{"id":4571,"date":"2026-10-12T22:55:21","date_gmt":"2026-10-12T22:55:21","guid":{"rendered":"https:\/\/thelb.al\/?p=4571"},"modified":"2026-10-12T22:56:08","modified_gmt":"2026-10-12T22:56:08","slug":"ferragamo-pranvere-vere-2027-kostumi-i-viteve-40-rishfaqet-mes-palltove-transparente-dhe-fustaneve-me-temina","status":"publish","type":"post","link":"https:\/\/thelb.al\/?p=4571","title":{"rendered":"Ferragamo pranver\u00eb\u2013ver\u00eb 2027, kostumi i viteve \u201940 rishfaqet mes pardesyve t\u00eb gom\u00ebs dhe fustaneve me temina"},"content":{"rendered":"

Maximilian Davis i rimerr format e nj\u00eb garderobe t\u00eb dikurshme dhe i \u00e7on drejt nj\u00eb elegance m\u00eb t\u00eb lir\u00eb, mes transparencave, veshjeve prej gome dhe teminave q\u00eb kapin drit\u00ebn.<\/strong><\/p>\n

N\u00eb koleksionin pranver\u00eb\u2013ver\u00eb 2027 t\u00eb Ferragamo-s, vitet \u201940 dallohen q\u00eb n\u00eb pamjet e para, kostume me fund, xhaketa t\u00eb strukturuara, xhepa t\u00eb m\u00ebdhenj dhe nj\u00eb bel i p\u00ebrcaktuar qart\u00eb. Por Maximilian Davis nuk i ruan k\u00ebto forma si\u00e7 i gjeti. Ai i zbut supet, ndryshon p\u00ebrmasat dhe e zhvendos rripin nga beli n\u00eb pjes\u00eb t\u00eb tjera t\u00eb trupit, sikur t\u2019i ket\u00eb marr\u00eb siluetat e koh\u00ebs p\u00ebr t\u2019i korrigjuar sipas m\u00ebnyr\u00ebs si duam t\u00eb l\u00ebvizim sot.<\/p>\n

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Ky ndryshim e b\u00ebn koleksionin interesant. Xhaketat dhe fundet ruajn\u00eb nj\u00ebfar\u00eb rregulli, por nuk duken t\u00eb ngurta. Krahas tyre shfaqen p\u00eblhura t\u00eb holla, t\u00eb lidhura e t\u00eb drapuara rreth trupit, q\u00eb e b\u00ebjn\u00eb siluet\u00ebn m\u00eb t\u00eb lirshme. Davis nuk kalon papritur nga nj\u00eb epok\u00eb n\u00eb tjetr\u00ebn; ai nis me nj\u00eb form\u00eb t\u00eb njohur dhe, dalje pas daljeje, provon sa larg mund ta \u00e7oj\u00eb.<\/p>\n

Pastaj vijn\u00eb veshjet prej gome t\u00eb tejdukshme. \u00cbsht\u00eb nj\u00eb material q\u00eb ndryshon krejt m\u00ebnyr\u00ebn si lexohet nj\u00eb pardesy apo nj\u00eb fustan, forma mund t\u00eb t\u00eb kujtoj\u00eb nj\u00eb veshje klasike, por sip\u00ebrfaqja e saj dhe trupi q\u00eb duket p\u00ebrmes saj i p\u00ebrkasin nj\u00eb tjet\u00ebr ndjeshm\u00ebrie. Transparenca nuk mbetet nj\u00eb holl\u00ebsi e izoluar; ajo p\u00ebrshkon koleksionin, her\u00eb duke zbuluar nd\u00ebrtimin e veshjes, her\u00eb duke e afruar at\u00eb m\u00eb shum\u00eb me trupin.<\/p>\n

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Pas kostumeve t\u00eb strukturuara dhe palltove prej gome t\u00eb tejdukshme, edhe veshjet e mbr\u00ebmjes vazhdojn\u00eb loj\u00ebn mes asaj q\u00eb mbulohet dhe asaj q\u00eb duket. Teminat e m\u00ebdha shk\u00eblqejn\u00eb mbi p\u00eblhura transparente, duke i dh\u00ebn\u00eb fustanit prani t\u00eb fort\u00eb pa e fshehur trupin. Edhe n\u00eb k\u00ebto pamje m\u00eb t\u00eb dukshme, Davis ruan kujdesin p\u00ebr form\u00ebn<\/p>\n

N\u00eb k\u00ebt\u00eb koleksion q\u00ebndron figura e Lee Miller-it, fotografes q\u00eb kaloi nga moda te eksperimentimi artistik e m\u00eb pas te dokumentimi i luft\u00ebs. Davis \u00ebsht\u00eb ndalur te jeta dhe fotografit\u00eb e saj duke reflektuar mbi k\u00ebt\u00eb periudh\u00eb. Kjo referenc\u00eb shfaqet si te siluetat e viteve \u201940, ashtu edhe te transparencat dhe shk\u00eblqimi, q\u00eb t\u00eb kujtojn\u00eb eksperimentet e saj me drit\u00ebn n\u00eb fotografi.<\/p>\n

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N\u00eb fund t\u00eb sfilat\u00ebs, kostumi i fillimit mbetet nj\u00eb pik\u00eb referimi, por pran\u00eb pardesyve t\u00eb tejdukshme dhe fustaneve me temina nuk duket m\u00eb si veshje e marr\u00eb nga nj\u00eb dekad\u00eb tjet\u00ebr. Davis ka ruajtur prerjen e sakt\u00eb dhe belin e theksuar, nd\u00ebrsa pjes\u00ebn tjet\u00ebr e ka b\u00ebr\u00eb t\u00eb ndihet e koh\u00ebs son\u00eb.<\/p>\n

-THELB,<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Maximilian Davis i rimerr format e nj\u00eb garderobe t\u00eb dikurshme dhe i \u00e7on drejt nj\u00eb elegance m\u00eb t\u00eb lir\u00eb, mes transparencave, veshjeve prej gome dhe teminave q\u00eb kapin drit\u00ebn. N\u00eb koleksionin pranver\u00eb\u2013ver\u00eb 2027 t\u00eb Ferragamo-s, vitet \u201940 dallohen q\u00eb n\u00eb pamjet e para, kostume me fund, xhaketa t\u00eb strukturuara, xhepa t\u00eb m\u00ebdhenj dhe nj\u00eb bel […]<\/p>\n","protected":false},"author":2,"featured_media":4581,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39,41,40],"tags":[],"tmauthors":[64],"class_list":["post-4571","post","type-post","status-publish","format-standard","has-post-thumbnail","category-mode","category-sfilata","category-stiliste"],"_links":{"self":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/4571","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4571"}],"version-history":[{"count":2,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/4571\/revisions"}],"predecessor-version":[{"id":4583,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/4571\/revisions\/4583"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/media\/4581"}],"wp:attachment":[{"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4571"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4571"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4571"},{"taxonomy":"tmauthors","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftmauthors&post=4571"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}