozonjare dhe e paharrueshme.<\/p>\n<p><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-4437\" src=\"https:\/\/thelb.al\/wp-content\/uploads\/2026\/09\/11ed5858ae133945b9439ec5379efa9f.jpg\" alt=\"\" width=\"808\" height=\"1024\" \/><\/p>\n<p>Pik\u00ebrisht k\u00ebt\u00eb marr\u00ebdh\u00ebnie mes artistit dhe mod\u00ebs e sjell n\u00eb v\u00ebmendje ekspozita <em>Dal\u00ed e la Moda<\/em>, e hapur m\u00eb 24 shtator n\u00eb Palazzo Reale, nd\u00ebrsa Milano zhvillon Jav\u00ebn e Mod\u00ebs. Ajo q\u00ebndron deri m\u00eb 31 janar 2027 dhe mbledh mbi 200 vepra e materiale: piktura, vizatime, fotografi, veshje, bizhuteri dhe dokumente arkivore. Koha e hapjes e b\u00ebn ekspozit\u00ebn pjes\u00eb t\u00eb bised\u00ebs s\u00eb k\u00ebsaj jave, por historia q\u00eb tregon \u00ebsht\u00eb shum\u00eb m\u00eb e gjat\u00eb se nj\u00eb sezon mode.<\/p>\n<p>Bashk\u00ebpunimi me Schiaparelli-n mbetet pika m\u00eb e qart\u00eb p\u00ebr t\u00eb kuptuar \u00e7far\u00eb gjeti Dal\u00ed te moda. N\u00eb vitin 1937, nj\u00eb karavidhe e madhe u shfaq mbi nj\u00eb fustan t\u00eb bardh\u00eb mbr\u00ebmjeje. Kontrasti ishte thelbi i ides\u00eb, nj\u00eb krijes\u00eb deti n\u00eb vendin ku mund t\u00eb prisje nj\u00eb q\u00ebndisje elegante. Fustani ruante hijeshin\u00eb e tij, por figura e karavidhes ta nd\u00ebrpriste shikimin dhe t\u00eb shtynte ta shihje edhe nj\u00eb her\u00eb. Modelin e bleu edhe Wallis Simpson p\u00ebr garderob\u00ebn e saj p\u00ebrpara martes\u00ebs me Duk\u00ebn e Windsor-it.<\/p>\n<p><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-4438\" src=\"https:\/\/thelb.al\/wp-content\/uploads\/2026\/09\/1x17njsrwc3t7xjxzzozkiz0dya8-f5f19249fb3e5064c855ccbd34c618a6.jpeg\" alt=\"\" width=\"1000\" height=\"1000\" \/><\/p>\n<p>Nga ajo periudh\u00eb vijn\u00eb edhe krijime ku lidhja me trupin b\u00ebhet m\u00eb e fort\u00eb. Te fustani <em>Skeleton<\/em>, format e kockave dalin n\u00eb sip\u00ebrfaqen e veshjes p\u00ebrmes mbushjes dhe qepjes. Te <em>Torn dress<\/em>, grisjet jan\u00eb nj\u00eb iluzion pamor, p\u00eblhura t\u00eb b\u00ebn t\u00eb mendosh se \u00ebsht\u00eb d\u00ebmtuar. Idet\u00eb surrealiste k\u00ebtu nuk mbeten n\u00eb nj\u00eb piktur\u00eb. Ato vishen, l\u00ebvizin bashk\u00eb me trupin dhe marrin kuptim t\u00eb ri nga personi q\u00eb i mban.<\/p>\n<p>Kjo \u00ebsht\u00eb edhe arsyeja pse historia nuk mund t\u2019i atribuohet vet\u00ebm Dal\u00ed-s\u00eb. Schiaparelli kishte gjuh\u00ebn e saj krijuese dhe nj\u00eb interes t\u00eb hersh\u00ebm p\u00ebr iluzionin, humorin dhe veshjet q\u00eb sfidonin pritshm\u00ebrit\u00eb. Takimi i tyre funksionoi sepse t\u00eb dy e pranonin mund\u00ebsin\u00eb q\u00eb nj\u00eb fustan t\u00eb ishte elegant dhe, n\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb, t\u00eb t\u00eb shqet\u00ebsonte paksa me at\u00eb q\u00eb shihje mbi t\u00eb.<\/p>\n<p>Ekspozita n\u00eb Milano i jep vend edhe Gala-s. Fotografia me kapel\u00ebn-k\u00ebpuc\u00eb tregon m\u00eb shum\u00eb sesa nj\u00eb aksesor t\u00eb pazakont\u00eb, tregon sa r\u00ebnd\u00ebsi kishte personi q\u00eb e vishte dhe imazhi q\u00eb krijohej m\u00eb pas. Organizator\u00ebt e vendosin Gala-n n\u00eb qend\u00ebr t\u00eb k\u00ebsaj historie si figur\u00eb q\u00eb mori pjes\u00eb n\u00eb nd\u00ebrtimin e imazhit publik t\u00eb saj dhe t\u00eb Dal\u00ed-s\u00eb. P\u00ebr ta, moda ishte edhe m\u00ebnyr\u00eb p\u00ebr t\u2019u paraqitur para bot\u00ebs.