{"id":4615,"date":"2026-10-30T09:11:17","date_gmt":"2026-10-30T09:11:17","guid":{"rendered":"https:\/\/thelb.al\/?p=4615"},"modified":"2026-10-30T09:11:50","modified_gmt":"2026-10-30T09:11:50","slug":"dua-e-blerta-bashollit-fiton-dy-cmime-te-rendesishme-nderkombetare-vijon-rrugen-drejt-oscar","status":"publish","type":"post","link":"https:\/\/thelb.al\/?p=4615","title":{"rendered":"DUA e Blerta Bashollit fiton dy \u00e7mime t\u00eb r\u00ebnd\u00ebsishme nd\u00ebrkomb\u00ebtare, vijon rrug\u00ebn drejt Oscar"},"content":{"rendered":"

Pas \u00e7mimit SACD n\u00eb Kan\u00eb, filmi kosovar fitoi Grand Prix n\u00eb Luksemburg dhe Antigone d\u2019Or n\u00eb Montpellier. Kosova e ka p\u00ebrzgjedhur p\u00ebr Oscar-in e vitit 2027, nd\u00ebrsa filmi \u00ebsht\u00eb p\u00ebrfshir\u00eb edhe n\u00eb list\u00ebn e ngusht\u00eb t\u00eb Akademis\u00eb Europiane t\u00eb Filmit.<\/em><\/p>\n

N\u00eb Prishtin\u00ebn e fundit t\u00eb viteve \u201990, lufta nuk shfaqej vet\u00ebm p\u00ebrmes dhun\u00ebs s\u00eb drejtp\u00ebrdrejt\u00eb. Ajo ishte e pranishme edhe n\u00eb jet\u00ebn e p\u00ebrditshme, n\u00eb m\u00ebnyr\u00ebn se si njer\u00ebzit l\u00ebviznin n\u00ebp\u00ebr qytet dhe n\u00eb p\u00ebrpjekjen p\u00ebr t\u00eb mos u gjendur n\u00eb vendin e gabuar, n\u00eb momentin e gabuar. Ishin m\u00ebnyra t\u00eb t\u00eb jetuarit q\u00eb njer\u00ebzit i m\u00ebsonin p\u00ebrdit\u00eb, shpesh pa e kuptuar.<\/p>\n

N\u00eb k\u00ebt\u00eb Prishtin\u00eb rritet Dua, vet\u00ebm 13 vje\u00e7e. Nd\u00ebrsa bota p\u00ebrreth saj ndryshon n\u00ebn pesh\u00ebn e konfliktit, ajo p\u00ebrballet me shqet\u00ebsime q\u00eb i p\u00ebrkasin mosh\u00ebs s\u00eb saj, por edhe me nj\u00eb realitet q\u00eb i l\u00eb pak hap\u00ebsir\u00eb p\u00ebr ta jetuar at\u00eb si adoleshente. Pik\u00ebrisht n\u00eb mosh\u00ebn kur njeriu nis t\u00eb zbuloj\u00eb veten dhe bot\u00ebn p\u00ebrreth, lufta nd\u00ebrhyn n\u00eb m\u00ebnyr\u00ebn se si Dua i p\u00ebrjeton marr\u00ebdh\u00ebniet, lirin\u00eb dhe t\u00eb ardhmen. Kjo \u00ebsht\u00eb bota q\u00eb nd\u00ebrton Blerta Basholli n\u00eb DUA<\/em>, filmin e saj t\u00eb dyt\u00eb artistik.<\/p>\n

\"\"<\/p>\n

M\u00eb 24 tetor, filmi fitoi dy \u00e7mime kryesore n\u00eb festivale europiane: Grand Prix n\u00eb CinEast, n\u00eb Luksemburg, dhe Antigone d\u2019Or n\u00eb Cinemed, n\u00eb Montpellier. K\u00ebto vler\u00ebsime vijn\u00eb pas \u00e7mimit SACD, q\u00eb filmi mori n\u00eb Festivalin e Filmit n\u00eb Cannes, ku pati premier\u00ebn bot\u00ebrore.<\/p>\n

Prishtina e viteve \u201990, p\u00ebrmes syve t\u00eb Duas<\/h3>\n

Jeta e p\u00ebrditshme e Duas zhvillohet mes kufizimeve q\u00eb sjell lufta. M\u00ebsimi zhvillohet n\u00eb apartamentin e nj\u00eb m\u00ebsueseje, pasi shkollat jan\u00eb mbyllur. Babai, i pushuar nga puna, p\u00ebrpiqet t\u00eb siguroj\u00eb t\u00eb ardhura duke bler\u00eb dhe shitur benzin\u00eb. Nd\u00ebrkoh\u00eb, v\u00ebllai i Duas, Vegimi, shpreh d\u00ebshir\u00ebn p\u00ebr t\u00eb shkuar n\u00eb luft\u00eb.<\/p>\n

Pas nj\u00eb incidenti q\u00eb trondit komunitetin, Dua nis t\u00eb ushtroj\u00eb xhudo s\u00eb bashku me Makin, nj\u00eb shoqe m\u00eb t\u00eb guximshme. P\u00ebrmes k\u00ebtij sporti, ajo k\u00ebrkon nj\u00eb m\u00ebnyr\u00eb p\u00ebr t’iu p\u00ebrgjigjur frik\u00ebs me trupin e vet dhe p\u00ebr t\u00eb fituar nj\u00ebfar\u00eb kontrolli mbi nj\u00eb realitet q\u00eb nuk mund ta ndryshoj\u00eb. Rolin e Duas e interpreton Pinea Matoshi, e p\u00ebrzgjedhur pas n\u00ebnt\u00eb muajsh k\u00ebrkimi n\u00eb shkollat e Prishtin\u00ebs.<\/p>\n

\"\"<\/p>\n

Dy \u00e7mime kryesore n\u00eb t\u00eb nj\u00ebjt\u00ebn dit\u00eb<\/h3>\n

M\u00eb 24 tetor, n\u00eb ceremonin\u00eb p\u00ebrmbyll\u00ebse t\u00eb edicionit t\u00eb 19-t\u00eb t\u00eb CinEast, Festivalit t\u00eb Filmit t\u00eb Evrop\u00ebs Qendrore dhe Lindore, q\u00eb u mbajt n\u00eb Kinepolis Kirchberg t\u00eb Luksemburgut, DUA<\/em> fitoi Grand Prix. Juria nd\u00ebrkomb\u00ebtare drejtohej nga regjisorja hungareze Ildik\u00f3 Enyedi, e cila e vler\u00ebsoi personazhin kryesor si nj\u00eb vajz\u00eb t\u00eb re dhe t\u00eb brisht\u00eb, q\u00eb k\u00ebrkon t\u00eb zbuloj\u00eb forc\u00ebn e fshehur brenda vetes p\u00ebr t\u00eb mbijetuar n\u00eb nj\u00eb bot\u00eb ku vdekja duket vazhdimisht e pranishme.<\/p>\n

N\u00eb vler\u00ebsimin e saj, Enyedi vuri theksin edhe te intensiteti i regjis\u00eb, q\u00eb e afron shikuesin me p\u00ebrvoj\u00ebn e Duas dhe nuk e l\u00eb n\u00eb pozicionin e nj\u00eb v\u00ebzhguesi t\u00eb larg\u00ebt.<\/p>\n

N\u00eb po t\u00eb nj\u00ebjt\u00ebn dat\u00eb, n\u00eb edicionin e 48-t\u00eb t\u00eb Cinemed n\u00eb Montpellier, filmi mori Antigone d\u2019Or, \u00e7mimin kryesor p\u00ebr filmin artistik me metrazh t\u00eb gjat\u00eb. Juria e p\u00ebrshkroi si nj\u00eb vep\u00ebr q\u00eb nd\u00ebrthur tragjedin\u00eb me shpres\u00ebn, duke e par\u00eb historin\u00eb e Duas si nj\u00eb rr\u00ebfim rritjeje n\u00ebn presion dhe nj\u00eb thirrje p\u00ebr liri. Sipas k\u00ebtij vler\u00ebsimi, p\u00ebrvoja e Kosov\u00ebs n\u00eb fund t\u00eb viteve \u201990 kap\u00ebrcen kontekstin e saj historik dhe krijon lidhje me luft\u00ebrat dhe eksodet e s\u00eb tashmes.<\/p>\n

Vler\u00ebsim i ve\u00e7ant\u00eb iu kushtua edhe Pineas Matoshi, p\u00ebr m\u00ebnyr\u00ebn se si i jep personazhit vullnet, vendosm\u00ebri dhe brisht\u00ebsi.<\/p>\n

\"\"<\/p>\n

Nga Cannes drejt Oscar<\/h3>\n

Suksesi i tetorit vjen pas nj\u00eb serie vler\u00ebsimesh nd\u00ebrkomb\u00ebtare. DUA<\/em> pati premier\u00ebn bot\u00ebrore n\u00eb Semaine de la Critique<\/em> t\u00eb Festivalit t\u00eb Filmit n\u00eb Kan\u00eb, ku fitoi \u00e7mimin SACD, t\u00eb ndar\u00eb p\u00ebr Blerta Bashollin dhe bashk\u00ebskenaristen Nicole Borgeat.<\/p>\n