<\/p>\n<p><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-4439\" src=\"https:\/\/thelb.al\/wp-content\/uploads\/2026\/09\/1920x1080-1-1013x1024.jpg\" alt=\"\" width=\"1013\" height=\"1024\" \/><\/p>\n<p>Dal\u00ed e \u00e7oi bot\u00ebn e tij surrealiste edhe n\u00eb faqet e revistave t\u00eb mod\u00ebs. Ai realizoi tri kopertina p\u00ebr <em>Vogue<\/em>; mes tyre jan\u00eb ajo e qershorit 1939 dhe ajo e prillit 1944. N\u00eb t\u00eb par\u00ebn, nj\u00eb figur\u00eb gruaje bashkohet me lulet; n\u00eb t\u00eb dyt\u00ebn, shkronjat e emrit <em>Vogue<\/em> b\u00ebhen pjes\u00eb e nj\u00eb peizazhi t\u00eb pazakont\u00eb pranveror. K\u00ebtu Dal\u00ed nuk krijon nj\u00eb veshje p\u00ebr t\u2019u fotografuar: vet\u00eb faqen e revist\u00ebs e kthen n\u00eb nj\u00eb imazh surrealist.<\/p>\n<p>Ky k\u00ebndv\u00ebshtrim e b\u00ebn ekspozit\u00ebn ve\u00e7an\u00ebrisht t\u00eb p\u00ebrshtatshme p\u00ebr Milanon e k\u00ebtyre dit\u00ebve. N\u00eb pasarel\u00eb, nj\u00eb veshje shihet p\u00ebr pak \u00e7aste; m\u00eb pas jeton n\u00eb fotografi, n\u00eb video dhe n\u00eb kujtes\u00ebn e atyre q\u00eb e pan\u00eb. Dal\u00ed dhe Schiaparelli e kuptonin mir\u00eb fuqin\u00eb e nj\u00eb imazhi q\u00eb t\u00eb ndal shikimin. Kapela-k\u00ebpuc\u00eb dhe fustani me karavidhe vazhdojn\u00eb t\u00eb kujtohen sepse kan\u00eb nj\u00eb ide t\u00eb qart\u00eb, t\u00eb cil\u00ebn mund ta dallosh edhe para se t\u00eb dish historin\u00eb e tyre.<\/p>\n<p><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-4440\" src=\"https:\/\/thelb.al\/wp-content\/uploads\/2026\/09\/201020110913-10-surrealism-fashion-restricted-1024x681.jpg\" alt=\"\" width=\"1024\" height=\"681\" \/><\/p>\n<p><em>\u2018Dal\u00ed e la Moda\u2019<\/em> \u00ebsht\u00eb nj\u00eb rast p\u00ebr ta par\u00eb at\u00eb histori nga af\u00ebr, mes veprave t\u00eb artit dhe veshjeve n\u00eb ekspozit\u00eb. \u00cbsht\u00eb edhe nj\u00eb kujtes\u00eb e bukur, n\u00eb mes t\u00eb Jav\u00ebs s\u00eb Mod\u00ebs, se nj\u00eb veshje mund t\u00eb ndryshoj\u00eb jo vet\u00ebm pamjen e njeriut q\u00eb e mban, por edhe m\u00ebnyr\u00ebn si ne e shohim at\u00eb.<\/p>\n<p><strong>-THELB,\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>N\u00eb mes t\u00eb Jav\u00ebs s\u00eb Mod\u00ebs n\u00eb Milano, Palazzo Reale hap ekspozit\u00ebn Dal\u00ed e la Moda. Historia nis me bashk\u00ebpunimin e tij me Elsa Schiaparelli, por shkon m\u00eb tej, te veshja si m\u00ebnyr\u00eb p\u00ebr t\u00eb ndryshuar trupin, imazhin dhe m\u00ebnyr\u00ebn si t\u00eb shohin t\u00eb tjer\u00ebt. N\u00eb nj\u00eb fotografi t\u00eb vitit 1938, Gala mban mbi kok\u00eb [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":4441,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[49,59,48],"tags":[],"tmauthors":[64],"class_list":["post-4436","post","type-post","status-publish","format-standard","has-post-thumbnail","category-art","category-kryesore","category-kulture"],"_links":{"self":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/4436","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4436"}],"version-history":[{"count":1,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/4436\/revisions"}],"predecessor-version":[{"id":4442,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/4436\/revisions\/4442"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/media\/4441"}],"wp:attachment":[{"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4436"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4436"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4436"},{"taxonomy":"tmauthors","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftmauthors&post=4436"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}