Pas Kan\u00ebs, filmi u shfaq n\u00eb Festivalin e Filmit n\u00eb Sarajev\u00eb, mori nj\u00eb p\u00ebrmendje nderi nga juria n\u00eb Festivalin e Filmit n\u00eb Zyrih-ut dhe doli n\u00eb kinemat\u00eb zvicerane. Nd\u00ebrkoh\u00eb, \u00ebsht\u00eb p\u00ebrfshir\u00eb n\u00eb list\u00ebn e ngusht\u00eb t\u00eb Akademis\u00eb Europiane t\u00eb Filmit p\u00ebr \u00e7mimet e vitit 2027, ceremonia e t\u00eb cilave \u00ebsht\u00eb planifikuar t\u00eb mbahet m\u00eb 16 janar n\u00eb Athin\u00eb.<\/p>\n

Nj\u00eb tjet\u00ebr hap \u00ebsht\u00eb p\u00ebrzgjedhja e filmit nga Kosova p\u00ebr kategorin\u00eb International Feature Film<\/em> t\u00eb edicionit t\u00eb 99-t\u00eb t\u00eb Academy Awards. Komiteti P\u00ebrzgjedh\u00ebs, i angazhuar nga Qendra Kinematografike e Kosov\u00ebs, e vler\u00ebsoi nj\u00ebz\u00ebri filmin, duke ve\u00e7uar guximin artistik t\u00eb rr\u00ebfimit p\u00ebrmes k\u00ebndv\u00ebshtrimit t\u00eb nj\u00eb vajze t\u00eb mitur, interpretimin e Matoshit dhe nd\u00ebrthurjen e historis\u00eb s\u00eb Kosov\u00ebs me tema si identiteti, trauma dhe q\u00ebndresa.<\/p>\n

P\u00ebr Bashollin, kjo nuk \u00ebsht\u00eb hera e par\u00eb q\u00eb nj\u00eb film i saj i afrohet k\u00ebtij vler\u00ebsimi. Filmi i saj i par\u00eb artistik, Hive<\/em>, u vler\u00ebsua n\u00eb Sundance m\u00eb 2021 dhe u b\u00eb filmi i par\u00eb nga Kosova q\u00eb hyri n\u00eb list\u00ebn e ngusht\u00eb t\u00eb Oscar-it n\u00eb kategorin\u00eb International Feature Film<\/em>, pa arritur nominimin p\u00ebrfundimtar.<\/p>\n

Me DUA<\/em>-n, regjisorja nis nj\u00eb tjet\u00ebr rrug\u00eb drejt \u00e7mimit m\u00eb t\u00eb r\u00ebnd\u00ebsish\u00ebm t\u00eb industris\u00eb amerikane t\u00eb filmit. Sipas kalendarit t\u00eb shpallur p\u00ebr edicionin e vitit 2027, lista e ngusht\u00eb e Akademis\u00eb pritet t\u00eb shpallet m\u00eb 15 dhjetor 2026, nominimet p\u00ebrfundimtare m\u00eb 21 janar 2027 dhe ceremonia e ndarjes s\u00eb \u00e7mimeve t\u00eb mbahet m\u00eb 14 mars 2027.<\/p>\n

\u00c7far\u00eb v\u00eb n\u00eb dukje kritika<\/h3>\n

Kritika e ka vler\u00ebsuar DUA<\/em>-n p\u00ebr m\u00ebnyr\u00ebn se si i shmanget spektaklit t\u00eb luft\u00ebs dhe p\u00ebrqendrohet te p\u00ebrvoja e p\u00ebrditshme dhe intime e personazhit. David Jenkins, i Little White Lies<\/em>, v\u00ebren se filmi largohet nga histeria q\u00eb shoq\u00ebron shpesh rr\u00ebfimet kinematografike mbi luft\u00ebn dhe ndalet te \u00e7astet e vogla q\u00eb mund ta \u00e7ojn\u00eb nj\u00eb njeri n\u00eb kufijt\u00eb e tij.<\/p>\n

N\u00eb nj\u00eb kritik\u00eb t\u00eb publikuar m\u00eb 14 maj n\u00eb Cineuropa<\/em>, Olivia Popp thekson se Basholli nuk e paraqet d\u00ebshir\u00ebn e Duas p\u00ebr ta jetuar adoleshenc\u00ebn si di\u00e7ka t\u00eb ndar\u00eb nga rreziku q\u00eb e rrethon. T\u00eb dyja p\u00ebrvojat bashk\u00ebjetojn\u00eb, duke e b\u00ebr\u00eb personazhin m\u00eb kompleks. Popp ve\u00e7on gjithashtu kamer\u00ebn e l\u00ebvizshme t\u00eb Lucie Baudinaud, e cila q\u00ebndron pran\u00eb protagonistes, si dhe p\u00ebrdorimin e tingullit dhe muzik\u00ebs p\u00ebr t\u00eb nd\u00ebrtuar tensionin pa iu drejtuar sentimentalizmit.<\/p>\n

\"\"<\/p>\n

Nj\u00eb histori q\u00eb buron nga p\u00ebrvoja personale<\/h3>\n

P\u00ebrtej \u00e7mimeve dhe pritjes nd\u00ebrkomb\u00ebtare, DUA<\/em> mbart nj\u00eb dimension personal p\u00ebr regjisoren e saj. Blerta Basholli ka treguar p\u00ebr Variety<\/em> se shum\u00eb prej skenave burojn\u00eb nga p\u00ebrvojat e saj gjat\u00eb luft\u00ebs n\u00eb Kosov\u00eb, kur ishte vet\u00ebm pak vite m\u00eb e madhe se personazhi q\u00eb sjell n\u00eb ekran.<\/p>\n

N\u00eb nj\u00eb intervist\u00eb p\u00ebr Prishtina Insight<\/em>, ajo ka folur p\u00ebr m\u00ebnyr\u00ebn se si vajzat e p\u00ebrjetojn\u00eb luft\u00ebn, shpesh n\u00eb heshtje, p\u00ebrmes nj\u00eb ndjenje t\u00eb vazhdueshme pasigurie q\u00eb nuk \u00ebsht\u00eb gjithmon\u00eb e dukshme. N\u00eb rr\u00ebfime t\u00eb tjera, Basholli \u00ebsht\u00eb kthyer te d\u00ebshira e t\u00eb rinjve t\u00eb asaj kohe p\u00ebr t\u00eb qen\u00eb t\u00eb lumtur dhe p\u00ebr t\u00eb ruajtur nj\u00eb lloj normaliteti edhe mes konfliktit.<\/p>\n

Shpresa e regjisores \u00ebsht\u00eb q\u00eb filmi t’i kujtoj\u00eb publikut nd\u00ebrkomb\u00ebtar se adoleshent\u00ebt q\u00eb rriten n\u00eb zona konflikti nuk jan\u00eb t\u00eb ndrysh\u00ebm nga bashk\u00ebmoshatar\u00ebt e tyre diku tjet\u00ebr. Ata kan\u00eb t\u00eb nj\u00ebjtat d\u00ebshira, t\u00eb nj\u00ebjt\u00ebn nevoj\u00eb p\u00ebr t’u p\u00ebrkitur dhe t\u00eb nj\u00ebjt\u00ebn t\u00eb drejt\u00eb p\u00ebr t\u00eb imagjinuar nj\u00eb jet\u00eb p\u00ebrtej frik\u00ebs.<\/p>\n

\"\"<\/p>\n

N\u00eb DUA<\/em>, lufta nuk \u00ebsht\u00eb vet\u00ebm sfondi i nj\u00eb historie q\u00eb i p\u00ebrket Kosov\u00ebs s\u00eb fundit t\u00eb viteve \u201990. Ajo \u00ebsht\u00eb pjes\u00eb e jet\u00ebs s\u00eb nj\u00eb vajze q\u00eb ende po zbulon bot\u00ebn dhe vendin e saj n\u00eb t\u00eb. Duke e ndjekur historin\u00eb nga ky k\u00ebndv\u00ebshtrim, Basholli e zhvendos v\u00ebmendjen nga vet\u00eb konflikti te m\u00ebnyra se si ai p\u00ebrjetohet nga ata q\u00eb rriten brenda tij.<\/p>\n

THELB,<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Pas \u00e7mimit SACD n\u00eb Kan\u00eb, filmi kosovar fitoi Grand Prix n\u00eb Luksemburg dhe Antigone d\u2019Or n\u00eb Montpellier. Kosova e ka p\u00ebrzgjedhur p\u00ebr Oscar-in e vitit 2027, nd\u00ebrsa filmi \u00ebsht\u00eb p\u00ebrfshir\u00eb edhe n\u00eb list\u00ebn e ngusht\u00eb t\u00eb Akademis\u00eb Europiane t\u00eb Filmit. N\u00eb Prishtin\u00ebn e fundit t\u00eb viteve \u201990, lufta nuk shfaqej vet\u00ebm p\u00ebrmes dhun\u00ebs s\u00eb drejtp\u00ebrdrejt\u00eb. […]<\/p>\n","protected":false},"author":2,"featured_media":4622,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[48,52],"tags":[],"tmauthors":[64],"class_list":["post-4615","post","type-post","status-publish","format-standard","has-post-thumbnail","category-kulture","category-tv-filma"],"_links":{"self":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/4615","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4615"}],"version-history":[{"count":1,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/4615\/revisions"}],"predecessor-version":[{"id":4621,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/posts\/4615\/revisions\/4621"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=\/wp\/v2\/media\/4622"}],"wp:attachment":[{"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4615"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4615"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4615"},{"taxonomy":"tmauthors","embeddable":true,"href":"https:\/\/thelb.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftmauthors&post=4615"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}